Chapter 11 In the Past

From an adult in modern society to a five-year-old child in a different world in ancient times, this difference almost drove Pei Shufen crazy.

She is unwilling to wake up, unwilling to face this absurd reality. In a drowsy state, one night, she found herself coming to a gatehouse, Zhulan white stone, green trees and clear streams, and the high archway, with four big characters written "Langjing Dongtian". The left and right sides of the gatehouse were filled with white fog, and it was impossible to see what was around them.

Pei Shufen didn't know what this place was, she walked around, and found that in the white fog around the gatehouse, there seemed to be an endless void. She picked a stone from the ground and threw it into the white mist, and after a long, long time, she did not hear the sound of a stone falling to the ground.

The only place to go in front of me seems to be inside this gatehouse.

Pei Shufen had no choice but to raise her feet and step into the gatehouse.

When you come to the gatehouse, you can see at a glance that it is a rectangular courtyard, surrounded by a white stone wall on all sides. Looking out of the wall, you can see the same white fog as the outside of the gatehouse.

In the center of the courtyard, there is a three-story small building with heavy eaves and a quaint roof, which is somewhat similar to the small wooden building she saw in the Jiangnan Harmony Garden before she crossed.

The open space in front of the small building was divided into two small gardens by some snow-white stones. The gardens on both sides are planted with flowers on one side and grass on the other. In the middle, a path paved with sheep intestine stones allows one person to pass.

Pei Shufen was thoughtful, and she was not in a hurry to enter the building, but only took another turn outside the building.

She found that behind the small building, there was also an open space. Like the front yard, it is divided into two pieces by the snow-white stone road. It's planted in it, and it's not the same as the front yard. Later, she learned that there are four small gardens in front of and behind the small building here, and the front two are two, one is a flower garden and the other is a medicine garden. There are two pieces in the back, one is a vegetable garden and the other is a grain garden.

After seeing clearly around the small building, Pei Shufen walked on the path of the sheep intestines and stones in front of the building and entered the small building.

Inside the small building, there is a boxy hall. On the wall facing the door, there is an ancient painting, the pattern on which is very simple, just a rhombic glass, on a red wooden bracket. Underneath the ancient painting, there is a purple-black incense case, on which is a small bronze incense burner, in which three incense sticks are inserted. On the left side of the incense burner, there is a plum blossom-shaped crystal tray with several white lotus flowers in it. On the right side of the incense burner is a blue and white porcelain flower bottle with several dead branches more than a foot long inserted in it.

Strange to say, those three incense sticks have been burning in the incense burner, and after so many years, they have never burned out. Every time I saw the three incense sticks, they were all the same length, and it seemed that even the smoke on the top was floating in the same shape. The same is true of the white lotus on the left side of the incense burner, after so many years, it has been white and fragrant, and I don't know what kind of water is in that crystal tray, which can provide a few white lotus flowers all the time. The dead branch on the right side of the incense burner is just that, and the horizontal and vertical branches have always withered, and have never sprouted.

In front of the incense table, there is a small table of eight immortals, and on both sides of the table, there is a large circle chair with an identical backrest carved armrest.

On the left and right sides of the hall are four identical carved armchairs, but not as large as the first two.

In addition to these chairs, there is also a hanging arch on the left and right sides of the hall near the main door.

After so many years, Pei Shufen already knew that entering through the door on the left was a small ear room, in which there was a small Luohan bed, a small round table, and a brocade stool. Behind the Luohan bed, there is a staircase leading upstairs.

On the second floor on the left, there is a large study. The four walls of the study are tall bookshelves, but there are very few books on the shelves. Directly facing the door, there are two ruffled windows. Under the window, there is a large bookcase. Pei Shufen sat in front of the bookcase, spending her first days in this other world.

At that time, this body was riddled with diseases. I don't know if this little girl has already died of illness, so she is attached to her.

It's just that from an adult girl to a five-year-old child, the contrast is too huge. For a long time, she slept in the house during the day. At night, he came to Langjing Cave in a daze and lived his own isolated life. Sometimes she can't even tell which side of life is a dream, whether it's Langjin Dongtian or the inner courtyard of Kyoto's Shousuke Seven Mansions.

Until one day, she accidentally crashed into a mechanism in the study on the second floor and found the stairs leading to the third floor. When I got to the third floor, I saw a notebook, and I realized that I didn't know what shit luck I had hit, and I actually got such a strange treasure.

To put it simply, this Langjing Cave Heaven is a magic weapon for portable space. On the left wrist of this body, there is a birthmark in the shape of a plum blossom. After reading the notebook, she knew that as long as she stroked this plum blossom-shaped birthmark and thought about this place, she would come to this space. Fortunately, when she didn't know the secret at first, she only came in at night when she was alone in bed. Otherwise, if she disappears in front of everyone in broad daylight, she will be in trouble. These people will definitely treat her as a monster and burn her to death.

It's just that she doesn't know how she got here in the first place, probably because of the original memories of this body, which brought her here when she was sick and dazed.

On the third floor of this small building is a very beautiful boudoir of an ancient woman. A large mahogany lacquered gold stepping bed was placed on the south side of the room, and a thin curtain like a light gauze hung down in front of the bed, blocking the inside of the bed. At a glance, you can only see a pair of treasure vases carved in front of the bed, and on the top of the bed, a row of horizontal railings is carved with lifelike harmony and two immortals. On either side of the bed hangs a rain-soaked azure vein.

Next to the bed, there is a delicate table, which looks like a dresser, but on the whole dresser, there is only a diamond-shaped mirror inlaid on a mahogany pedestal. Other than that, there is nothing on the dresser. After a long time, Pei Shufen realized that the rhombic glasses on this dresser were exactly the same as the rhombic glasses on the ancient paintings that I saw when I entered the hall on the same floor.

Pei Shufen was still young at that time, and when she saw the mirror on the dresser, she had to use both hands to climb onto the brocade stool in front of the desk. When she half-knelt on the brocade, she happily looked at the rhombic glasses, and almost fainted. I saw that inside the mirror, there was a white expanse, and I couldn't see anything, including my own appearance.

If you can't look at people's mirrors, you deserve to be called a mirror?!

At that time, Pei Shufen was so angry that she was smoking, and as soon as she lifted the mirror, she was about to smash it on the ground. Sadly, the mirror was like it was born on a table, and it couldn't be pulled up.

After so many years, Pei Shufen found that she still couldn't pull out the mirror.

But after such a long time, Pei Shufen has also gained a lot of good things in this Langjing Cave Heaven. For example, in the study on the second floor, she found a book called "Baicao Collection", and compared this book, she recognized the herbs in the medicine garden in the open space in front of the small building. Relying on this "Hundred Herbs" and the herbs in the medicine garden, she cured the congenital disease of this body.

This time, she followed her mother and two sisters to visit the sick eldest sister Pei Shufan in the Ningyuan Marquis Mansion, originally planning to rely on her own medicinal herbs in the Langjing Cave Heaven to treat this cheap sister. - If she didn't guess wrong, the illness of this cheap sister should be the same as the illness of the little body she possessed, both of which are congenital diseases. The medicine in the world probably can't work, and only the herbs in her own Langjing Cave can cure her.