Chapter 14: New Year's Pictures (4)
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Woo yo.
Suddenly there was a strange sound in the room.
Everyone looked at each other: what kind of sound is this?
Ye Liang looked down, Dunzi squatted on the ground and stared at the New Year's pictures on the wall, and the sound of her drooling was the sound of her drooling.
"Eat, eat!"
She exclaimed, pointing to the painting.
Dunzi was probably really greedy, shopping for a day, eating only peanuts, stingy Ye Liang didn't buy her a little snack, in Chen Feiyang's words, the mouth faded out of the bird.
As soon as she shouted, the fish stopped fluttering, and with a bang, the kitchen knife in the fat doll's hand fell and fell to the ground, and the fat doll sat back in the big wooden basin, holding a bloody big carp head in her hand.
Everything seemed to freeze, and in an instant it was calm again.
Director Kim was so frightened that he couldn't speak.
Chen Feiyang is a fox spirit in the end, sniffed, walked to the wall with courage, and reached out to touch the painting: "Oh, mom, there is nothing, Lao Ping exhaled, what was going on just now?" β
Dunzi sat on the ground by himself, kicked his chubby little short legs, covered his eyes with his hands, and cried: "I want to eat, I want to eat!" β
"What to eat, I don't know where this monster came from, and you may give birth to a goblin when you eat it."
Ye Liang deliberately scared the dunzi.
When the child heard this, he immediately put down the little fat hand that was blindfolded, and there was not a single tear in the corner of his eye, so he was pretending to cry.
Chen Feiyang sighed: "Why did you learn badly? ~β
The atmosphere eased a little, and Director Jin gasped and asked, "That...... What the hell is ...... What the hell. β
Chen Feiyang said: "God knows what it is, it's better to burn it." β
Dunzi clapped his hands and said, "Okay, okay, roast fish to eat." β
Ye Liang held the oil lamp in one hand, and groped on the painting little by little with the other. During this period, Director Jin stared at her movements, and couldn't help but sip his teeth: I just saw such a strange scene, and now I look at Ye Liang touching the painting, the light of the oil lamp is shining on her face, bright and dark, Chen Feiyang, who is standing on the side, also has an unclear expression, and the shadows of the two people are twisted on the wall, how can this become more and more scary?
Director Jin was a little frightened, and took two steps back, trying to get closer to the door.
"Are you leaving?" The voice of the pier sounded behind him.
When did this little girl run behind her?
Director Jin turned around, and the little girl happened to look up at him, and opened her arms for him to hug: "I want to see Yuyu." β
This child looks like a jade with pink makeup, and she is particularly cute, and Director Jin involuntarily bent down to scoop her up and walked to the side of the New Year's painting.
"There's something wrong with this paper." Ye Liang looked back at Director Jin.
Director Jin was stunned: "There is a problem with the paper?" What's the problem? β
"Chen Feiyang, go pour a basin of water."
Ye Limit commanded.
This time, Chen Feiyang was not lazy, ran to the back room quickly, and scooped a large basin of water into the big copper basin with a water ladle and brought it over.
Ye Liang took off the New Year's painting, and Director Jin took a step back with his hands on the pier. He was now terrified, afraid that the fat doll on the painting would jump down and slash with a knife again.
The painting was placed in the basin by the leaves, and the color on it gradually faded, and a layer of oil flowers floated on the water, and then the fat doll on the painting also fell.
Dunzi pointed to the basin and shouted, "Doll, doll has fallen." β
Ye Liang fished out the doll, and it turned out to be a piece of paper as thin as a cicada's wings. The fat doll was completely pasted on instead of painted.
This piece of paper is particularly flexible, Ye Liang rubbed it in his hand a few times, unfolded it and returned to its original state. Chen Feiyang leaned over, pulled hard a few times, and exclaimed, "Emma, God, this is not paper, why is it so like leather!" β
Ye Limit heard him say that it was like leather, and directly sent the paper to the mouth of the oil lamp, smacked it, burned it, and there was a little bit of wet stuff oozing out, Ye Quan twisted the burned ash with his hand, put it under his nose and sniffed it: "It is indeed leather, a smell of burning leather." β
Roasted skin?
Chen Feiyang picked up the picture, rubbed it a few times, and roasted it from afar by the light of the oil lamp, and then he suddenly stretched out his tongue and licked it, and asked nervously, "Is it delicious?" β
Ye Liang looked at him quietly and asked, "Human oil again?" β
Chen Feiyang nodded: "This piece of paper is human skin, very thin and beautiful human skin, like ......" He stretched out his hand and pointed at the pier, "It looks like a pier." Dunzi shrunk his neck, not knowing what he looked like.
But Ye Liang and Director Jin both understood, what he meant was that this human skin was a child like Dunzi, very thin and thin, and could be pasted on paper and combined into one without being discovered.
This fat doll is the size of two slaps of an adult, and if such a large piece of human skin can be removed, can the owner of that skin still be alive?
Director Jin had already gone from shock to anger, and his sense of fear was swept away, and he yelled angrily: "What a bastard, do this immoral thing with smoke and no piyan!" With such a big piece of skin, most of the top children have diarrhea. β
Ye Liang put the skin aside and said, "Looking at it this way, the painting shop is very suspicious." β
Little by little, she thought back to the details of that day's fight.
At that time, the person's appearance was indistinct, and Boss Meng, the only one who had seen this person, was dead again, even if he didn't die, it was useless, because Boss Meng said that the person's appearance was different every time he went to him. This means that the person must be proficient in the art of disguise, and those who use this technology can change their appearance at will, even their height and posture can also be disguised with shoes, clothes, and even standing and walking postures.
Now the enemy is in the dark, but they are in the light.
Ye Quan felt that he had never failed so much, rubbed his eyebrows and sat down, sighing; "I'm not sure if the owner of the shop is the man."
Director Jin thought for a while: "Tomorrow I will also go to that store to buy a New Year's painting." β
Ye Quan pointed at Chen Feiyang and said, "Tomorrow, you go and buy a few more." β
Chen Feiyang stretched out his hand, and Ye Liang glared at him: "Sanqi, who said okay, will compensate you together when the time comes." β
As he spoke, the picture on the table suddenly moved again, and the fat doll stood up and walked up and down the table, and then down the leg of the table.
Chen Feiyang stretched out his hand to hold down the picture, and the fat doll's lotus-like little arms waved a few times, and a pair of little fat legs kept kicking.
Chen Feiyang shouted, "Oh, this little monster is quite energetic. β
"If such a fat doll is not carrying a knife, but a poisonous needle, wouldn't it be very harmful?"
Ye Liang looked at the fat doll's tapping action and said faintly.
Yes, this picture is only the thickness of a piece of paper, thin, can enter through any gap between the door and window, since it can carry a kitchen knife to chop fish, it can also take a poisonous needle to stab people, so think about it, this thing is too terrible, it makes people feel cold all over the body.
The destruction of the shopkeeper Meng's family, as well as the death of the shopkeeper Meng in the detention center, are very likely to be caused by such similar things. Paper man, go directly through the crack in the door, and retreat after killing people, which is really a necessary weapon for killing and stealing.
The more Director Kim thought about it, the more scared he felt. For mobile phone users, please browse M. Reading for a better reading experience.