In the Chinese film "Baby", the heroine Jiang Meng's three major wishes were ultimately unfulfilled under the cover of cruel social reality:

1. Save the baby who was born with a serious illness

2. Do not apply for a disability certificate

3. Give your adoptive mother a pension

In fact, this is a seemingly bland but actually suffocating work, in which the pressure, despair, and struggle of life at the bottom of China's urban-rural interface are shockingly reproduced by the simple lens copying frame by frame. What hit my heart the most was the heart-rending monologue cry of the heroine Jiang Meng in the police station:

"I've been with my mother since I was a child, and my mother is the only one with me, so why can't I give her a pension and send her to the end of my life?

The film successfully shows several kinds of people's livelihood and suffering at the bottom of Chinese society with a high degree of reality.

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