Small talk - about the plot

Xiao Jing wrote this book a bit of a death, really. Pen | fun | pavilion www. ｂｉｑｕｇｅ。 ｉｎｆｏ

In other words, it can be said that writing an infinite stream of novels can be said to be easy or difficult, and the key lies in how the author writes.

The simple way to write it, take "Terminator 2" as an example, enter the plot world, and the goal is to kill the T-1000, nothing else. Merge up with T-800, find Sarah, get the weapon, and finally take out the Cybertin Lab, and call it a day and return to the main god space. Simple and enjoyable, don't you care about anything that isn't mentioned in the movie.

At most, there will be a little wave in the process, but the direction of the plot will not change. You can also put an excuse on the protagonist not to change the plot in order not to increase the difficulty.

It's so simple to write it, and you don't have to think about more things. What to consider? Consider the fact that the director is lazy in the movie.

Also take "Terminator 2" as an example, John and the T-800 sabotaged Cybertin's laboratory together, Dyson detonated the bomb and killed an entire team of police, and the T-800 detonated at least a dozen police cars and injured more than a dozen policemen. And after that? There was no response from the police. There is no call for help from higher departments, and the FBI should not have such a thing. The police couldn't beat it, and the National Guard didn't come to support. Xiaojing really thinks that John can be hunted down by the whole United States and remain free until the beginning of the plot of "Terminator 3" in 2004, which is really a miracle within a miracle.

In addition, as such a super company that can develop Skynet for the Ministry of Defense, how does Cybertin look like a small company that a few enthusiastic young people have just started in the movie, is it possible?

These are all things that are not explained in the movie. But unfortunately, Xiaojing considered these questions. Xiaojing strengthened Cybertin, wrote the FBI, wrote the Ministry of Defense, wrote the police...... Because Xiao Jing chose Hell difficulty. Instead of writing a movie alone, I wrote a world. Xiaojing also did not arrange for the protagonist to follow the plot, because there is no need to write about what everyone has already seen through the silver screen.

As a result, the current plot came out, Xiaojing is a newcomer in writing novels, and I don't know if it's right to write like this. In short, the plot that comes out now is basically a brand new story that happens in the world view of the movie. Maybe you can't even see much of the original plot in it.

It's really hellish difficulty. For example, in the world of the Terminator, Xiaojing needs to consider the content of "Terminator 2, 3, and 5", including the side story, including comics and even some official novels, to construct a complete Terminator world. Instead of simply writing, after playing T-1000, the second plot ends, and the protagonist can take a break and develop, sit and wait for the arrival of the third T-X, and then continue to play.

Xiao Jing has more work to do. After playing T-1000, ok, the plot of "Terminator 2" is over. But is it really time to rest? What to do with the wreckage of the T-1000? Doing such a big thing, how can the relevant departments like the FBI settle it? How did Terminator research move from Cybertin in Terminator 2 to the MoD in Terminator 3? What are the police going to do if something is so big in Los Angeles? What about the National Guard? Cybertin is such a big company, the laboratory is ****, and the main R&D personnel have run away, how will they react?

So it's really not easy to synthesize these things and really write a world. It is inevitable to add more relevant people and events to connect the series. Otherwise, it will really become a game of passing, and after fighting a boss, OK the next one.

So today, a friend said to me that it feels very bad to see a character like Blood Rose appear, Xiaojing just feels a little sad, and this character naturally has her reasons for appearing. Of course, it is clear that he can write a book that no one can offend, but it is also Xiaojing's own responsibility to make this big death. However, Xiaojing doesn't want to write a popular book that makes everyone feel familiar after reading it, which is Xiaojing's insistence. So even if it is the same "Resident Evil", Xiaojing has to write a different "Resident Evil".

Similarly, Xiaojing also needs to apologize, and the requirements for writing like this are really high. Maybe the small mirror does not have a good place to write. Well, not perhaps, yes there is. There have been many friends who have put forward some of the poisonous points of this book, and Xiaojing can adjust it as much as possible, and try not to have these problems in the future. But the most important thing is to improve your writing skills and let everyone see a better book.

In short, such an infinitely streamed writing method of hellish difficulty, Xiao Jing still decided to continue, carry it forward, and use this as a label for Xiao Jing to continue to write. Therefore, everyone can also see that the plot of "Resident Evil: Curse", which is currently underway, suddenly ran to hook up with "Resident Evil 6", which is due to Xiaojing's writing method out of global considerations.

Of course, no matter how far it goes, Xiaojing will inevitably justify itself. Maybe you can still see some details that you can't usually notice when watching movies through Xiaojing's book? But the price is that each world will be slightly longer, and I hope you can understand, like and support.

It's late at night, complain, everyone won't think Xiaojing is verbose~~~~ Finally, a reasonable criticism, Xiaojing accepts. blurted out a non-thinking squirt, and the small mirror was deleted in seconds.

In short, the mechanic of the infinite legend, Xiao Jing, is moving forward with everyone.