Chapter 118: Three Mentions and Six Drags
After Han Feiyan left, I sneaked in with Su Ping. After the two of us entered Han Feiyan's house, we searched around Han Feiyan's house. After noticing that there was nothing wrong with her room, we shifted our attention and went to Han Feiyan's basement.
Coming to the basement, we soon found ourselves in the stone hall. When we arrived at the stone hall, we saw Han Jingjing in the stone hall. Looking at Han Jingjing in front of me, I inevitably felt a pain in my heart. Then I wanted to get closer to her. However, Han Jingjing's reaction was very fierce, and when she saw that I was going to get close to her, she immediately hid in a corner, and picked up a stone as a weapon to defend herself, as if if if I got close to her, she would hit me with a stone.
Seeing her like this, I also dismissed the idea of wanting to get close to her.
After arriving in the basement, because there was nothing to discover, the two of us were going to enter Han Feiyan's secret room again to take a look. In fact, when we came to Han Feiyan's house, the place we wanted to come to the most was this secret room.
I know that Su Ping actually wants to find the woman with a face full of Gu worms, in fact, I also want to find that woman, I don't think that a big living person just disappeared out of thin air, it must have been hidden by Han Feiyan.
After I opened the mechanism, the door of the secret room opened, and then I walked in with Su Ping.
After we walked in, Su Ping and I each observed. After looking around, we still didn't find anything special, but it is worth affirming that we smelled an unusually pungent smell of blood here.
I smelled rot before, and now I smell this smell of blood, which makes Su Ping and I both have a premonition of the existence of a problem......
But no matter how much we searched, we couldn't find anything different in it, and we never found any hidden secret room.
Just when Su Ping and I had searched every corner of the entire secret room and were about to give up leaving, I suddenly found that there was something different on the table with the incense burner in front of the wooden sign.
On this table, I saw two very obvious footprints. Judging by the size of the footprints, it should have been left by Han Feiyan.
"Hey! Su Ping, come and take a look, there are footprints on this table. I shouted at Su Ping.
Hearing me call her, Su Ping immediately walked over, and when she saw the footprints, Su Ping's eyes widened, and she suddenly looked at our heads.
Above us was the rock wall above the chamber, which we had never noticed before, because it was out of sight, so we could easily ignore it.
After discovering this footprint on the table, Su Ping asked me to help her, and then she stepped on the table and began to grope on it.
But after groping on the rock wall, Su Ping shook her head in disappointment, and then asked me to change places and continue to explore.
After exploring like this, until we came to the corner where we found blood stains and feathers before, Su Ping touched something different on the top of this corner.
Then, Su Ping began to pull something the top of this corner. Su Ping pulled very hard, and in the end, she padd her feet and pulled indiscriminately as if she had used her strength to feed.
Finally, with a creaking sound from above, a crack suddenly appeared in the corner of the wall in this corner, and finally the crack turned the two walls into two stone doors, opening to both sides. Seeing the slowly opening stone door, Su Ping and I were extremely excited.
When the stone door was opened, a pungent smell of blood and decay rushed to our mouths and noses, and I almost didn't vomit.
After I got used to the pungent smell, I walked in with Su Ping.
I don't know if I don't go in, and I was shocked when I got in. As soon as we went in and walked a few steps inside, we found a large boxy pit under our feet, and in this pit many small animal carcasses were thrown in, pheasants, rabbits, and even a few that looked like monkeys. And the smell of rot and blood must come from here.
"Damn, how can there be the carcasses of these little animals here? What did Han Feiyan do with the carcasses of these little animals here? I asked, somewhat incomprehensibly.
Seeing me ask, Su Ping also looked at the corpse in the pit in a daze, and then said to me: "I don't know much about this, but I saw a record in the Miao Jiang Gu Technique that it is also possible to make Gu with this small animal." ”
"What? Didn't you say that Gu were all poisonous insects? I looked at Su Ping in surprise and asked.
That's right, most people think so, but in fact, in the category of Gu arts, in addition to the mainstream Gu worms, there is also a diversion called "creating animals for Gu", also known as creating animal Gu poison.
"How?" I asked.
"It is recorded in the Miao Jiang Gu Technique that in addition to poisonous insects and poisonous weeds, snakes, frogs, birds, chickens, dogs, cats and other animals can also be manipulated to make special Gu things, which is called making animals as Gu. This kind of Gu creature is similar to the Taoist priest's method of summoning ghosts, and after refining, it can enslave the souls of animals to serve them. ”
"So godly?" I asked.
"If it weren't for the fact that I read the book Miao Jiang Gu Technique, I wouldn't have known that these animals could also be made into Gu. However, most of these Gu creatures are not recognized, and they have a large target and a very low success rate, so few people will do this. I don't know if Han Feiyan is making animals as Gu, but there is a possibility.
Hearing Su Ping say this, I suddenly thought of one thing, that is, when I first got the album, after I smelled the fragrance of acacia flowers and fell asleep, it was the pheasant that woke me up. When I went to the witch's place to observe, I was followed by a pheasant that scared me a lot. I'm wondering now, is this Han Feiyan making this pheasant into something Gu, and then controlling it to follow me?
When I think about it, I feel chills all over my body.......
Once we had walked through the big pit, we headed inside. After walking a short distance, after turning a corner, we suddenly saw a man standing in a small stone cave after the corner. Her body was confined to the altar, and the person drooped her head as if she were asleep.
After we took a closer look, we realized that this person was none other than the woman who claimed to be Li Changjuan, the woman with a face full of dead Gu!
After seeing this woman, Su Ping burst into tears, and the whole person seemed to be uncontrollable. It's as if the woman in front of her is her mother.
And Su Ping's cry just alarmed this woman, and when she raised her head and saw that it was us, her bloodshot eyes suddenly lit up, followed by two lines of turbid tears. Then she gestured desperately with her hand to her mouth, as if she had something to say to us.
Seeing her like this, Su Ping quickly took out a small bottle of ink from her arms that she didn't know when she had prepared, and then took the ink to me. Then I was asked to hold the woman with her hands, and then she spread out her hands and asked the woman to write down what she wanted to say to us.
The woman's first sentence was to ask us why we came, and then Su Ping said that she found out that Han Feiyan had gone to the witch's house, so we took the opportunity to come.
Seeing Su Ping answer her like this, this woman asked us how we found this secret room, because the mechanism of this secret room is on the rock wall overhead, and the way to open it is very special, it needs to be lifted and dragged three times.
The so-called three lifts and six pulls means that when opening this mechanism, the opening object of this mechanism must be lifted up three times, and then dragged outward six times, so that the mechanism can be fully opened, and people who don't understand it can't open it at all.
Seeing the woman ask this, Su Ping replied to the woman that it was Han Feiyan who leaked a flaw and let us know that the mechanism was on it. As for why she was dragged three times, in fact, she didn't know, it was that she found the stone that seemed to be a mechanism that could move. When she opened this mechanism, because of her small strength, and she was not tall enough, it was very difficult to open, so she pulled and pulled, and in this way, this mechanism was opened, maybe we were lucky to hit it by mistake......
Hearing Su Ping say this, the woman told Su Ping with tears in her eyes that this showed that their mother and daughter were destined, and God wanted their mother and daughter to have a chance to meet.
Next, Su Ping asked the woman why she knew that this organ had to be dragged three times and six times. The woman's answer was that she had designed this underground chamber in the first place!
At that time, Han Feiyan somehow knew the secret of the mechanism she designed for the witch mother, and then said a bunch of good things, saying that the place where the secret room was designed with a secret room could be used to save someone in the future. In the end, she was moved by it, and then designed this secret room. The woman also said that in fact, in the second half of the atlas drawn by herself, there is an introduction to this secret room, although there are very few introductions, and it is easy to ignore them if you don't look carefully, but at least it is introduced above. This secret chamber is the only underground passage in the village, and it is also an existence that the witch didn't even know about at the beginning!
And next, the woman even told a huge secret about the relationship between Han Feiyan and the witch mother!
......
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