185 Mao Xiaoyu's shock

The first piece of porcelain taken out of the box was the precious porcelain of the Qianlong official kiln of the Qing Dynasty.

This is a hexagonal set of bottles, 40 centimeters high, is the Qianlong early imperial kiln factory fired utensils, the shape of the vessel is regular, the craftsmanship is exquisite and kitty, set pastel, enamel color, hollow and other decorative techniques in one vessel, the ornamental pattern integrates Chinese and Western cultures, representing the highest level of Chinese ceramic technology.

The market price of this precious "Qianlong Outer Pink Blue Glaze Embossed Banana Leaf Hollow Entwined Branch Flower Pattern Inner Blue and White Hexagonal Set of Bottles" should be more than 30 million, which is definitely a rare treasure porcelain!

If this rare porcelain is unveiled in China, it is enough to become the finale of major domestic auctions. After seeing this precious porcelain, Mao Xiaoyu once again added a bit of confidence to the first auction of the ancient charm of Xiangjiang.

While Mao Xiaoyu was still carefully appreciating, the second piece of porcelain had been carefully placed on the booth.

Or a piece of Qianlong porcelain of the Qing Dynasty, this "blue and white dragon pattern plum vase", 33 cm high, the theme decoration is the dragon picture of wearing flowers, the shape is beautiful, the temperament is elegant, the mouth edge and the bottom shin are painted with a sea wave pattern, this unique edge decoration is a symbol of the Yongxuan kiln imitation in the Yongqian world.

The four dragon ornaments seen, out of the air, piercing among the flowers, strong and fierce, the spirit of thousands of miles, the posture is different, but they echo each other, the king's breath is stirred in it, and when people read it, they suddenly have a heart of awe.

Its blue and white hair color is dazzling, as if the ink is as incisive, its fetal glaze is excellent, such as the jade of the run, showing extraordinary beauty, and it is a good porcelain name.

The plum vase is one of the most elegant and important types of porcelain in the past dynasties, and since the Song and Yuan dynasties, the value and quality are higher than those of their peers. The market price of this precious porcelain is more than 15 million, although it is not as expensive as the first hexagonal set of bottles, but it is also a rare heavy weapon in the market.

The next nineteen pieces of rare porcelain taken out in a row were all Kang Yongqian's heavy weapons, and the lowest market price was above 8 million Chinese coins.

After the last piece of Qing Dynasty porcelain was taken out, everyone gasped when they saw the ingenious shape!

This is a "Qing Qianlong pastel hollow auspicious celebration more than turn the heart set of bottles", divided into two bottles inside and outside. The inside and outside are connected at the bottleneck, the bottom of the inner bottle is connected with the inner part of the outer bottle, the carp pattern of the outer bottle body is lifelike, with the hollow water ripple carved design, it looks graceful and rich, the red "auspicious" word on the bottleneck contains auspicious wishes, and the blue and white pattern drawn by the inner bottle can be seen from the outside.

The twisting set of bottles is the most exquisite design in the history of ancient porcelain making in China, the most complex process of a porcelain style, each piece is ingenious, extremely time-consuming, labor-intensive, material-consuming, very few in existence, rare abnormality.

Such a precious set of bottles has only a very small collection in the museum, and this piece of heavy treasure porcelain, delicate and gorgeous, is enough to serve as one of the finale lots, and the starting price is bound to be more than 100 million yuan.

After repeated identification, Mao Xiaoyu was in a stirring mood, the expression on his face was extremely excited, and he turned his head to Lan Tianyu and said: "This is the most valuable piece of porcelain I have ever seen. ”

"In the porcelain category, there are four most precious pieces of porcelain, and this is one of them. Other porcelain is also a rare porcelain, don't be too excited, take your time, there will be surprises later. Lan Tianyu said with some smugness.

"This twisting set of bottles, but the starting price of more than 100 million yuan of rare porcelain, there are four such heavy treasures, this surprise is really too big! If it weren't for the fact that my heart has always been good, I'm afraid I would have fainted with excitement by now. With Mao Xiaoyu's steadiness, under the agitation of the mood, there was a trace of trilling in his words.

It took more than half an hour to complete the placement of nearly fifty pieces of porcelain.

In addition to the ingenious "Qing Qianlong pastel hollow auspicious celebration more than the heart set of bottles", the other three most valuable porcelain is the Ming Chenghua Doucai Chicken Bowl Cup and a pair of Ming Chenghua Doucai Flower Butterfly Pattern Cups. The three pieces of rare porcelain in the back are also real treasures with a starting price of more than 100 million Chinese coins.

The next lot of calligraphy and painting also shocked Mao Xiaoyu and others.

There are more than 50 works of calligraphy and painting in the Ming and Qing dynasties and modern times, and most of them are masterpieces of famous artists, and the lowest market price of the works is more than 3 million.

Among these works, the most precious are Sanyu's two works: "Bottle Chrysanthemum" and "White Bottle and Rose".

In recent years, Sanyu's works have become more and more sought after by the market, and the prices of these two fine paintings, according to the size, have a starting price of more than 30 million.

Of all the paintings and calligraphy before the Qing Dynasty, there are four of the most precious. They are: Yuan Wangmeng's "Autumn Mountain Xiao Temple Map" color paper vertical scroll, Huang Tingjian's "Songfeng Pavilion Post", Mi Fu's "Yan Shan Ming" and Tang Yin's "Eighteen Ladies".

Each of these four paintings and calligraphy is a well-deserved treasure, and it is enough to be the finale of any auction.

These paintings and calligraphy, every time they are opened, they will arouse everyone's unison in amazement.

There are dozens of miscellaneous items, among which the most precious are: Song Huizong Imperial System, Qing Qianlong Imperial Ming "Turquoise Stone Meaning" Qin, Ming Xuande Golden Fetal Chisel "Catch the Pearl Cloud Dragon" pattern inlaid gemstone three-legged cover furnace, "A Reed Crossing the River" agarwood ornaments, Ming Dynasty Bao Tiancheng's "Zhang Qian Pancha" rhino horn cup and so on.

There were still the last two boxes left, and Lan Tianyu stopped the staff who wanted to continue to open them, and said: "The lots of these two boxes are too precious, so I'll do it myself." ”

Among the lots taken out before, many of them can be called real treasures, but Lan Tianyu is not so solemn, and Mao Xiaoyu and others are even more looking forward to the auctions that are about to be taken out.

Lan Tianyu carefully took out the Nine Dragons Jade Cup and placed it on the display case.

Mao Xiaoyu walked quickly to the front, and after admiring it for a long time, his face showed an extremely shocked look, and he asked not very confidently: "Wouldn't this be the legendary Kangxi Emperor's beloved 'Nine Dragon Jade Cup'?" ”

"It seems that Mr. Mao's appreciation is getting higher and higher, your judgment is right, it is indeed the legendary Nine Dragons Jade Cup!" Lan Tianyu replied very affirmatively.

"I heard that in the Nine Dragons Jade Cup, after pouring wine, there is a vision of Nine Dragons taking off, I don't know if it's true?" Mao Xiaoyu still couldn't believe it.

"I've tried it, and after pouring the wine, I do have such a vision. This Nine Dragons Jade Cup is genuine, there is no doubt about it! Later, you can also experiment, the skills of the previous master Zhuoyu are ingenious, which is really breathtaking. ”

After finishing speaking, Lan Tianyu continued to take out a pair of scrolls and slowly opened them.

The handwriting in the scroll was gradually revealed, and when it was all unfolded, Mao Xiaoyu asked in disbelief after repeatedly identifying the seal on it: "This calligraphy work can't really be Yue Fei's real handwriting, right?" ”

(To be continued.) )