At the moment, all departments of Dimension Entertainment are busy.

Following the animation of the fourth season of "Full Time Master", the second season of "The Four Billion Ensemble of Evolution" has also been completed.

This animation, in the first season, the flavor of popular science was very strong, but later it already had a little bit of a transformation to science fiction.

And when it comes to the second season, especially at the end of the second season, it is even more obvious.

At the moment, the business department is running the film.

In the case of cooperation experience in the past, Wedo Entertainment gave priority to contacting Jiang Anhong of CCTV TV.

In anticipation, the problem should not be too big. After all, with the results of the previous season as a foundation, this second season will not be worse.

Last time, Tang Zhiqi went to Shangjing to deal with it, and this time it is still the same.

After the meeting, when Jiang Anhong greeted Tang Zhiqi, he also said that when "Fantasy of the Three Kingdoms" came out, he actually wanted to make some efforts to push the show to be bought after the stage. However, he is still in charge of the two channels of children's and science and education, and the comprehensive channel has little right to speak. And CCTV's purchase of dramas is not simply to watch the future popularity of the series, there are still many things to consider, so it didn't work out, which is a pity.

Regardless of whether Jiang Anhong's words are sincere or not, at least, the gesture put on by others has fully demonstrated his goodwill.

This is very basic in terms of cooperation.

Soon, the film passed the review directly, and the broadcast on the children's channel and the popular science channel was decided.

As for the price, it is much higher than in the first season.

But the so-called much higher, in fact, is not that high, at best, the income is only a few million, and this amount of money is no longer enough to make Wedo Entertainment particularly concerned.

The reason why I want to continue to be on TV is just to spread the work and strengthen the influence of the work through this more popular medium. At the same time, cartoons are like CCTV TV stations, so the policy preferences in all aspects that can be won in the follow-up will also become smoother.

The simplest and crudest thing is the domestic animation subsidy. In this regard, Jiang Anhong also made efforts to help, otherwise, Wedo Entertainment would not sell animation cheaply.

Even with this subsidy, plus the price of the TV station, it barely made nearly 10 million yuan.

It doesn't seem like much, but it's not bad to have such a benefit. The main purpose of selling to CCTV is not to seek direct benefits, but to expand the influence of IP and bring more value to other derivative copyrights through this platform.

As for the copyright of online broadcasting, the income is far more considerable than that of television broadcasting.

The 20 episodes of "4.6 Billion Ensemble", the exclusive broadcast copyright of the network was directly sold for 30 million, and Station B and Penguin Video jointly bought it.

Since its establishment, Wedo Entertainment has cooperated closely with these two parties, especially Penguin Video.

In addition, other derivative copyrights of this work have also reached the point of renewal, re-authorization, or further expansion.

Especially when it comes to toys and games.

Wedo Entertainment has released the news that the second season will be broadcast. According to Ye Jiayi's budget, as long as the results of the work are still passable, the company will earn about 50 million yuan in the next year through peripheral derivative copyrights.

The total sum of zero and zero, the total income of the second season of "The Evolution of the 4.6 Billion Ensemble" is estimated to be hundreds of millions, of which the majority is in the development of derivative copyrights.

That's pretty striking.

It is true that as an animated work, the gold-absorbing ability of "The Evolution of the 4.6 Billion Retain" is far less than that of "Fantasy Three Kingdoms", but there is also a huge gap in the volume between the two.

However, the revenue of "4.6 Billion Ensemble" is long-term and will take longer to slowly recover.

Speaking of long-term earnings, a month ago, the overseas copyright of the first season of "4.6 Billion Ensemble" was also put into operation. At the same time, the plan to go to sea for the second season was also negotiated, and a total of about two or three million US dollars could be returned, which is not bad. And if the broadcast effect of this work overseas is also very good, then there will also be something to be done in the development of overseas derivative copyrights.

Overseas copyright development, this is still an aspect that Wedo Entertainment has not been exposed to, but Ye Jiayi's ambition is big, Wedo Entertainment has tried to operate its own works independently, which is indeed much more tiring than handing it over to others, but the benefits are also greater and more controllable.

When it comes to overseas copyright operations, the same is naturally true.

In the early days, there were some overseas copyright owners who came to contact Wedo Entertainment, hoping to introduce several of their animation works.

The price given is neither high nor low, but Ye Jiayi did not sell, at least the main target markets did not sell.

Now, Wedo Entertainment has established its own branches in Japan and Southeast Asia.

There are not many people in the two branches, only three or two kittens, and the main job is to be responsible for copyright operations abroad.

Their work has borne fruit, and the broadcast rights of "Special Events Task Force" and "4.6 Billion Ensemble" have been sold and are operating vigorously.

"Task Force" is okay, but it has a certain market in Southeast Asia. Due to the content of a bit of a high-end black all kinds of foreign countries, it is not easy to export, only in some individual countries, such as South Vietnam, the culture is relatively similar to China, and the overall economy and culture are more dependent on China, so it is more convenient to export.

It's like going to Japan.,This work is basically cold.,Not much operator likes.。

But in the case of "The Evolution of the 4.6 Billion Repetition", the situation is different. The first film with the concept of popular science is easy to sell in any country, and because of its wide audience, it has indeed achieved some good broadcast results.

In addition to animation, the work that Wedo Entertainment focuses more on operating overseas copyrights is actually "Fantasy Three Kingdoms".

The work "Fantasy of the Three Kingdoms" naturally has no problems with the quality. Although the operation model is not the way of high-quality quarterly broadcast of American dramas, the content of forty-six episodes, when taken together, will not be worse than that of American dramas.

Due to world background, cultural factors and other reasons, it may be more difficult for "Fantasy Three Kingdoms" to introduce places like Europe and the United States.

As a result, the copyrights of Europe and the United States, and Wedo Entertainment were all sold in the form of agents at once, and the price was not particularly high, and it was good to have a little mosquito meat.

However, in the entire East Asian plate, the signboard of the 'Three Kingdoms' is still very useful.

In South Vietnam, Japan and other places, the division of Wedo Entertainment is actively forging ahead. At the same time, in South Korea and the entire Southeast Asian region, the copyright operation of this work is also actively underway.

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