The two sisters, Luo Yifan and Meihua Meile, arrived at Villa Siddens, a two-storey villa in Chinese style, with a single-storey area of more than 600 square meters, which is about 2 to 3 times that of ordinary urban villas.

The appearance of this villa is no different from that of ordinary villas, but when you walk into the interior, you will be surrounded by the heavy mahogany primary color and flower and bird decoration style, and when you walk into the door, you will directly enter the boxy entrance, and there are two three-fold translucent screens on both sides of the entrance, which is painted with a picture of a lady under the moon, a lady in a pink tulle skirt, with a bright moon and plum blossoms, holding a small red palace lamp in her hand, showing gentleness and beauty.

In the small space behind the screen, two large vases can be faintly seen, with long flower branches inserted in the vase, and the white and brown flower branches extend to the top of the screen, as if adding a background to the ladies, not only has no sense of disobedience, but also looks very compatible.

There is no corridor in front of the entrance, and you can directly enter the largest living room of the Siddens villa, but in this living room, Luo Yifan will never stay for more than five minutes, because it can be described as a cluster of flowers and birds.

Luo Yifan himself likes Chinese style, but he is minimalist, while the two sisters are the opposite.

The interior of the living room is mainly decorated with wooden structure, using imitation mahogany. The roof arches upwards in a circular shape, and at the seam with the wall below, a layer of wooden frame is tiled, and each space of the wooden frame is decorated with a transparent double-sided embroidery, the pattern is dominated by light-colored birds and flowers, each one is different, very unique and beautiful.

Further down the living room, it is a huge square shape, standing at the junction of the entrance and the living room, looking inward, facing south, the entire wall is made of transparent glass, and a small lounge extends out of the wall, and the lounge is full of sunlight, and you can comfortably sunbathe inside.

Back to the interior of the living room, the inside of the transparent glass wall is about two or three steps apart, directly is the spiral staircase, the spiral staircase is built in the living room space, it is also made of imitation mahogany, the mahogany is above the black iron railing, and each railing is carved on it. In particular, the handrails at the bottom of the balustrade are carved directly into the shape of roses.

At the end of the spiral staircase, facing the east wall, there is a small wooden door with the sign of the bathroom, and the upper wooden frame extends slightly to the sides, connecting with the picture frame and wooden lattice on both sides.

On the south side of the small gate hang two small oil paintings, below which are the views of a corner of the secluded rose garden. On the wall to the north of the small door, a whole wooden lattice line divides the whole wall, and then there is a transparent wall that occupies almost 1/3 of the middle space of the east wall, which is different from the glass of the south wall, the upper half is completely transparent, and the lower half is printed glass, printed with blooming flowers and birds.

Looking inside the glass wall from the inside of the living room, you can be sure that there is a boxy kitchen, which feels very small compared to this living room, but it is more than two or three times as large as the average kitchen. The entrance to the kitchen is outside the lounge, where a narrow hallway connects to the kitchen door, which means that you need to go around most of the circle to enter the kitchen.

This is designed to keep the smell of fumes out of the living room and lounge, but the cooks have to work a little harder.

We then walk north along the east wall, and the span of one step apart is a real glass window, the outer frame of the window sash moving left and right is milky white, the four corners of the window frame are slightly decorated with pink flowers, and the curtains are blue lilac patterns, with curly and elegant flower branches, which is also very beautiful.

There is a small coffee table in front of the windowsill, which is basically useless, with only a black metronome on it, but the window frame and the coffee table are very clean.

In front of the coffee table is a circle of semi-enclosed cloth sofas and a mahogany dining table, the mahogany dining table is divided into two layers, and the lower level is placed with large trays, teapots and cups and other things, highlighting the habit of drinking tea in the family. Every day, there will be some fruit and delicate snacks on the upper floor, served on a nice and cute printed plate. Of course, these things are supervised by Luo Yifan, except for fruits, everything else is something that the two sisters can only see but not eat.

Who makes Crispy Heart and Sweetheart Grandma like to make sweets so much! Meihua Meile is actually very distressed.

The cloth sofa surrounds the east, south and west sides of the dining table, and on the east and west sides are relatively ordinary rectangular sofas, and the patterns on the soft sofa covers are of course flowers; On the south side is a slightly larger sofa with a brown backrest, with a creamy white pattern at the top of the backrest and the bottom of the sofa, and the cushions on the sofa are brown and brownish-red, with white silk threads embroidered on the top, and lovely tassels on the four corners.

Directly below the spiral staircase, there is also a pair of loveseats, of the type that is semicircular, very thick, very soft and comfortable, with a backrest that takes care of the person's entire head and very smooth lines. The pair of armchairs, like the cushions of the rectangular backrest, are brown and brownish-red, which matches the small round table in the middle.

A tea set is also placed on the small round table in the middle of the single sofa, and the delicate teapot and three or four cups are neatly arranged on the round tray, which looks clean without a trace of dust.

The other walls of the living room are scattered with several large art photos of Meihua Meile, and the two oil paintings of "The Goddess of Tragedy" that were just sent in the morning are now being leaned against the west wall of the living room, waiting for Sweetheart and Grandma Crispy to find a suitable place to hang or place them.