56 Sanyu oil painting
Sniffing the fragrance and taking a sip of tea soup, everyone was silent and immersed in the mellow fragrance of the century-old Pu'er.
After tasting it, everyone spoke out in admiration.
After a pot of tea, Lan Tianyu took the initiative to say: "In addition to the two baskets of tea cakes on the auction, I still have some leftovers here." One of the cakes was left for the teacher to savor later. The other cake will be divided between Senior Brother Fan and several masters, and after everyone has finished drinking, they will come to me to ask for it. ”
"Since it's the little junior brother's thoughts, then I'm not welcome." Fan Qingfeng readily accepted Lan Tianyu's heart.
For the apprenticeship of Lan Tianyu, Wan Lao did not shirk. If Lan Tianyu's apprenticeship is too heavy, Wan Lao will never accept it, but this cake is a hundred years old, although it is also precious, but after all, there are not many of them, and they are mouthful, and Wan Lao is a tea lover, so there is no excuse.
After dividing the tea cakes, it is already time to get off work, and the blue sky and rain have successfully apprenticed, so it is natural to invite everyone to celebrate. A high-end hotel was specially arranged, and several senior executives of the company set off together.
Lan Tianyu suddenly bowed to Wan Lao's sect and became his closed disciple, which made Mao Xiaoyu and others extremely surprised, and at the same time very happy. Wan Lao is the Taishan Beidou of the painting world, a well-known artist in the country, most of them have something to do with him, even those well-known collectors, most of them are inextricably linked with Wan Lao, although Wan Lao will not take the initiative to help the ancient rhyme, but Lan Tianyu as Wan Lao's closed disciple, naturally can also use Wan Lao's connections.
What small and medium-sized auction houses like Gu Yun lack most is the relationship between big artists and big collectors. Mao Xiaoyu and others believe that after Lan Tianyu apprenticed, he slowly came into contact with these connections, and Guyun Auction House will soar to the sky sooner or later and grow into a well-known auction house in the country.
With the wine used to entertain the teacher, Lan Tianyu once again took out a five-pound jar of century-old Fenjiu. After filling up the wine, Wan Lao, who had already drunk nothing, also made an exception and drank two glasses.
Everyone tasted this century-old wine for the first time, and was soon conquered by the mellowness of the century-old wine, which was quickly consumed.
Under the deliberate greeting of Mao Xiaoyu and others, the atmosphere on the wine table was extremely warm, but because of the presence of Wan Lao, everyone had some restraint, and no one exceeded it.
With this free drink on the wine table, the relationship between Lan Tianyu and Fan Qingfeng has also deepened a lot, after all, they will be brothers in the same sect in the future, and establishing a good relationship is something that both of them want to see.
Lan Tianyu and Fan Qingfeng sent Wan Lao to the hotel together. After returning to the room, Lan Tianyu saw that Wan Lao's spirit was very good, and he took the opportunity to ask some doubts about painting, and Wan Lao patiently answered them one by one, which benefited Lan Tianyu a lot. Before saying goodbye, Lan Tianyu asked Wan Lao to live in his home before returning to Kyoto, so that he could ask for advice at any time.
Wan Lao also loves talents, and does his best for the guidance of Lan Tianyu, and hates to pass on all his experience to him. Being able to teach a painting genius like Lan Tianyu is also a blessing for a master like Wan Lao, and the foundation of Lan Tianyu is extremely solid and deep, and the teaching of Lan Tianyu is more to show him the direction, and it will not take up too much of Wan Lao's time.
Considering that he would return to Kyoto after more than ten days, Wan Lao hesitated a little, but still agreed to Lan Tianyu's request.
Lan Tianyu was overjoyed, and made an appointment to invite Wan Lao to live in his home tomorrow, and then left with Fan Qingfeng.
After returning in the evening, Lan Tianyu told his mother Mu Hui that he would learn painting with Wan Lao in the future. This is a great joy that countless people can't ask for, Mu Hui is naturally very happy, and excitedly cleaned up the room for Wan Lao overnight.
Lan Tianyu returned to the bedroom, feeling that he was lucky today, and simply decided to complete the six sacrifices of the Republic of China plane tonight.
Today he was indeed lucky, as he received twenty gold bars and a Sanyu painting of "White Bottle and Rose" for his first sacrifice.
"White Bottle and Rose" was created in 1931. In the upper right corner, there is a note: Jade SANYU; The back of the painting is also left: SANYU10.4.1931.
Sanyu had a life of ups and downs, and in his art he adhered to the idea of "doing his own thing, not flattering the world", and when he died in Paris in 1966 due to a gas leak, he remained unknown and unappreciated. Today, he is recognized in the West as a world-class painter, the Chinese Modigliani.
The main body of "White Bottle and Rose" is composed of milky white, pink and inky black, which should be the green leaves that set off the red flowers, but it is mainly anti-guest by Sanyu, and the pink roses of freehand simple brushwork have become the objects of embellishing the ink leaves, and the philosophical thinking of painting returns to the traditional oriental landscape. It is worth noting that the low-limit chroma depiction breaks the artistic conception of humanistic ink painting with a microscopic pink color, depicting a flat composition that is different from the traditional Eastern ink painting, but also naturally constitutes a highly wonderful Western oil painting work.
Among the well-known paintings, a beautiful still life should be realistic, intricately detailed, and the picture in the painting should also be seen by the eye. But Sanyu breaks with conventions, and in his paintings, there are no cumbersome brushstrokes, complex colors, and conventional compositions. Sanyu does not depict all the details realistically, and the porcelain vase containing roses should be symmetrical in terms of decoration; In terms of painting, the roses and green leaves in the painting should be like a weave and fresh and tender; In terms of object vision, the picture should have a perspective composition; In terms of color, the color of roses should be red flowers and green leaves.
However, Sanyu, which is rich in profound oriental culture, not only breaks the classical aesthetics of line, color and composition in the West since ancient times, but also breaks the Oriental painting philosophy of only artistic conception and ignores space, thus surpassing Eastern and Western art painting and standing on the international art stage.
Although Lan Tianyu is not proficient in Western oil painting, with his artistic accomplishment, he still feels deeply and gains a lot after appreciating the painting skills and the unique artistic conception contained in this painting.
In recent years, Sanyu's paintings have been a hit in the market, and the market price of this painting "White Bottle and Rose" should be more than 15 million, and if it is properly promoted, the price may exceed 20 million
.
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Is there any tipping? The smashed head broke the blood flow, fainted unconscious, and Lao Shi could stand it!