After seeing that the mural was repeated in front, I took a closer look at the contents of the mural.

The murals here are different from those seen in the ancient tombs in the past, the colors of the murals are dull, although there are several colors, but they also look mediocre and monotonous, there are no gorgeous patterns, and there are no exquisite paintings, and they do not look pleasant, not so attractive to the eye.

I took a brief look at it, it was all narrative patterns, and I didn't see the purpose of the Murong family's experiment, so I immediately lost interest. Maybe it's because I've seen too many murals in the tombs, and I can't look at this kind of non-professional painting at all, so when I look at the murals here, I don't pay attention.

The old prostitute saw me taking a flashlight and shouted, "Xiao Qi, come here to see, the focus is here."

I walked over and was about to ask the old prostitute, what does this have to do with the Murong family's experiment?

But before the words could be spoken, my eyes saw that the mural illuminated by the old prostitute's flashlight was in a very inconspicuous corner, and I just glanced at it, which immediately made me feel shocked.

The mural depicts a man stepping out of a coffin filled with white objects. The man was naked, as if he had just woken up.

Then looking down, after the man came out of the coffin, he came to a painting and looked carefully at the painting on the wall. Then the next one is, after the person finished reading the painting, he walked to the side of the coffin, took out a package from the side of the coffin, he opened the package, put on the clothes inside the package, and finally the person walked out of the mountain according to the marks on the wall painting.

The mural in the back is a map out of the mountain, and then there are some household chores, including farming, eating, making friends, etc., I feel that the back is not important, and I can't see what it means, it is all some things in life, I didn't look carefully, and swept it over.

But from the moment this man stepped out of the coffin, until he walked out of the mountain, I thought it was quite strange. First he came out of the coffin, then put on the clothes he had prepared, and then he walked out through the guidance of the wall painting, which was the mural I saw in front of me, and there was also a map and a mark on how to get out.

I don't know if I'm seated, how I feel like I'm doing the same thing as the person in the mural, the only difference is that he came out of the coffin and we fell from above.

I was watching it with relish, and the old prostitute suddenly patted me next to me, startling me, and hurriedly asked him, "What are you doing?"

"Look at what scares you, I want to remind you that the guy is going inside, should we go with him." The old prostitute motioned for me to look inside.

When I looked inside, it was San'er walking into the distance, and he walked quickly without hesitation.

I glanced at the mural again, a little reluctant to leave, I wanted to finish the whole mural and then chase San'er, but seeing San'er's hurried footsteps, I was afraid that before I finished reading, he would have gone.

"Let's go, go with him first." After I finished speaking, the old prostitute and Scar began to take things, and then trotted to catch up with San'er.

I hadn't fully recovered my strength, and when I ran forward for more than 20 steps, I felt a little overwhelmed.

The old prostitute slowed down and helped me to go, letting Scar chase after me first, and as he walked, he talked to me about the mural he had just seen, and asked me what I thought.

Actually, I don't have any opinions, after all, I haven't read all of them, but I've only read some of them, and if I want to say that I have any opinions, it can only feel weird, but it kind of catches my eye, and I want to continue reading.

The old prostitute asked me not to rush to see the mural, saying that the gecko here may be repeated all the time before, even if there is really no mural in front, then there is no need to worry, anyway, we have to go up and walk back, and then there is no hurry to see it again. However, he didn't understand San'er a little, and he didn't understand why San'er still wanted to go inside.

Not only did he not understand, but I also didn't understand, after all, I had only woken up for a long time, and they didn't know how long they had been looking at the mural here, and I believe that San'er must have seen something in the mural before he wanted to go inside.

"Old prostitute, why did you just say that the murals here are related to the Murong family's experiments? I don't see any connection. I asked.

After listening to my question, the old prostitute immediately shone the flashlight on the stone wall, and the mural on the stone wall was still repeated, and after taking a few steps forward, he stopped the flashlight in one place and said, "Look here."

I followed the position of his flashlight to see, and it was still the picture I had seen just now, a person stepped out of the colored coffin.

After a few glances, I didn't find anything special, my eyes stayed on the person in the painting, and I didn't notice any difference in this person, so I couldn't help but ask suspiciously: "Do you want to say that this person is from the Murong family, and his fingers are not obviously special."

"Don't look at people, look at coffins."

I began to pay attention to the coffins in the mural according to what the old prostitute said, and I looked carefully at every place, but no matter how I looked at it, I felt that the colored coffins in the mural were very ordinary, and I didn't think there was anything wrong.

"Do you see that?" The old prostitute asked me, I shook my head, said no, and the old prostitute continued: "Look at the color in the coffin."

As soon as he reminded me of this, I woke up instantly, and immediately felt my scalp tingle and goosebumps all over my body.

The coffin was white, and there was a sense of déjà vu.

The first thing that came to my mind was that the coffin was filled with white sand.

If the coffin in the mural is white sand, then the mural here is related to the Murong family's experiments.

For a while, many pictures came to my mind, and these pictures were all related to the Murong family's experiments. Although I don't know a lot of information, there is one important point that I will not forget, and it is because of this point that the little wolf came here, and that is Baisha.

In the past, the only information I had was Baisha, and the Murong family put people into the coffin containing Baisha when they were experimenting, but the mural I saw this time was a person stepping out of the coffin containing Baisha. Could it be, could it be, could it be that this is the reason why the Murong family did this experiment? Is this what is called a successful experiment?

I don't know what's wrong with me, and I feel a little excited like I've picked up a gold ingot.

I couldn't resist the urge to step forward and take a closer look at the colors inside the coffin in the mural.

As soon as I approached to look at it, I noticed that the white inside the coffin had changed, which was different from what I had just seen from a distance. Looking closer, the white inside the coffin is linen, a little particles, not a white sketch. At first, I thought it was caused by the unevenness of the stone wall, but I reached out and touched it, and it was flat, not because of the stone wall, but more like I wanted to draw the feeling of hemp surface.

I hurriedly took the flashlight and looked forward, walked to the next repeated mural, and touched the white position of the coffin with my hand, it is the same here, the stone wall is flat, but the picture quality has a pockmarked feeling.

That's right, the white painted in the coffin is the white sand, and the white in the coffin in each painting is dotted, and it is the whole white from a distance.

I instantly felt that my previous judgment was wrong, I thought that the murals here were too mediocre and not made by professional painters, but after touching them, I completely changed my previous opinion.

The murals here are not mediocre at all, and the depiction of the white sand in the coffin makes me feel that the murals here are full of detail.