Back in the office, Lan Tianyu casually took out a copy of "Application of Spiritual Power" and read it with relish.

Although most of the content in it is fabricated and fabricated, many of the methods of using spiritual power in it can bring him some inspiration and direction. With these inspirations and directions, he can slowly study specific cultivation methods in practice. Even if you don't have the guidance and inheritance in this area, after studying hard and taking time, you will definitely achieve something.

When flipping through this book, Lan Tianyu first discovered a powerful advantage of spiritual powers, that is, unforgettable!

Every page of the book that he turned through was clearly imprinted in his mind, and he could remember even the position of a punctuation mark clearly.

With this discovery, Blue Sky Rain was pleasantly surprised!

Although his memory has always been good, but it is far from reaching the level of unforgettable, with this ability, no matter what knowledge he learns in the future, it will be extremely easy, this is an ability that can benefit people for life, Lan Tianyu is very happy.

Under his reading speed of ten lines at a glance, these ten or so books were read by him in one morning. Most of the content is made up by the author, and basically has no reference significance, he just skims it over, and only those small parts of the content that can inspire him are worth his time to savor and ponder.

After reading these books and thinking about it again, Lan Tianyu temporarily summed up three methods for the application of spiritual power.

The first is the direct attack application of mental power. After becoming a psychic power, the psychic power is like his third hand, and it is also a hand that can change shape at will. He can condense his spiritual power into a sword, or even a thin needle, to directly attack the opponent's brain, which is extremely powerful.

Because it was his first practical practice, the speed of transforming his spiritual power into a sword was very slow, and it was quite difficult, and he could only condense it into a relatively rough sword shape now, and he couldn't do it in detail.

The second application method is mind control. He can use his mental power to manipulate objects to attack, such as throwing knives, thin needles, stones, etc. After thinking about it carefully, Lan Tianyu decided to create some sharp blades as a weapon for daily exercise. Maybe he can only control one or two blades at the beginning, but as long as he persists, there will definitely be more and more blades that can be controlled at the same time, and the attack power will become more and more.

The third is the auxiliary application of mental power, such as hypnosis, confusion, illusion creation, etc. Compared with the first two application methods, there are more categories of auxiliary applications, and the difficulty of cultivation is also greater. In the absence of a detailed inheritance, relying on his own research, I am afraid that he can only grasp some scratches in a short period of time.

After having an idea, he tried all the methods he could think of to apply his spiritual power. These application methods are difficult and easy, and he is only doing a simple understanding now, and will continue to study in depth when he has more experience.

All morning, Lan Tianyu was thinking and studying the application of spiritual power. In such a short period of time, of course, it is impossible to gain much, but with several superficial spiritual power applications, Lan Tianyu has basically mastered it.

After lunch, Lan Tianyu did not continue to study spiritual abilities, but was ready to splash ink and paint a few paintings to see what kind of level of freehand painting was at the specialized level? In his actual creation, can he give full play to the newly acquired knowledge of freehand painting?

Freehand painting is the use of concise brushwork to depict scenes. Freehand painting is mostly painted on the life of Xuan, the vertical brush is swaying, the ink color is flying, and it can better reflect the charm of the scene depicted than the gongbi painting, and it can also express the author's feelings more directly. Freehand painting advocates god-likeness and pays attention to the use of ink.

For the first painting, he prepares to paint a freehand ink figure painting.

As we all know, it is very difficult to draw freehand ink figure paintings well. The growth of a mature freehand figure painter needs to be tempered by decades of training, first of all, in addition to having artistic talent, it also needs superb modeling ability, which is of course only the basic condition. Second, a good Chinese painter should have a high level of cultural literacy, especially love traditional culture, and understand the true meaning of the aesthetic spirit of Chinese painting from classical literature and philosophy. Third, Chinese painters should understand the spirit of freehand and know how to pursue the aesthetic height of artistic conception and interest; It is necessary to dabble in calligraphy, work hard, enter the palace of pen and ink, and further experience the aesthetic realm of Chinese painting advocating simplicity through the abstract beauty of calligraphy art. Fourth, Chinese painters should also have a broad mind and a broad vision.

The more concise the brushwork, the more it tests the skill and the hills and valleys in the chest, and the freehand ink figure painting looks simple, but it is extremely difficult to create a masterpiece.

Since the last time he got the calligraphy and painting skill book, Lan Tianyu has added a desk and a full set of calligraphy and painting supplies to the office, and in his spare time, he can improvise in the office.

Standing in front of the wide desk, thinking silently for a moment, the blue sky and rain splashed ink, and a copy of Shi Ke's "Two Ancestors Tune the Heart" was quickly presented on the paper.

The blue sky and rain feel like a god, and the brush in his hand is swaying as he wishes, which means that the pen is first, and the ink is dripping, all in one go. At the time of creation, because of the high concentration of his spirit, his own strong spiritual power was also unconsciously integrated into the pen.

Put down the paintbrush in your hand, and after paying the money, take out the "Tianyu" seal, and a bright red seal is printed in the lower left corner.

This is the first painting he has created in his life, and he is proud and excited. Without rushing to create a second work, he stood in front of his desk and once again carefully admired the "Second Ancestor Tune Heart Diagram".

The picture depicts the scene of Hui Ke and Feng Gan, two Zen patriarchs, when they were Zen masters. In the painting, the one who sits with his feet crossed and supports his cheeks with his elbows on his arms is Hui Ke; Feng Gan lay on the back of a tiger as tame as a cat. The picture shows the profound cultivation of the two eminent monks and their boundless mana, the former highlighting the word "quiet" and the latter highlighting the word "酣".

In terms of painting method, Lan Tianyu simplified the brushwork and gave full play to the ink effect, completely imitating Shi Ke's style of "only the face and hands and feet are painted, and the clothes are made of thick brushstrokes". With strong flying and casual sloppy brushstrokes, it expresses the subtle and profound Zen realm of the monks. Deep places, thick with ink; The shallow place has a light charm, and it has basically reached the artistic realm of pen and ink, and the blend of pen and ink.

The "Two Ancestors Tune Heart Diagram" that he copied not only has a mature and sophisticated painting method, and the brushwork is indulgent and vigorous, but also has a profound meaning and a strong sense of Zen.

His painting skills have indeed reached the level of specialization, which is not surprising to him, to Lan Tianyu's surprise, this painting actually shows the artistic conception of the master level!