Chapter 038: Impact Effect - Sample 1

Thank you for the red envelope of the recommendation ticket of the book friend Baili Qingyan and your fans.

The text begins*******

When Charlotte tells Jodie Foster that they can go see dailies, the crew's finale party is over.

Because the party was deliberately scheduled for today in order to allow everyone to go home early after relaxing, the party itself was very simple and did not last long, and some anxious actors and crew had already driven back to Los Angeles even in the middle of the party.

Of course, as directors and assistant directors, Charlotte and Lao Gun have not left, and they are also tasked with taking Jodie Foster to see the dailies - especially when it comes to whether the other party will make additional investments.

Also not gone is Charlize,

"I wanted to see in advance what my performance would be like in this movie!"

Well, that reason does sound positive, at least Jodie Foster admires her attitude as an actress.

However, in Charlotte's opinion, Charlize did not make any sense at all. As a director, he knows very well that as long as he has the heart, whether it is through photography or editing, he can make a wonderful performance of a good actor rotten like shit. And conversely, even a shit-like performance, with the help of footage and editing, is not impossible to save – albeit at a high cost.

But even though she knew this, Charlotte didn't say anything. After all, as long as he saw the blonde girl talking and laughing with Jodie Foster, he knew that this girl was not a drunkard.

- Speaking of which, Jodie Foster seems to be a lace side.

Charlotte's mind involuntarily began to fantasize......

"Stop, stop!"

At this time, several of them were already in the old gun's RV, along with Jodie Foster and her life assistant, as well as photographer Addison Young. Six people were squeezed into the small RV at once, and it seemed slightly crowded.

"Hey, have you cleaned up?"

Charlotte put the old gun on her shoulder, and there was a layer of ridicule hidden between her words.

"Of course!"

The old gun glared at Charlotte, but in front of the three ladies in front of him, he didn't say anything, just worked with the photographer Addison, preparing for the play of the dailies.

"Speaking of which, I haven't actually seen much of the dailies. I don't know how it went?"

The old gun muttered to himself.

Even as an assistant director, Lao Gun's job is more about coordinating between crew members and arranging some work plans, and he doesn't have much contact with the real filming process. Although from the perspective of a bystander, he felt that many of the shots should be shot well, but after all, he was watching with a filter called anticipation. What the real result is, he doesn't know.

"It should be really good!"

Addison Young, who had been silent, suddenly burst into a sentence, and the old gun thought he was answering his own question. When I looked up, I realized that the other party was also talking to myself.

- Forget it, he is also a personal participant, and the judgment is not objective!

There was no way, the old gun could only set his sights on Jodie Foster.

Judy looked at the dailies playing in front of her with some surprise.

Although the sample film only played for a few minutes, and it did not go through post-production, lacked dubbing soundtrack, and was not edited at all, she was born as a child star, and she could still see at a glance that this film was good!

Not to mention anything else, the scene of the two climbers being killed at the beginning is handled very well-

From the very beginning, the fog on the edge of the cliff climbed by the two climbers gives it a mysterious and eerie feeling. Although this lens language can be used by a director, it may make that gloomy and mysterious atmosphere directly diffuse through the screen, and the skills of the director and the cinematographer should not be underestimated;

And by the time one of the male climbers is killed, the expressiveness is even more top-notch. At this time, the perspective is dominated by the female climber who is still hanging on the cliff - seeing that the companion who climbed to the top of the cliff before him ignored his call, the female climber was a little anxious and worried, and the body of the male climber was thrown off the top of the cliff very abruptly.

The corpse is in the field of vision, and the sense of the camera falling straight in front of the eye from childhood to adulthood is handled very well, especially when the corpse's face has been enlarged to fill the screen, and the other party's frightened expression and blood on his face before death are even more visible. This visual impact made Judy involuntarily lean back.

In fact, this kind of camera that goes straight to the relative movement of the door is indeed more suitable for 3D movies, but this does not mean that it has not been used in the 2D era. Jodie Foster herself alone can quickly list several movies that use this kind of lens, but she has really never seen such a visual impact.

Charlotte and photographer Addison looked at each other and smiled, and Foster's performance pleased them, and this shot was a proud work for both of them. Of course, it's not that no one pays the price - for example, after playing the role of the slain, he killed Brandon Fisher, who didn't want to hang a tightrope again.

Naturally, Jodie Foster, who is now sitting at the screen watching the dailies, would not know this. She just thinks the camera of the opposite door movement is very well handled. However, the next moment, she found that the excitement continued.

After the face of the male climber's corpse is magnified to the maximum, the camera switches obviously, showing the feeling of the corpse passing in front of his eyes. Then, the camera is out of the perspective of the female climber, chasing the falling corpse all the way down - this is another use of the opposite door movement camera, but the direction of the previous shot is diametrically opposite, but people can involuntarily feel a sense of falling with the corpse of the follower.

And at the last moment when the corpse landed, the camera suddenly overtook the corpse, directly attached to the ground, and smoothly completed a flip - the next moment, the corpse's face fell directly on the camera, and the head was like a broken watermelon......

"Ah!!h

Of course, it couldn't be the old charlatan Jodie Foster who was screaming in fright, but her assistant Anna. As for Foster, she just lamented that her life assistant was too young, while assessing the level of the three consecutive sets of opposite door movement shots that were seamlessly connected together at the beginning-

Taken apart, each set of shots is not particularly new, but it takes a lot of imagination to be able to stitch them together seamlessly. Especially when it can be processed so smoothly, it also expresses the full sense of impact, and the director's control of the lens is really high.

Jodie Foster couldn't help but glance at Charlotte beside her in admiration.

Charlotte also felt a sense of accomplishment for these sets of shots, but she was not the slightest bit proud. Because he knew that he was just borrowing a lot from the relative motion shots of future 3D blockbusters. And now that the 3D skills are not yet mature, the impact of these shots is full of impact, relying on the technology of photographer Addison. As for himself, he just thought of a few little tricks.

The shot that really made Charlotte feel proud is actually still to come-