One hundred and fourteen, the mark of Wu Ming (four watches)
It was a Huawei P20 phone, which was incompatible with the Sony left by my father before.
I walked over and picked up the phone, the phone was still standby, clicked on the screen, and what I saw was a "↑" screensaver.
"Let's move forward?" Hu Yinman glanced at it, and couldn't laugh or cry, he was really a genius who left a signpost like this.
"Wu Ming's mobile phone?" I handed my phone to Adu.
Adu took the phone and looked at it, "That's right, it's his, he also has an iPhoneXR." ”
"Yes, I'm still a tech guy." Hu Yinman spread his hands.
"Indeed!" Adu nodded, "When this guy first arrived in the village, he looked like a hipster man, wearing red headphones and a vest. ”
And I was speechless for a while, in my impression, Wu Ming should be an old-fashioned person, similar to Zhuo De, I never thought that he was still a master of playing machines.
"In any case, since he left this mark, it means that there is no danger ahead." Hu Yinman glanced ahead. "But how did he get in?"
I glanced at the entrance above the cave and thought for a moment, "I guess I came in from that place, but leave this alone now, someone just helped us clear the way, so let's hurry up!" ”
In front of me was a huge wooden bridge, and under the wooden bridge was a ditch. There were a lot of burial goods under the ditch, we swept it with a flashlight only to find that it was some daily necessities and agricultural utensils, when we passed through Yelang City before, we found that those houses were empty, the daily necessities inside were gone, it seems that they were all lost here, after the death of the ancients, people would think that the soul would be attached to their living utensils, it seems that the owner of this ancient tomb is using this way to carry out a funeral ceremony.
The bridge is made of maple, which is mostly used for domestic use in modern times, but now I have found that someone could have used it to build a bridge in ancient times, and it seems that it was pruned by a maple tree that has not been cut down in its entirety.
This maple is more than ten meters long, like a rainbow flying frame on the wide ravine, and its huge body is in the air. From a distance, its overall shape is a curved flat arch style, the bridge body is ethereal, and the lines are soft but majestic. On the main vault of the bridge, a stone is carved with a door stone of the deity, and countless wood carvings in the shape of leaves are dotted on the side of the bridge. In addition, on the railings and pillars on both sides of the bridge, there are also carvings of various dragons, animal faces, bamboo joints, flower ornaments, etc. The dragon beast is coiled or stuck, or landed into the water, changing and moving.
But this is not the most surprising, because what is even more amazing is actually a huge snake bone that winds from one end of the bridge, this snake skeleton starts from the left end of the bridge, goes around the bottom of the bridge, and finally pulls the bridge body around the right side and drills down from the left side, the whole specification is like the beam of a modern sea-crossing bridge.
And every time this snake bone crosses a bridge, there will be a place that is fixed on one side of the bridge, so that the snake's head is fixed in front of our eyes and hangs above the bridge.
"My God." Rao is the one who has seen the Hou Immortal Palace in the Yin Sea, and I can't help but exclaim when I see this bridge. The bones of the snake were unfolded in front of me under the light of the flashlight, from the skull to the teeth to the dragon-like bones, and the thousands of thin bones extending from the trunk bones, as well as the clear lines on the bones and a certain fracture, every inch was extremely subtle, and I had to believe that this was really the bones of a snake.
"A snake more than 20 meters long! This bone is a terrible price to put in the museum! Adu also exclaimed.
We stopped for a long time in front of this magnificent building, and then we glanced at each other and walked up to the bridge, which I don't know how many years it had been, but when we walked up the bridge, we could still smell the slightest corrosion from under the corpse of the python.
The bridge is not very long, but it is definitely magnificent in the dark tombs.
Halfway through, we soon found that the grave pit under the bridge had gradually turned into a bottomless abyss, shining with a flashlight, and the light floated in the void, like the universe.
At the end of the bridge is a cylindrical mountain, which is like a tower built from the abyss, and there is a winding plank road on the mountain, circling around the mountain.
Soon we walked along the maple bridge of the snake and walked up the plank road of the mountain.
The plank road of the mountain is paved with corpses, those corpses are sitting cross-legged against the mountain and dying, and each corpse is holding a white stone in his hand, and a bronze lamp is placed in front of him.
"That's Bimo." Adu, looking at the mountain of corpses, stopped and knelt down to bow to his ancestors.
"Are they here to bury King Yelang?"
Adu shook his head: "Bimo does not submit to any royal power, they only believe in gods, and the sacred tree is said to be able to communicate the existence of gods, thousands of years have passed, and later generations of Bimo and Yi people have been looking for that tree." He took a deep breath and said again, "And now, I'm finally getting close to it." ”
"But where are we going?" I lay on the railing of the plank road, glanced down, threw a cold smoke and went down, the fiery red light flickered, with a bright spot, all the way down in our sight, and finally disappeared. "Up or down?"
"Here's the signpost!" Hu Yinman's flashlight suddenly shone in front of the plank road, and someone drew an arrow on the ground with a stone.
The arrow is pointing upwards and heading up the hill.