"Old prostitute, what's wrong? What did you find?" I looked anxiously at the old prostitute and asked.

"Look at the horn iron on the ground." The old prostitute pointed her finger and continued: "On the surface, these are all prepared for the distance that has not been built, but in fact they are not. I double-checked, and these angles were all installed, not shelves to be built at all, but were removed from above. ”

After the old prostitute finished speaking, I looked carefully at the place of his finger, and indeed as he said, the screw holes on the angle iron had traces of metal rubbing, which was obviously used before. However, I don't think there's anything wrong with that, even if the angles are artificially removed, what does that mean?

Seeing that I didn't think so, the old prostitute immediately explained: "Now we can be sure that these angle irons have been removed, which means that we were wrong before." We had always thought that the dried corpses that died at the entrance of the passage were there to repair the angle iron shelves, but now it seems that they are not at all. They had come in to dismantle the shelves, and judging from the current situation here, they had dismantled the angle iron so thoroughly that there was not even a single shelf that could come down, which was enough to prove that they had no intention of coming down again. ”

"You're trying to say, what's going on here? They don't plan to come down again. I asked.

"Yes, that's what it means, but that's not the point. The point is that what is happening here must be terrible, which is why they make this choice. Think about it, why did those people from the Murong family have to come in and dismantle the angle iron shelf here, they can't block the entrance of the passage on it, there is no need to come down to make such efforts, not to mention that the people who came down are all dead here. ”

"Unless, unless that terrible thing can go up through these angle iron shelves, they are afraid that blocking the passage entrance is not safe, only if the things here can't come up, it can be considered real insurance." I hesitated, and I couldn't believe what I was saying, because I still hadn't thought of what kind of horrible thing would climb a shelf.

The old prostitute nodded and said, "Obviously, the people who came down to dismantle the shelves back then did not succeed, and they all died on it, which means that that the terrible thing went up."

After listening to the old prostitute, I involuntarily glanced up, and the flashlight shone up, and I couldn't see the passage where we came down.

"Don't look at it, it won't be on it, if that thing is on it, how can we come down so smoothly."

I nodded, feeling that what the old prostitute said made sense, from now on, I really can't let my guard down, and I can't be careless when I am in a dangerous situation.

The old prostitute held her gun across her chest, looking ready for battle, and reminded me that it was best to draw all the routes we had traveled on the parchment, and if we were to hit any mechanism, it would be better to have a reference to avoid taking the wrong path.

I will definitely accept a good building, and the old prostitute is right, it will be beneficial to us, so I immediately took out the parchment roll and roughly drew the route to enter on it.

After finishing it, the old prostitute and I walked to the stone carving on the opposite cliff and reminded everyone to be vigilant and pay attention to the movements around them.

The old prostitute also felt strange when she saw the stone carvings on the cliff, but she and I did not understand it the same. Originally, I firmly believed in my own understanding, but this time I was conquered by the old prostitute's understanding. Because I found his understanding to be more reasonable, and it led to a lot of potential connections, which benefited me a lot.

After looking at these stone carvings, the first feeling of the old prostitute was that this old way was very awesome and could control the corpse soldiers.

He regarded the devil under the old stone carving as a corpse soldier. Although I didn't look like a corpse at all, I started to think about it. This is also logical, because every devil wears the hat of a soldier on his head. This hat is not a helmet, but a typical soldier's buckle cap, which does not cover the sword and arrows, but it is also a symbol of being a soldier. Of course, for these corpse soldiers, there is no need for hard helmets at all, because they are not afraid of humans at all.

The old prostitute said that seeing the stone carvings reminded him of an ancient, an ancient man with a legend of corpse soldiers, and we also stole this person's tomb, this person is King Mikawa.

Actually, at the same time that the old prostitute thought of King Mikawa, I also thought of two people. Both of them are old people with the legend of raising corpses, one is the master of King Mikawa, Qingping Zhenren, and the other is a person who the old prostitute doesn't know, because he hasn't been to the ancient tomb of the Ghost Sea, so he doesn't know that the murals in the Wangxiang Corridor there also depict an old Tao who can raise corpses.

I know very little about Qingping Zhenren, and all the information I got from the old prostitute, I have never checked any information about this old man, and I don't know if he really knows how to raise corpses. But one thing is certain, he is the master of King Mikawa, and King Mikawa does know how to raise corpses, which has been proved in the ancient tomb of King Mikawa.

As for the old Tao on the murals of the Ghost Sea Tomb, I think he can raise corpses, because I remember the scenes described on those murals, all about the process of raising corpses, and I did encounter scaly corpses and bloody corpses there.

All three of them are veterans, could there be any potential relationship between them?

The only thing I can think of is the feng shui tank, because there are feng shui tanks on the murals of the Guihai Ancient Tomb, and there are also feng shui tanks here, and when I see the feng shui tanks here, I repeatedly think that they are the ones painted on the murals, so from then on, I have associated this place with the ghost sea.

I thought that the old Tao on the mural of the Ghost Sea and the old Tao of the stone carving here are the same person, but that was just an idea of mine. After all, there is no conclusive reference information to prove it, and the stone statues here are not very similar to the old Tao in the ghost sea murals. Of course, there is a big difference between a mural and a stone carving, not to mention a giant stone carving, even if it is really the same person, it may not be visible.

The age of the ghost sea mural is the Yuan Dynasty, and I can't find the age of this ancient city for the time being, because the old prostitute said that the ancient city with two floors is very weird, and there is no text information left, all of which have been cleaned up, and it seems that someone just doesn't want others to know the information of this ancient city. As for the age of Qingping Zhenren, it is too long, and there is a difference of more than 1,000 years between it and the Yuan Dynasty, so I haven't thought that Qingping Zhenren has anything to do with these two old ways.

At present, I am afraid that the only people who can know the information of this ancient city are San'er and the old man of the Murong family, but I don't know if they are willing to sue me.

I secretly decided that after I found the little wolf, I would start with the little wolf first, maybe he would know the information about this ancient city. If he doesn't know, then I can only go out and ask the old man with a cheeky face. In short, I will never ask San'er unless I have to, because I already feel that he is decisive.

I don't know if I was infected by the stone carvings in front of me, or if I really discovered the eyebrows of the whole thing, I suddenly became interested in these old ways, and felt that if I wanted to figure out a qiē, maybe these old ways were a good breakthrough.

There was no long delay in the stone carving, and after the old prostitute looked at it for two or three minutes, we began to walk forward.