Sitting down on the seat, Zhang Tongzu was embarrassed to face Chen Fengwei Fei, and turned his head to look out the window. And Chen Feng was the same as on the train, hugging his hands in front of his chest, closing his eyes and resting. Wei Fei looked at the old woman's thin body, which looked very lonely in the aisle, he suddenly couldn't bear it, so he wanted to give up his seat to the woman again, but after glancing at Zhang Tongzu, he saw Zhang Tongzu as if he took it for granted, he thought about it, and suddenly shook his head with a sigh.

Wei Fei originally wanted to ask Zhang Tongzu why he was so patient with the fortune teller in front of the station square, but at this time, the answer seemed to be self-evident. A car of people of different ages and dresses, but they all look respectful to Zhang Tongzu, and then think of what Zhang Tongzu said, the town in his hometown, the characteristics of the prevalence of folk customs, so it is conceivable that the town of Zhang Tongzu's hometown must have inherited the ancient style, and extremely particular about the taboos of various traditions, so although Zhang Tongzu is young, due to generation, or other reasons, he has a very high status. But most of the people in the car often go back and forth to the county, although the county is small, after all, it is still a county seat, and some of them have more knowledge than the town, so they have a little joking tone in their words, but the ancient precepts that have been passed on for a long time have made them strictly follow them.

The minibus started to leave the station, but it was not as imagined for the northwest along the way. Transportation is the foundation of economic development, and all localities are increasing the construction of roads. After the minibus turns onto the national highway, although there are still rolling loess slopes in the distance, gas stations, motels, villages and towns can still be seen from time to time.

The most boring thing in the passenger journey is to pass the time is nothing more than sleeping, and taking the car is actually very draining. After a while, the whole vehicle, including Zhang Tongzu, all fell asleep, and in addition to the roar of the engine, there were bursts of snoring in the carriage.

Wei Fei, who was sitting next to Zhang Tongzu, suddenly touched Chen Feng lightly, "Crazy! Chen Feng opened his eyes, looked at Wei Fei, and smiled bitterly, "The reason why Lingying is Lingying is Lingying is that the key is that the spirit is born from the spirit, the heart is born from the spirit, and the feeling responds to it." Right or wrong, it's up to you to judge. ”

Wei Fei's expression darkened, "In this way, Zhang Tongzu is indeed about to have a catastrophe." He suddenly decided to follow Zhang Tongzu to his hometown, the so-called town with very folk characteristics, and the real purpose was of course not so. It's because the old man just said that Zhang Tongzu's return to his hometown was a sign of death, and he showed a mysterious appearance, but Wei Fei saw it at this time, and the little insect threw himself into the net, and suddenly felt a sense of it. The old man said that Zhang Tongzu's "rushing" is "sending", just like the insect that looks like an ant, rushing to go, but it is a sign of death.

For Wei Fei, this is definitely not an ordinary association, he is a psychic body, and he knows the spiritual response method in the Song Dynasty master Shao Kangjie's "Plum Blossom Easy Counting". Shao Kangjie's spiritual response method is between psychic, and there are few secret methods that have been handed down, "everything is a circle, and when the party is not smooth...... Wen Zijun, who was ever-changing, also saw the spring sunset flowers, and immediately calculated the blood wish to appear. Therefore, Wei Fei sensed in an instant, the strange old man's words were not untrue, Zhang Tongzu may really have a life-threatening hurdle to pass.

As Chen Feng said, the reason why Lingying is Lingying is that it is the inspiration of the scene in an instant. Wei Fei frowned and was silent for a while, when suddenly a question came to his mind.

The two of them, whether it was Chen Feng or Wei Fei, strictly speaking, could only be regarded as cultivators with half a bucket of water. No one has taken the so-called "destiny" to heart. Although Zhang Tongzu is a big gap with them in terms of age and experience, but he has walked all the way from Xi'an, if he sees that he is a high-spirited and fresh young man, if something happens to him, with the heart of two people, no one can do this.

"By the way, madman, the old fortune teller who grabbed Zhang Tongzu doesn't seem to be so simple, I always feel that he has an extraordinary background." Wei Fei remembered the strangeness of the old man, "But I can't find any obvious traces on him, it seems that it can only be a small Fang Ding-like thing, it seems to be ......" hesitated for a moment, "For some reason, I actually thought of Wen Zijun's Thousand Tricks and Changes." ”

Chen Feng also frowned, "I also think that Fang Ding seems to have a great origin, and ...... Thousand Machines Technique?" His face suddenly changed, "Could it be that the old man is actually one of the ten great arts?" ”

"Sun?" Wei Fei was taken aback, Wen Zijun's thousands of machines are ever-changing, the reason why he is called the head of the three parts of Qimen Dunjia is not only because he has mastered the stunt of time and space transformation, but also because the Thousand Machines Technique has gathered the ten major techniques that have been handed down from ancient times to the present, and the Japanese is one of them.

The Japanese, which originated in the Warring States Period, have become a system of their own in the Qin Dynasty, and so far, there is only an incomplete "The Art of the Japanese". However, such an incomplete book has caused many controversies against the Japanese in later generations. A considerable number of people believe that the Japanese should be regarded as the ancestor of divination and arithmetic, and the Japanese is a collective name for the monks in that period. However, some people believe that although the Japanese are a special industry born from sacrifices, the word "Japanese people" represents a kind of magic that is not in the Zhou Yiqi Gate.

Jijie Mozi said: "Mozi is in the north of Qi, and he meets the sun." The Japanese said: 'The emperor killed the black dragon in the north today, and the gentleman's color is black, so he can't go north.' Mozi didn't listen, so he went north to Zishui. Mozi rebelled. The Japanese said, 'I say that Mr. can't go north.' However, the ancients divined the divination, commonly known as the "sun". Mozi is also a cloud, not only in history. Suo Yin case: The name divination is called "the day" with ink, so the divination is commonly known as the "day" because of the time and day. This is the first time it has been seen in history in the "Historical Records Volume 127 of the 67th Biography of the Day", and it is also the only record of the Japanese in the book.

Chen Feng sighed, "The book "The Art of the Sun" records many ways to seek good fortune and avoid evil, but it does not mention how the Japanese are calculated, so later generations of scholars think that the so-called Japanese are among the witches who perform sacrifices, but in fact, the day of the Sun is a thaumaturgy unique to watching the sun and looking at the shadows. ”

"Watching the sun and watching the shadows?" Wei Fei's mind immediately flashed over the old man, a pair of slender but red, swollen eyes, obviously overexerted, "What can be the pattern between the changes of the sun and shadow?" Is this technique of the Sun related to the astrology? He suddenly remembered the force of the stars that made it difficult for the train to get out of the tunnel.

Chen Feng shook his head, "The sun is yang, the stars are yin, you can't say the same." According to my guess, the mystery of the art of the sun probably lies in the small square tripod, where the inquirer burns a pillar of incense, and the sun, the incense mist, and the figure may have their own reasons for the three. ”

The small square tripod the size of the palm is like the "Nine Heavens Xuanyuan Needle" of Zhu Youshu, which is the magic weapon of the Japanese Sect. But if the old man's identity is really a Japanese person, then his assertion of Zhang Tongzu is more reliable than Wei Fei's Lingying. Wei Fei and Chen Feng couldn't help but look at Zhang Tongzu's body.