When I heard the old prostitute say that there was a place in front of me, or a place I didn't expect, I was full of curiosity and couldn't help but ask him what kind of place it was?

But this guy still sold it, and only said that it was a place that had something to do with the little wolf, and then said that it was almost there, let me see it myself.

I didn't pestering the old prostitute to ask, even though I knew he was trying to ask me about him. But I didn't ask again, the reason is very simple, on the one hand, I'm already very tired, it's tired inside, I don't want to talk too much, especially with the old prostitute, once I open his chatterbox, it's hard to stop estimating, and he said it's almost there, and it's almost the same as knowing it one second earlier than knowing it one second later.

Sure enough, not long after we walked forward, we came across a passage made of stone bricks. This passage is the end of the topaz space, and it seems to be the only entrance and exit here.

San'er didn't stop, and walked directly into the passage with Ma Daha on his back, it seemed that this place had been inspected by them, so he would not hesitate to walk in.

The passage itself is not wide, only two meters wide and less than three meters high, making it a straight passage. After entering the passage, the flashlight shone on a white stone door not far ahead, ajar. As we walked forward in the passage, the old prostitute told me that the stone door was open like this when he and Scar entered, and he didn't know if San'er had opened it.

When I reached five meters away from the stone gate, I saw a light inside the stone gate, and there seemed to be something shining inside. At this time, San'er had already walked to the stone gate with Ma Daha on his back. This time he walked in without hesitation, and we followed.

As soon as I walked through the stone gate, I was attracted by the sight inside.

Before I entered the stone gate, I had thought about what it would be like inside, but I really didn't expect it to be so complicated. No wonder the old prostitute and I sold Guanzi, it turns out that the one qiē here is not something that can be explained clearly in one or two sentences at all.

This is a spiritual hall, there are too many things in it, not any rare treasures, all of them are some ancient sacrificial vessels, some I can name them, some I have never seen, most of them are jade products, and some bronze vessels, if you want to introduce these things in detail, I am afraid they are enough to write an archaeological book, so I did not record them completely, but only described some important things.

This spiritual hall is 300 square meters, and there are many humanoid lamp slaves made of jade arranged around it, each of which is more than one meter high. Four of the lamp slaves have been lit, presumably by San'er.

The main thing that caught my eye here was the stone walls on both sides in the middle. Immediately on the left side of the stone wall is a one-meter-high stone platform, which is very large and has many wooden tablets on it. Next to the stone wall on the right side of the corresponding position, there are three black coffins horizontally, and the lid of one of the coffins has been opened, I don't know if they did it by the old prostitute.

I had the intention to go over and look at the open coffin, but I was attracted by San'er's actions. After the guy put him on the ground, he didn't say hello to anyone at all, he gagged him with one hand, and then moved his other hand quickly on his head.

Immediately after, a small stone stained with blood was thrown to the ground. Ma Daha immediately rolled in pain, but fortunately, San'er immediately held him down, otherwise he would have to roll on the spot in pain.

"Don't be stunned, hurry up and bandage him." San'er said to us while pressing Ma Daha.

Seeing this, the old prostitute hurriedly rummaged through the gauze in her backpack, and then bandaged Ma Daha's head with San'er, and San'er told Ma Daha not to scream, even if it hurts, bear with it first, the sound will attract the black shadows in those stone walls. He was also told not to move for the time being, and to lie on the ground and rest for a while. After talking to Ma Daha, San'er walked to the stone gate where we entered, apparently trying to close the stone gate.

The old prostitute asked Scar to take care of Ma Daha, and then said to me, "Xiao Qi, come and see these tablets."

Hearing the old prostitute say that I should go over to look at the tablet, not to see the coffin that had been opened, I was still a little surprised, thinking that I had heard it wrong, but looking at the direction of the old prostitute walking, it was indeed towards the tablet, so I got up and followed.

Before I got to the tablet, I saw a small incense burner on the offering table in front of the stone platform, and someone put on a stick of incense. When I first came in, I didn't pay attention and didn't smell the fragrance. As I approached, I smelled a faint fragrance.

"Who ordered this? Has it been checked?" After I smelled the fragrance, I asked the old prostitute very sensitively.

"It's ordered by San'er, don't worry, I've seen it, it's a normal ancient fragrance." The old prostitute paused here, and then said: "But this incense is also a bit strange, I don't know if it has been placed here for hundreds of years, and it can still have a fragrance."

Hearing the old prostitute say that it was ordered by San'er, I began to mumble in my heart, thinking, these tablets should not be the ancestor of the Murong family, right?

I followed the old prostitute to the offering table, and the old prostitute picked up a stick of incense that was placed on the offering table, smelled it, and said, "Take a closer look at these tablets, and I will study the incense again."

Actually, I don't want to take a closer look at the tablets, and I'm already looking at them, because these tablets are so eye-catching.

On a one-meter-high stone platform, there are five rows of tablets.

Just looking at it, I thought it was strange.

This is the tablet of the Murong family, as I expected. But these tablets are so weird.

This is probably the weirdest tablet I have ever seen in my life, all the tablets do not indicate the name of the real owner of the tablet, but the name of the parents, but the position in the middle of the tablet is marked with the "son", that is, the real owner of this tablet is this "son", not the person whose name appears on the tablet.

On each tablet is the name of a man of the Murong family and the name of a wife, and then the son below. All tablets are like this, for example, this tablet, one side of the tablet is inscribed: Murong Hetu, the other side is inscribed: Meng Shengnu, and the bottom is inscribed: Son. This has already been expressed, this tablet belongs to the son of Murong Hetu and Meng Shengnu.

I wouldn't think it's too weird if it was just that, but there's something even weirder than that.

After I looked at the tablets in the first row, I took care of the tablets in the second and third rows one after another, and was surprised to find that in addition to the "son", these tablets also have one thing in common, that is, all the tablets on the tablet are the same wife's room: Meng Shengnu.

This really surprised me, I looked at it several times, and it wasn't that I was blinded, it was. All the wives on the tablets are: Meng Shengnu, but the names of all the men of the Murong family are different.

For a while, I even had a kind of confused thought, or incestuous thought, that these men of the Murong family married the same woman as their wives, and this woman was: Meng Shengnu.

I knew that I must not be right, but I really couldn't think of a better explanation, and the facts were in front of me, and I didn't know which direction I should understand.

"Xiao Qi, don't just look at the front, look at the last row." The old prostitute looked at me from the sidelines and reminded.

I heard the old prostitute talk about the last row, so I took a flashlight and looked at the last row. Since the last row was clinging to the stone wall, the light was very dim, so when I first looked at the tablets in the front row, I didn't even notice what was written on the tablets in the last row.

When the flashlight hit the last row of tablets, I immediately had the urge to take them down.