Trace the rhythm and tone of the general words and sentences in the text, which were originally completely derived from the different speech movements of human beings, that is, the sound of speech.

In the human voice, the reason for the appearance is later called

The syllabic distinction and rhythmic difference of "Gong, Shang, Jiao, Zheng, and Yu" are mainly caused by the characteristics of the human body's own flesh, blood, and blood.

Ancient human beings, especially sages and emperors, gradually created and developed music, songs, poems, dictionaries, etc., which could express their minds and delight their senses, according to the different rhythms and tones that humans could hear.

It can be seen from this that in today's world, all the rhythms, regulations or definitions of music, as well as the musical instruments or literary and artistic works formed by them, such as musical instruments, musical scores, poems, texts, etc., are inseparable from the interaction of human primitive language, which also follows the likes or dislikes of human nature for different vocal ranges.

Therefore, language is not only the key to the ability to write an article, but also the source of the skill to convey emotions.

However, on the surface of the language, the so-called height and thickness of the voice and the modulation of its rhythm are nothing more than two lips one by one.

Therefore, since ancient times, when teaching or learning to sing, it is first necessary to examine the specific vocal range of the learner, and then teach them how to master it

The practice method of "pitch to the beat", that is, in the field of music

"Vocal practice". Generally speaking, judging the high and low range of a person's vocal range usually refers to the degree of sound limit that a person can achieve when he is in a rapid or slow vocal range.

Ancient China, in

In the five-tone classification rule of "Gong, Shang, Horn, Sign, and Feather",

"Gong, Shang" is characterized by a tall voice,

"Sign, feather" is slowing down, while

The "horn" is sharply centered. In addition, when these five different tones are pronounced and the syllables are switched between them, they are accompanied by different changes in the throat, tongue, lips, etc.

Although it is very difficult to describe the difference between the five tones in words, if you calibrate the difference between the five tones with a musical instrument, it is not only immediately clear, but even distinct.

Therefore, nowadays, when people play the piano, if the tone of the instrument is not accurate, they must retune the strings, which has become a commonplace common sense, habit and law.

However, in literary works, even if there is an imbalance in rhythm and rhythm, it is often not easy to detect and difficult to change.

Needless to say, under normal circumstances, as long as the pitch and rhythm of the strings of the bell are accurate in terms of configuration and adjustment, then the musical melody played by the musician according to the repertoire must be harmonious and beautiful.

However, when it comes to the author's essay, even though the text is also from the inner heart, even if the harmonious rhythm is lost, it is often not easy for people to detect it immediately.

Why is that? The root cause of this should belong to a universal natural phenomenon and objective truth, that is, things that are obvious on the outside are easy to perceive and easy to change and amend, while those internal paradoxes that are covered up by the main external facts are not only easy to be ignored by people, but also difficult to correct in time.

For example, once the strings are out of tune, they are not only easy to detect, but also adjust at any time and correct them immediately.

However, the reason for the disorder of prosody in the essay is that the verbal voice and the inner ambition and feelings are disturbed by each other, not only in improvisation, but also in the words and sentences between the two transformations, and even if they are deliberately corrected and transformed afterwards, they are not always achieved overnight.

Therefore, although the five tones and twelve rhythms in musical instruments can be found according to the numerical profit and loss, so as to find the precise numerical threshold, it is difficult to select and arrange the words and sentences according to the mathematical addition and subtraction of literary works.

In real life, the sound of the outside world generally has the characteristics of high and low rapidity, among which the magnitude of the sound also has the cause of resonance and overlapping.

In the article, once two words with the same rhyme are separated, they must be difficult to read, and words with different rhymes, once they appear alternately, they will immediately feel stumbling and unpleasant.

If you don't take into account this kind of practical problem, if you let the slow rhyme continue to be low, it will be like a stone sinking into the sea

"There is no news" is the same, giving people a kind of confusion and dullness; If you allow the rapid tone to soar again and again, it is like a kite with a broken string

"Straight up to the sky" is general, it seems to be flying high, but in fact, it is already a debauched wreckage, and there is no return. Therefore, in the rhythmic arrangement of words and sentences, literary and artistic works should alternate up and down like Inoue Rin, and be mottled and orderly like the arrangement of fish scales, so as to achieve a smooth and smooth effect.

If it violates the general laws of syllable rhyme, it will stumble over reading, as if suffering from stuttering.

Why do articles have stuttering-like writing defects? One of the greatest possibilities is that the deliberately pursuing novelty, weirdness, or well-behaved words and phrases ignores the difficulty of reading the chant.

If you want to overcome similar malaise fundamentally, it is not difficult to do so, but you can adopt the following approach: "If there is an obstacle to the left word, straighten it out from the right; If there is a problem with the next sentence, change it from the previous sentence. The aim is to read the text in such a way that the sound comes from between the lips and teeth and into the ear drum, not only catchy, but also clear and pleasant. "Normally, the quality of the rhythm of the sound of the text can be determined immediately by reading the chant.

Moreover, the source of this effect of judging good or bad is actually only how the specific words and sentences are pronounced, that is, in reading, the whole sentence rhymes harmoniously like music in the syllable rhythm of yin and yang.

In the field of music, if the different tones can be matched pleasantly, it is called eight-tone harmony.

But in terms of writing chapters, the so-called

"Rhyme" is one or more words or words that are the same or different at the beginning, middle or end of a sentence, and they echo each other in a clear tone, and once the rhythm of the beat is read, it must be as beautiful as music.

Therefore, once you understand the role of intonation and rhyme, it is not difficult to deliberately choose or dispatch words with rhyme and harmony; In the same way, once the value of harmony is understood, it is not difficult to eliminate incongruous words and sentences.

According to this, the difficulty and height of article writing does not lie in whether there is a whimsical idea or whether it can achieve ingenious workmanship, but in the overall real harmony.

In the creation of literature, the so-called

The difficulty of "conjunctions to form sentences" and its key lies in the words and phrases in the text, which can make the whole

The degree of "harmony" can be as refined as it can be, rather than focusing only on one-sided factors such as whether the end of a sentence can rhyme.

Since ancient times, the merits of relevant articles in terms of rhyme and rhythm, although there are many opinions, and it is inevitable that there will be different opinions, but the focus of the general classification is on the issue of harmony and rhyme.

In ancient times, if you want to find and determine the range of the five tones, for example, when the gong sound is used to set the tone of the instrument, you need to be as Sima Qian's "Historical Records and Law Book III" said: "Ninety-nine eighty-one is the palace; Three-thirds to one, fifty-four to sign; Three points benefit one, seventy-two is business; Three points to one, forty-eight to feathers; Three points benefit one, and sixty-four is the angle. It is necessary to drill holes and set tones in order to find the basic tone that conforms to the norms of Zhongzheng and elegant.

However, when using the piano, it is necessary to constantly adjust the tightness of the strings to find the tone of the sound and achieve the harmony of the melody.

The works of Cao Zhi and Pan Yue, like musical instruments, are not only well-spoken, but also have natural melodies and can conform to the rules of Zhongzheng and harmony.

In addition, the works of Lu Ji and Zuo Si, although they are also brilliant and popular, are like the piano, and there are inevitably traces of artificial tuning.

As for the outstanding works of other characters, the rights and losses in terms of vocal characteristics are roughly the same.

If we trace the use of rhyme and rhythm in the Book of Songs, most of them belong to concise and bright melodies.

By the time of "Chu Ci", it originated from the language factors of Chu and Di, resulting in disordered rhyme and complicated rhythm. In his article on rhyme, Zhang Hua of the Western Jin Dynasty pointed out the characteristics of Lu Ji's works to take the law and Chu sound.

And Lu Ji also lamented in his "Wenfu" that the hardships and hardships of using Chu Yun to write. Therefore, those who prefer Qu Yuan's "Chu Ci" with different tones like Lu Ji often lose the authenticity and elegance of the "Book of Songs" vocal range.

In fact, in the middle of the article, the so-called harmonious rhyme means that on the one hand, the tone must be homeopathic, and on the other hand, it must be kept natural and smooth; On the contrary, the so-called bent teeth are like chiseling round holes and placing square tenons.

Therefore, when a writer writes an article, he or she should understand and avoid problems with rhyme and rhythm

The metaphor of "round hole square tenon" will not be too problematic. As for those writers who are already proficient in phonology, they can not only use the rhythm of words flexibly to make it natural and fluent, but also easily reach the level of ease.

However, like authors who are not proficient in sound rhythm, when using words and sentences, some just go with the flow, just like the wind blowing holes, or occasionally there is a natural sound; And some are like Mr. Nan Guo, although they don't know the rhythm of music scores, they can also play the flute.

Moreover, like the ancient celebrities, the jade worn on the body must be in line with the palace sound on the left, and the right side must be in line with the sound of the palace; That's how you can walk

"Jin Shengyu Zhen", so that it seems stable and harmonious, but not rude. Under the etiquette system of advocating elegance and righteousness, the movement of walking still has such exquisite requirements, like articles related to the great cause of a thousand years, how can its sound rhythm and rhyme be taken lightly and carelessly?

All in all: all articles, in terms of emotional bearing, must be far-sighted, and do not shy away from swallowing mountains and rivers, but in terms of rhythm and rhythm, only natural and approachable, can show the true character of talent and heroism.

Orchestral instruments, even if they are in the right pitch, need to have the skill of shaking the lips or playing the strings and fingers if they play a beautiful and harmonious melody.

Usually the rhythm of the sound is carefully adjusted, like pickling sour plums, the most important thing is to balance and moderate; Generally, the sound effect is like elm juice, which is rare to lubricate and enjoy.

Therefore, boldly eliminate discordant notes and follow the natural charm of adhering to the integrity and elegance, which is the root of the sound rhythm of the article.