"Oh?" Shen Jiangtao's words made Li Wei stunned, and several of the high-level officials of Qing'an University next to him had already been reprimanded.

Li Wei is a world-famous painter, the most influential person among the alumni of Qing'an University, Shen Jiangtao really doesn't know how high the sky is.

Li Wei also frowned, but he still patiently looked at Shen Jiangtao's painting again.

Many of those people in the art department also followed behind Li Wei and his party, and when they heard that Shen Jiangtao was so disrespectful to the god in their minds, they couldn't wait to come over and beat Shen Jiangtao violently.

Looking at Shen Jiangtao's painting carefully, Li Wei's frowning brows gradually relaxed, and then his body trembled slightly, and his expression became a little incredulous.

Shen Jiangtao's painting, at a glance, is exactly the same as just now, but when I look closely, I find that after a while, the charm of the whole painting has completely changed.

At first glance, Shen Jiangtao's paintings were sparkling and damp, typical of summer scenes; Looking at it again at this time, it is still the same painting, but the humidity has faded, the warmth is high, and the scenery in the painting is still the same, but it gives people the feeling that it is already early autumn.

As a master of painting, he knows that there are some painting methods that can make the painting appear gradual, but Shen Jiangtao's painting is obviously not, the painting itself has not changed, but looking at the past, he found that the overall feeling of the painting seems to change in the four seasons.

Li Wei looked at Shen Jiangtao's paintings, and couldn't help but be immersed in them, to look at the paintings of the moment, Shen Jiangtao's paintings were ordinary, but because of this change of charm, the whole painting was completely unfinished.

After staring at it for a while, Li Wei also found that although the painting itself has not changed, it seems that there are still differences in the change of the four seasons, and it is completely like looking at a painting, as if seeing the gradual change of time.

Li Wei was completely distracted, because of his long viewing, the others also held back their disgust for Shen Jiangtao and began to look at the painting carefully.

Soon, as long as everyone stopped to watch, they all discovered the difference of Shen Jiangtao's paintings.

The people of the Feng Shui Society, at the beginning, saw that those people were all angry at Shen Jiangtao, disgusted and hated, and they also disliked Shen Jiangtao's paintings very much.

Originally, the people who came to see the paintings were noisy and noisy, but gradually became quieter, and some of the art students who saw the differences in the paintings directly grew their mouths.

Yu Xu and others from the Feng Shui Club also discovered this change, and they were equally surprised.

The media attracted by Li Wei gradually discovered the changes at this time, and one by one they were even more excited, and several people who reported on the scene had begun to prefix Shen Jiangtao's paintings: Divine Painting.

Li Wei stared at the painting for a long time, and he couldn't get enough of it, but because he was standing here, it caused congestion, and many people stopped here.

It is not a matter of staying here for a long time, so he solemnly stepped forward to vote for Shen Jiangtao, and then said to Shen Jiangtao: "This classmate, in order not to affect the appreciation of the people behind, can you go outside the exhibition hall, I have some questions to ask you." ”

Shen Jiangtao nodded, and the group walked out, and the others were also unsatisfied, and they all followed, wanting to see what caused this change in this painting.

Because of Li Wei's vote, and more people discovered the unusual features of Shen Jiangtao's paintings, more people came to vote.

Many of the people who voted before were in the circle of friends, saying that they had already discovered the extraordinariness of the painting and voted for it.

Coupled with the impetus of those news media, many people in Qing'an City began to come to watch, and there were some good things, posting a short video of Shen Jiangtao's paintings of the four seasons to the platform, which instantly received tens of thousands of likes.

This time, it stimulated the anchors of those short videos, and for the sake of fans and likes, many of them began to rush to Qing'an City as soon as possible.

Outside the exhibition hall, Li Wei saw that there were too many people coming with him, so he had to choose an empty place, so he stood and asked Shen Jiangtao: "This classmate, I want to ask you a question, I believe everyone present also wants to ask, that is, the painting of this painting has not changed in any way, but how can it seem that there will be obvious seasonal changes, and even seasonal changes." ”

When Shen Jiangtao arrived at such a time, he did not hide his selfishness, and directly explained openly.

This "Heavenly Stem Four Seasons" is definitely inferior to Cai Fanyu in terms of painting method, and Shen Jiangtao first admitted this; Then he also pointed out that the reason why it can make people breathtak is not the painting itself, but the exhibition hall where the painting is hung.

After deciding to compete, Shen Jiangtao checked the exhibition hall for the first time and carefully studied the drawings of the exhibition hall; The circular design of this exhibition hall is very convenient for air circulation.

Once this phenomenon is formed, the greater the flow of people in the circular space, the more intense the exchange of air in the upper layer.

The Four Seasons of the Stem Branches itself integrates the ten heavenly stems and the twelve earthly branches in Feng Shui to synthesize the heavenly stems and the earthly branches, and the twenty-four solar terms are all included.

In other words, although this painting is the same scene, Shen Jiangtao painted it ten times with the pigment yang that can reflect the different heavenly stems, and painted it twelve times with the pigment yin that can reflect the earthly branch.

Among them, the three times of Yin, Mao and Chen are the same scene in the beginning of spring rain, the spring equinox, and the Qingming Valley rain, with these three kinds of mainly, constituting the core of the gradual change of spring scenery.

He also painted three times with paints that could reflect the midday, noon, and wei to build the summer scenery on the ground floor; Then Shen, You, and Xu are treated in the same way to reflect autumn, and finally Hai, Zi, and Chou are used to render winter.

It seems that a simple painting is actually painted ten times by Yang and twelve times by Yin, and once the popularity of the exhibition hall is reached, a violent exchange of air in the upper layer is formed.

Then the humidity and temperature difference of the position of the painting will be greatly changed, and this change is not obvious in the front hall, because the front door is wide open, and the popularity flows from the front to the back.

Even if the front hall has a large flow of people, the changes in humidity, temperature difference and other factors are not as good as those in the back.

Therefore, Shen Jiangtao chose to hang this painting at the back of the art exhibition hall, but a few days ago, because there were not many people coming to the back, the air exchange caused by it was not drastic, so there was nothing surprising about the painting.

From the third day onwards, after the flow of people gathered, it began to surge back, and there was a violent exchange of air, so the painting was truly completed.

From this point of view, Shen Jiangtao is actually very grateful to Cai Fanyu, if it weren't for the large flow he brought, this painting would not have changed, it could only be a mediocre painting.

After listening to the meeting, Zhang Zhiguo pondered for a while and asked: "I also have a study of feng shui, it is not easy to integrate the two of the heavenly and earthly branches, and it is even more difficult to integrate them into a painting, how did you solve this problem?" ”