Just like many people believe in both God and science, Angela maintains her faith while maintaining her worldview is scientific.

She never thought that she could really see such a devil as an existence.

Therefore, looking at the large group of flying demons that disappeared in the blink of an eye under the intense light released by Moses's cloth, Angela couldn't believe it.

However, even if I can't believe it, the scene in front of me is still shocking-

In the far original version, the shots that flash between the strong lights are different, and in order to achieve better performance results, Charlotte has done a very technical job in both the appearance design of the flying demon and the adjustment of the intensity of the light.

He even used a few spells in it.

This made the light of Moses' cloth dazzling, but not so dazzling that it was impossible to see.

As for the shots of the demons pounced, he used the relative movement shots that he had already used very skillfully.

This made the Flying Demon's hideous feeling even more prominent.

And the shot that dissipates together under the intense light emitted by Moses' cloth is even more shocking.

In particular, Charlotte also used several lens variations, including panoramic shots, which made the visual effects of this version much more prominent.

"That's a good shot!"

Kenneth Turan lamented the use of special effects for this scene.

You know, in the era of 1997, it was quite remarkable to achieve this level of light and shadow special effects.

Of course, Mr. Critic doesn't know that Charlotte actually has spells to cheat......

In any case, after the sound and light special effects that shocked the audience, the movie returned to the plot line again-

"What are those things?"

At this point, Angela, who had regained her composure, asked.

"Demons!"

Konstantin's answer was very brief, and then he shook his head and glanced at Angela,

"They shouldn't be coming for me!"

Angela didn't understand what Konstantin meant.

In fact, after seeing the real demons, she was even more worried about whether her sister Isabel would suffer in hell.

- After all, the hell after death before is only an illusory existence in Angela's mind.

And now, this illusory fear seems to have become a reality.

Fortunately, Konstantin's next words comforted her very well,

"Since you believe that Isabel didn't commit suicide, let's go and find out!"

"—is she in hell or not!"

"Cool!"

This time, even Emily had to sigh with Gianna.

No way, after killing the demons with gorgeous effects, the ruffian said two lines, coupled with Keanu Reeves's ungodly appearance......

"This must be the drawbridge effect!"

Emily explained herself.

Of course, she actually likes Keanu Reeves too, but because Gianna around her always likes to use the word "cool", Emily doesn't seem to use similar descriptions......

In short, this temporary exorcism of Konstantin, under Charlotte's modification, appears very visually appealing.

After that, Konstantin and Angela came to Angela's house.

They found Isabel's relics-

Some items, as well as a black cat.

"Cats are very good, they can swim between the yin and yang worlds. ”

Konstantin said as he prepared a chair and a basin of water.

"I'm going to hell through the water, and other things, especially cats, are my clues to find Isabel. ”

Konstantin explained.

Then, however, he made a not-so-friendly request,

"Please get out, Angela!"

"What!?"

"Please get out!"

Konstantin once again emphasized what he meant. Obviously, he didn't want to be stared at by others when he was hungry when he cast the spell.

Angela finally agreed.

However, before closing the door, she deliberately wrinkled her nose and said to Konstantin with a slightly mocking expression,

"Don't hurt that cat!"

"It's getting interesting!"

In front of the big screen, Andrew Sparker no longer cares about secretly spying on his girlfriend Diana.

Seeing that now, he has fully invested in the plot of the movie.

And when he saw the camera behind, he smiled even more heartily-

"I hate it!"

Konstantin sat in a chair with his feet in his shoes and stepped into the basin of water, while his hands grabbed Isabel's black cat.

The cat yawned boredly.

It was forced by Konstantin to face a strange man with a pair of eyes.

Konstantin fixed his eyes on the cat's eyes, which were between green and yellow, especially the vertical pupils that became apparent as the night came.

- It was as if he was hypnotizing himself.

At this moment, time seemed to slow down in the whole room.

In the next second, Konstantin felt a burst of scorching heat.

He lowered his head, then opened his eyes again—

He was already in the midst of a dusk of hell, and the air was filled with the smell of sulfur.

"Hell!"

Konstantin muttered in disgust.

There are a large number of demons in Hell, both the demons that possessed the little girl that he defeated when he exorcised them before, as well as those flying demons, and even other varieties.

However, Konstantin didn't come here to compile the Demon Illustrated Book.

He hides from the demons while searching for Isabel's whereabouts.

- He knew that because of the spell cast with the help of Isabel's cat, he should be very close to Isabel's soul by now.

Then, he saw—

"Isabel!"

Konstantin called the woman's name, and the other turned his head—

"It's beautiful!"

Diana never thought that people would be so beautiful in hell.

Even, perhaps because the contrast is too strong, Charlize Theron, who plays Isabel, looks even more beautiful in this environment of Hellfire.

- It is a kind of beauty that can penetrate people's hearts and make people feel pity.

On this point, Kenneth Turan shares Diana's views.

In fact, a long time ago, Mr. Film Critic discovered that director Charlotte Booth seems to be particularly good at highlighting a special sense of beauty when expressing feelings that are not normally related to beauty, such as hideousness, horror, and danger.

Whether it is the female ghost in the previous "Fatal Bend" or the female serial killer played by Jodie Foster in "Happy Death Day", they all have that dangerous beauty.

And in "Guillotine Valley", the whole article is wandering in that slightly terrifying beauty shot.

It seems to be a personal hobby of Charlotte Booth.

But Kenneth Turan also has to admit that such a dangerous beauty with strong contrasts is indeed very shocking.

It's like Isabel in hell right now-