Chapter 465: Wen Zhengming's Disciple

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"Senior Brother Tang Yun, have you encountered any problems?"

Tang Yun was looking at this calligraphy and thinking, when a voice suddenly came from behind him.

Tang Yun turned his head and saw that it was his senior sister Hou Xiaoqiu, so he smiled and said, "Hehe, senior sister is so ......"

Then, Tang Yun stretched out his hand and pointed to the fan-shaped calligraphy on the square table in front of him, and said: "I'm looking at this calligraphy by Hou Lao, and I don't have any impression of this author called 'Jujie'......"

Following Tang Yun's fingers, Hou Xiaoqiu looked down, and then said with a smile: "Oh, you said this calligraphy?"

She is Hou Jingshan's own granddaughter, and she likes antiques, so she usually goes into Hou Jingshan's collection room to watch antiques.

For the fan-shaped calligraphy in front of him, Hou Xiaoqiu has seen it several times.

"This Jujie is a calligrapher and painter in the Ming Dynasty. ”

Hou Xiaoqiu explained: "You may not know him in Jujie, but Wen Zhengming should have heard of him, right? ”

Tang Yun nodded, who Wen Zhengming was, of course he wouldn't know.

Hou Xiaoqiu continued to explain: "To put it simply, Jujie is actually one of Wen Zhengming's disciples. If you look closely, you will find that his calligraphy has a strong Wen Zhengming style, which is fair and graceful, clear and square, and stable and old. Jujie's landscape painting method is simple and far-reaching, very Song style, and can be said to be the highest achievement among Wen Zhengming's many disciples......"

"Oh ~ I see......"

After listening to Hou Xiaoqiu's introduction to Jujie, Tang Yun understood a little.

Wen Zhengming's disciple, and he is also the most accomplished one......

It seems that this Ming Dynasty calligrapher and painter named Jujie is not simple!

"Senior Sister Xiaoqiu, then in your opinion, how much should this calligraphy work of Jujie be worth?"

From what can be seen from the work, Tang Yun has determined that this calligraphy is genuine during the Ming Dynasty, but Tang Yun does not know much about its value.

"Well......" Hou Xiaoqiu looked down for a while, then thought for a while and said: "This fan-shaped calligraphy, although it is one of the rare genuine works of Jujie, the calligraphy value of Jujie itself is still far from being comparable to his master Wen Zhengming...... In my opinion, it's worth 50,000 yuan at most, right?"

50,000 yuan?

Tang Yun thought about it, this price is not expensive.

Although Jujie's fame is far less than that of his master Wen Zhengming, this calligraphy is also genuine, and it is also a genuine calligraphy of the Ming Dynasty, which still has a certain collection value.

Seeing Tang Yun's thoughtful appearance, Hou Xiaoqiu said with a smile: "How do you junior brother, what do you think about this calligraphy work... Interested?"

Tang Yun smiled and said, "It's a little ......"

If he had changed to before, he might not have much interest, but Tang Yun had recently started practicing calligraphy, so he was still very interested in such a good calligraphy work.

Besides, the price of this calligraphy work is not high, but he can still afford it for a mere 50,000 yuan.

"Hehe, if you like it, then leave a name!" Hou Xiaoqiu said with a smile.

"Hmm. Tang Yun nodded, and then wrote his membership number on the note below this calligraphy work.

Because according to the rules agreed in advance, if an antique on the scene is not exchanged with someone else by its owner, then at the end of the day, the owner of the antique can choose whether to sell it.

If it is sold, there will be a competition for bids among the many members who have left their names, similar to an auction, and the highest bidder wins.

After reading this fan-shaped calligraphy work of Jujie, Tang Yun looked at the two antiques next to him.

Placed in the middle is a jade product, a piece of white jade made of Xizi plate, the size of about 7 cm, belongs to a kind of jade pendant.

Because it was not allowed to be touched at will, Tang Yun only saw one side of the white jade plate, which was engraved with the word "Xi".

Hou Xiaoqiu on the side told Tang Yun that the back of this white jade plaque is engraved with a lotus pattern, and the name of this white jade plaque is "White Jade Lotus Joy Plate".

According to Hou Xiaoqiu, this white jade lotus wedding plate is still a work in the late Qing Dynasty, and its value is about 20,000 or 30,000 yuan.

With Hou Xiaoqiu, half of the master, by his side to help introduce him, Tang Yun was a lot more relaxed.

However, he was not very interested in this white jade lotus happy card in the late Qing Dynasty, so he did not choose to leave his name.

On Hou Jingshan's square table, there are only three antiques in total.

And the last one, which is still a jade product, is a work of jade ornaments.

Tang Yun watched while Hou Xiaoqiu made a brief introduction beside him.

It turns out that this is a piece of southern red agate Fushou flower arrangement, its height is about 8.3 cm, and it is also a flower arrangement of the Qianlong period of the Qing Dynasty.

As an expert in jade, Tang Yun is usually not interested in other people's collections of jade.

Because in his opinion, if he really wants it, he can pick out the best material by himself, so as to make better jade.

However, those jade objects with a long age and collection value are excluded.

"Senior Sister Xiaoqiu, in your opinion, how much should this southern red agate flower arrangement be worth?" Tang Yun looked at Hou Xiaoqiu beside him and asked.

He has already seen the specific age of this Fushou flower arrangement, and it is indeed a work of the Qianlong period of the Qing Dynasty, as Hou Xiaoqiu said.

However, Tang Yun didn't know what its specific value was, after all, it was the first time he really came into contact with Nanhong Agate.

Southern red agate is a type of agate, because its color is mostly vermilion, pink and rose, etc., so the ancients also called it "red jade".

Its texture is delicate and oily, and it is a unique variety in China, but because of the scarcity of production, in recent years, the price of southern red agate, especially old southern red agate, has been rising sharply.

As the chairman of the jewelry company, Tang Yun clearly remembers that today's southern red agate has formed a three-legged trend with Hetian jade and jadeite.

The overall production of this southern red agate work of Qianlong in the Qing Dynasty is relatively sophisticated, and it symbolizes the blessing meaning of longevity.

If he could, Tang Yun would still want to take it down.

Surprisingly, this ornament of southern red agate is not expensive.

According to Hou Xiaoqiu, its value is only slightly higher than the white jade plate in the middle.

It's about between thirty thousand and forty thousand.

Seeing this, Tang Yun left his membership number on the slip of paper under this work of Qianlong's southern red agate Fushou flower arrangement. ()

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