Dragon's Tooth had told me that he had completed an assassination mission here, and that the dead man's body was still in one of the rooms.

At that time, he disobeyed the orders of the organization, and after the successful assassination, he did not quit immediately, but chose to stay overnight in the 131 Hotel. It was also this night that he learned an unknown secret and told it to the boss of the 'Seven Colors' organization. Since then, the seven colors have been fighting around this secret.

I told Beard what Dragontooth had told me, and he was surprised to hear it, obviously not expecting Dragontooth to have such an experience.

The two of us looked at the house number on the door, and kept guessing what had happened to Dragon's Tooth that night.

Hu Zi said that the dragon's tooth probably knew about the existence of such an ancient thing as the ghost mark code that night, otherwise he would not have appeared in the team that went to Yingloulan.

That's what I thought at first, but now I'm looking at it differently. I said, "The Ghost Mark Code may be just one of the secrets in the 131 Hotel, and I think there must be something we don't know about here." The ghost mark code that Dragontooth knew at the time may have been just the tip of the iceberg. ”。

The beard nodded and said yes. After Ying Loulan, the ghost mark code has been a semi-open secret in the spiritual circle. And it can be said that it has come to an end, in this case, Feijing will still choose to come to this 131 with Qi Danger, and the hidden thing in this is the most important. It's just that he hasn't found the flying mirror yet, otherwise he might know something if he asks.

To be honest, I don't think the Flying Mirror is going to tell us about it.

Now what we are talking about is just speculation, and we don't know what the truth of the matter will be, and it may be completely unexpected.

Maybe Feijing and Qi Wei are here to open a room in this 131 hotel and make a foundation or something. If that's the case, it's a joke.

There was no light in the hallway except for our flashlights, and it was quiet all around, except for our voices and footsteps. After this time, I am not afraid of this quiet in the dark. Maybe it's because it's a familiar building.

The corridor wasn't very long, and we came to the end in a few moments. To my disbelief, this is a 'D' junction style.

At the end of the corridor there is also a very wide corridor that is transverse. That width can even drive in a liberation truck. I was secretly stunned when I saw it, and I couldn't help but think in my heart, this is really worthy of being rebuilt from an air-raid shelter.

We checked the house number and found that the room closest to us was '423', further left was 422.421...

Dragon's Tooth said that the body was in room No. 3 on the third floor, why did it start with 4 here? Did we come to the fourth floor、?。

The beard took a picture of the corridor in the distance and said, there are hundreds of rooms here, and the beginning of these 4 does not refer to the fourth floor, I think it refers to the 423rd room.

That's a lot, it's a bit of an exaggeration. I don't quite believe there are so many rooms on just one floor.

Hu Zidao, don't forget that this is a rebuilt air-raid shelter, not to mention hundreds, even a few thousand is not surprising.

Beard's words were not unreasonable, I looked at the corridor on the left, and said to Beard, "Let's go this way, be careful." You might encounter one of those fire foxes here, or ghosts riding corpses. You and I are all carefully engaged. ”。

Beard nodded, holding a shotgun in the back and watching in the back, while I opened the way in front with a flashlight that had just been replaced with a new battery.

After walking less than thirty paces, I was blinded.

Because at this beginning, there were no rooms on either side of the corridor, but the kind of bluestone slab decoration. It's all printed on it. Because the age is not too long, most of them can still be seen.

I looked all the way and found that the most paintings were Qi Baishi's shrimp, followed by some horses. The rest are some ordinary landscape paintings.

The beard is also a head two large. Say what's going on, ornaments?

I used my flashlight to shine on the painting on it, and after looking at the distance of a dozen paces, I began to mumble in my heart. If it's an ornament, it may not be used for too long.

The beard is the same as my opinion, and I find it odd. However, after carefully studying some of the bluestone walls, he rejected the idea that there was a mechanism.

I'm not sure if Beard is the two of us who have gone wrong again, is this a viewing area?

Hu Zi thought for a moment and said, "The possibility is very small, after all, the house number is getting smaller and smaller this way, and if you do this, you can go wrong." It can only be said that the people here are deliberately playing with us. Let's take a little longer."

He's right, I think, is this corridor really that long? How can you use so many decorations to decorate the space here?

The two of them looked at the portraits around them and walked slowly forward again. The portraits range from plants to animals at the beginning, and finally to human portraits.

I even saw Mao ** and others in the painting. And great people in science like Albert Einstein. Although the pigment is no longer very bright, you can still see the temperament of those people themselves.

Along the way, Beard and I were not boring, and at the end of the day, we even discussed the advantages and disadvantages of these paintings.

What I didn't expect was that just when we were gradually getting used to these portraits, suddenly the style of painting in front of us changed. It has become a series of terrifying patterns.

The reason why it is said to be a horror pattern is not because the painting style on it is terrifying, but because the meaning of the pattern itself makes the scalp tingle.

My eyes were almost motionless as I walked towards the wall.

The first pattern is of several people together. It can be seen that there are men and women, fat and thin. They looked like they were on their way somewhere.

The next few are all the same rush scenes.

Behind them was an eight-clawed animal attacking the men. But they escaped.

Until two of these women suddenly flew up, and then two people began to chase out, leaving only a man and a woman on the scene.

I looked at it and sank and realized something.

The following footage confirmed my suspicions.

The two of them came across a large tree while on their way. There was a plane in the tree, and there was a coffin in the plane. A man and a woman gathered around the coffin as if discussing something.

I realized that the two people in the painting at this time were probably the scene where the Tibetan mastiff girl and I encountered the plane parked in the tree at that time.

I don't think you need to look at it to know that the painting in the back should be the scene of the beard coming out of the coffin.

But the most terrifying thing happened to me.

The next painting only made me feel like the hairs were standing on end.

A man did collapse from the coffin, but I don't know if it could be called human.

Because the person who appeared in the coffin on the picture had two horns and long fingernails, although the painting was very abstract, it was clearly the image of a ghost.

The weirdest thing for me was that a man and a woman were still very close to the 'ghost'. Especially the man, even in the end, he was always alone with that ghost.

When I saw this, I suddenly stopped and didn't dare to go any further, and looked at my beard in horror, and my heart was extremely nervous.