But even so, the reappearance of the poisonous earthworm made me nervous.

I quickly jumped out of the bunk and lit a candle next to me.

Holding the candle, I first glanced at the fat man and Ma Yan, and found that they were all right, and then I was relieved. Then he searched the bunk carefully.

It soon became clear to me that the sound was not from a poisonous earthworm, but from the bag I was carrying.

This backpack contains the things I use with me, and I don't leave them for a moment except when I'm sleeping. As soon as I lay down to rest, I took off this backpack and put it beside me.

I put my ear to it and listened carefully, and the sound was indeed coming from my backpack.

Although the sound was very soft, it was still easy to distinguish because the scene was quiet.

I was amazed, could it be that those poisonous insects got into my bag again?

Because I used to take tree crystals, those poisonous earthworms didn't poison me. Since poisonous insects can't hurt me, I have become bolder.

I gently unbuttoned the backpack and took out the contents one by one, checking them one by one.

As a result, I didn't find any poisonous insects in my bag, but I found that the sound seemed to come from the picture of the Daojun's night banquet that I brought.

I felt even more incredible, and I put my ear to listen carefully, and now I finally confirmed that the faint sound was indeed coming from the painting. I found the source of the sound.

It's weird, it's just a painting, it can't be a poisonous insect crawling into that scroll, right?

Filled with doubts, I simply set the candle aside, and I gently took out the painting alone, placed it on the bunk, and unfolded the scroll little by little.

When I fully unfolded the scroll, the picture of the Daojun's night banquet was spread flat on the top of the bunk.

There are no poisonous insects, and there are no other creatures.

Painting, still the original painting.

But the painting was placed right in front of me, and the faint voice of Si Si Suo was still there.

I was very surprised, and reached out to touch the picture of the Daojun's night banquet.

As soon as my hand touched the picture, it pulled back again.

The reason is that the temperature of the picture has become very cold. And on that screen, it seems to have become wet.

What's going on?

My drawings have always been in my backpack in perfect condition, and this backpack is one of the waterproof hiking bags we chose. Even if it rains, it won't get wet. What's more, it's been sunny lately.

I took the candle and looked closer to the scene.

Now I found that on the surface of the picture, a faint white mist had gathered.

The fog was so faint that if you didn't look closely, you wouldn't think it was coming from the painting.

But now I was concentrating, and by the candle flame, I realized that the fog was merging with the picture. You can't tell if it's in the picture or out of the picture.

Obviously, the change in the vision of the Daojun night banquet picture I brought over will not be accidental. Could it be that the change in this painting has something to do with the geographical environment here?

I don't know why, right in front of me

What happened was also confusing.

I hurriedly went down to the ground, found a place on the wall next to it, and hung the painting.

In the picture of Daojun's night banquet, the scene of the banquet still exists. It's just that in the night banquet hall, it is also foggy, and it looks like a fairyland.

How could this change suddenly occur?

I rubbed my head and thought about it for a while, and then I suddenly remembered that when we were solving the murder situation in the hospital, we had summoned the female doctor Su Jin into this painting.

At that time, my intention was to let her nourish her soul in this painting. Because she was injured in my hand, I have always felt guilty. And the world in this painting is a very pure world, in which the soul can be purified and recuperated.

It can't be because of Su Jin that there has been such a change, right?

I had this thought, and I immediately felt that I had found the crux of the problem.

With the attitude of trying it out, I hurriedly took out a few pieces of rune paper from my bag, quickly drew two soul-releasing talismans on them with a red pen, pinched the trick with my hand, recited the soul-releasing spell, and lit the rune paper in front of the picture of the Daojun's night banquet.

I used this set of methods for the old stall heads. At that time, in order to avoid the shadow, his soul hid in the painting, and I used this method to invite his soul out.

I used it again today, and I was apprehensive. Because the third uncle told me that the people in the painting look like people, but in fact, they are all old ghosts, and they have been hiding in the painting for hundreds of years. However, the third uncle reassured me, saying that my soul release technique is not yet popular, and even if I use soul release technique, it is impossible to invite the old ghost inside.

I know that hundred-year-old ghosts are not easy to deal with, and if you invite a few of them out, you will get into trouble.

I recited the Soul Liberation Spell three times, and the rune paper in my hand burned clean in the air.

Then I noticed that the light fog that covered the picture slowly condensed.

Soon a human figure gathered in front of the painting.

I watched it all with a jaw-dropping view and felt like I was in a dream.

I watched as the fog slowly took shape. But when the human form was first formed, the fog no longer changed, like smoke and fog, lingering in front of the painting.

I couldn't even make out the appearance of this figure even if I wanted to.

"Li Yang."

Just as I was stunned as I looked at the humanoid mist, a whisper suddenly sounded in my ear.

I was so excited that I subconsciously looked left and right.

The surroundings were quiet, and there were Ma Tan and Fat Dahai lying on the bunks, but apart from these two, no one was there.

Finally, I looked at the humanoid mist in amazement.

"You're calling me?" I asked tentatively.

"That's right. How? Don't remember me? ”

The voice was not loud, but it sounded feminine.

"Are you...... Are you Dr. Su? ”

Judging by the voice and the shape of the mist, I blurted out.

"I'm Su Jin."

"You...... Su Jin? You're out? You...... Are you okay? How's your body doing? "I never expected it to come out

Su Jin. Some time ago, I used this picture to take Su Jin in the hospital. Because her spirit was injured and she had to find a clean place to recuperate, I let Su Jin into the painting.

After this incident, after so many days, I have even forgotten about her. Today, I found out that there was something unusual on this painting, so I tentatively used the soul release technique, and I never thought it would be her.

(End of chapter)

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