Now Wedo Entertainment is no longer a nobody. The success of the three works "Full Time", "Task Force", and "Evolution of the 4.6 Billion Duo" allowed them to successfully establish their reputation in the animation circle.

On the one hand, in front of the audience, there is already a little bit of the concept of 'dimensional production must be a boutique' spreading, and this is also a 'character design' that Wu Jingtong's marketing department is focusing on.

The company also needs a 'person', which is the so-called corporate image.

Once this corporate image is formed, it will bring huge wealth to Wedo Entertainment.

It's typical, like the Blizzard of the past. The so-called Blizzard products must be high-quality products, and it is self-evident how much benefit they have brought them. For example, HBO, the American dramas they produce are naturally a symbol of quality.

Of course, the construction of this kind of corporate image, it is certainly not enough to look at the publicity, and the works that lay the foundation are fundamental.

In addition to the reputation in front of the audience, there is another point that cannot be ignored, which is the reputation in the industry.

This point is of great help to Wedo Entertainment to attract industry talents.

For example, the attraction of companies such as Blizzard, UB, and EA to game talents, such as Pixar's attraction to animation talents......

'Dimension Entertainment' can't reach this level for the time being, but at least it has established some fame, and it has become easier to recruit people.

At least, there will be some people with a good level who will take the initiative to submit resumes to Wedo Entertainment.

That's a pretty good thing.

The art team is bound to be further expanded.

Now, it's barely enough, and when the second season of "Four Billion Ensemble" and the fourth season of "Task Force" are about to start production, it will definitely not be enough.

Anyway, there is no problem that the artists recruited cannot be used.

……

When the crew of "Fantasy of the Three Kingdoms" was being built, the broadcast progress of "Evolutionary 4.6 Billion Reciprocal" also entered a climax.

The number of broadcasts of online dramas has been maintained at 6 million per episode, and the current total number of broadcasts has reached more than 60 million, and looking at this posture, it is a sure thing that the final broadcast volume will reach 80 or 90 million, and it is very likely that it will even exceed 100 million.

In the broadcast of the children's channel, the ratings are stable at around 1.5, which is also quite a good result.

The second and third rounds of online broadcasting rights and television broadcasting rights are currently in the process of negotiation. Then count the on-demand split of the premiere......

According to Ye Jiayi's estimate, the income from these money can exceed 10 million.

At the same time, the specially approved domestic animation subsidy of 10,000 yuan a minute is almost about to arrive slowly.

After calculating all kinds of income, at the very beginning, the revenue expectation of 20 million for "Evolution's 4.6 Billion Ensemble" has been exceeded.

And the most important thing is that with the authorization of peripheral products, Wedo Entertainment has almost won a big victory.

The DVDs and commemorative editions are already in the production process, and they will be released after the premiere; At the same time, the authorization of various toys and peripheral products is being sold.

The popularity of this part of the surrounding market has to be said to a large extent due to the fiery results broadcast on TV stations.

Although the price of animation sold to children and science and education channels is not high, the audience has suddenly expanded a lot.

According to the latest report given by the marketing department, the work "Evolution of the 4.6 Billion Ensemble", relying on the follow-up copyright sales, will finally recover the estimated income of 60 million within a year, which is not too big a problem.

In this way, in the first season alone, the revenue created by "4.6 Billion Ensemble" has been able to reach the revenue of "Task Force" for three seasons.

There is an objective basis for "4.6 Billion Ensemble" to create such a large market value. Its scale and style are suitable for children to watch, unlike "Task Force", where the scale wanders on the edge of the rules, and it is easy to have an accident if it is bigger.

But despite this, I have to admit that the value brought by Ye Jiayi joining the company is indeed very huge.

With her hosting, Wedo Entertainment can operate its own works independently, and the long-term income must exceed a one-time buyout.

Wedo Entertainment has made money on the work "4.6 Billion Ensemble", and it has made a lot of money, which cannot be hidden.

Many companies in the industry know about it, and even they have obtained a lot of reliable research data.

There are many people who envy, envy and hate, and even more red eyes.

However, I have to be convinced that the things made by People's Dimension Entertainment are really awesome.

The dreamlike image of the underwater world, those beautifully shaped primitive sea creatures, and the evolutionary journey of the imaginative 'Rin'......

Most of my peers are convinced by this. Something of this level, a discerning person can know at a glance that it is made by a master, and it is made with great investment.

The duel between the fierce and hideous Dunkle fish and Lynn's Leviathan aircraft carrier was quite impressive.

And when the protagonist 'Lin' goes ashore, the construction of primeval forests and ancient deserts is full of an atmosphere of romantic realism.

The key is that not to mention the modeling and art style, the light and shadow effects and excellent physical collision effects make the whole film look very textured. This is especially true after the evolution of organisms on land.

The fluttering and hunting of the huge giant veined dragonfly is fast and fast, and the sense of impact is excellent, unlike some inferior 3D works, where the realism of biting down is particularly virtual.

These are all things that need to be done at a cost.

In the industry, there is almost a unanimous understanding of "The Evolution of the 4.6 Billion Ensemble": this is the top production level in domestic 3D animation works.

If you don't accept it, you can't.

It's just that in this world, there is a disease called pink eye.

This disease is currently spreading in the company 'Ming Animation', especially their boss, Mr. Han Kelin, who is terminally ill.

He still remembers the disdainful expression on the face of the female representative of Wedo Entertainment in the 'Popular Science Animation Competition'.

was robbed of the first place, and then their work "Big Scientist Says" failed to get on a particularly good platform, and could only be broadcast on the secondary channel of the provincial TV station, and the application for domestic subsidies did not apply for a good level.

In this way, "The Great Scientist Says", a work that Han Kelin hoped would make a lot of money, has just returned to its original cost and made a small profit.

As usual, that's all; But compared with "The Evolution of the 4.6 Billion Ensemble", a work with a gold-absorbing capacity of tens of millions, it is too much worse.

Han Kelin was very unhappy and angry.

He has already been angry several times at the company's meetings.

And recently, he gave an order to the people in charge of media operations in the company to write black text and discredit the work "4.6 billion" from all angles.

The students who received this instruction felt very distressed.

——

There is also a public chapter in the evening, and then it will be on the shelves at twelve o'clock at night, begging for the first order!