In addition to these, there is another strange place hidden in this tomb, which contains a power that can remind people of the past.

From a distance, it looks like a tower, but when you go upstairs, it's like walking into a memory, if you stay there for a long time, it will simply drive people crazy, because some memories seem to be imposed on you by others, but they don't seem to be your own, and you feel that those things are very familiar, like a sense of déjà vu.

Experts initially thought it was the hallucinogenic effect of the strange flowers planted downstairs, but when people went to pick the flowers, they found that they seemed to come to life, and they shrank the vines back.

Seeing this, everyone was taken aback, and no one dared to approach the tomb again, and it became the forbidden place of the lowest level of the tomb.

That day, when everyone went down to the tomb and began to study a few coffins, Lao Zhong found that the girl had secretly left.

was originally suspicious of this person, but now that he finally found out about her strange behavior, how could Lao Zhong let it go, and immediately followed out quietly.

But along the way, Lao Zhong was surprised to find that she seemed to know the terrain here very well, and before he knew it, they actually walked to the upper layer of the tomb, and in the long tomb passage, he followed the girl until he found another tomb.

When he entered the tomb, the girl was gone, and when the old bell arrived, he saw only the empty tomb and the coffin in the middle of the tomb.

Old Zhong first looked around a few times, and found that it was full of walls, and there was no place to go in and out, so he focused his attention on the sarcophagus.

The old bell did not know how much this little girl knew about this tomb, and what purpose she entered here.

He walked to the sarcophagus, took a flashlight on the coffin, and found that in addition to the inscription, there was a very shallow handprint on the coffin.

pressed it according to the handprint, only to see the coffin lid being slowly pushed open, the old bell hurriedly turned off the flashlight, put on a night vision goggles, and looked inside.

In the coffin, straight down, the bottom was empty, and it looked like a dark room, and the little girl was standing underneath.

And face to face with her was also a woman, this person was wearing a black robe, and from their conversation, Lao Zhong found that the woman's surname was Ding, but he didn't know her name.

They seemed to have been plotting for a long time, and said that it was the last time they would meet, and took out an object and handed it to the woman surnamed Ding.

After seeing this scene, Lao Zhong really couldn't believe that this was not just a simple matter of stealing tomb information, but a blatant theft of cultural relics.

The research here is not very clear, and if there are artifacts lost, it will lead to the failure of follow-up work, which in turn will implicate many innocent people.

After taking the thing, the woman turned around and was about to walk towards the door on the side of the tomb, and when Lao Zhong saw this, he turned his heart sideways, if this person escaped today, I am afraid that the trouble will be even greater in the future.

As soon as he thought of this, the old bell jumped down, and when he stepped into the air, his body borrowed strength from the stone wall, and quickly went to the exit in the tomb, just in front of the woman.

"Put what doesn't belong to you, let it go!" The old bell said a cold word to the woman, but the other party ignored it, his movements were so fast that he couldn't see how he moved, and he bypassed the old bell in the blink of an eye, and quickly disappeared into the darkness.

A few minutes...... A few hours...... It was still a few days before the woman fled, escaping from Lao Zhong's side, and he didn't catch the woman, let alone exonerate Mr. Gu Zhi's daughter.

After that, she was handed over to the judicial department for the serious crime of theft of cultural relics, and Gu Zhi went to see her and asked her about the identity of the woman, but she did not say a word or a word from beginning to end.

Gu Zhi didn't know how to save her, he found a lot of people and walked around all the relationships. But everything was in vain, no one could help him, although he was willing to testify to what his daughter had done, and even wanted to pull all the charges on himself, but no one could see that he could not deceive anyone.

But the stolen information was enough for him to stay in prison for a few days, and remember why he let his daughter risk her life and do such a dangerous thing in the first place.

A few days later, Mr. Kochi came out, but in addition to his students, there was also Lao Zhong, who said a lot of sorry words and handed him his daughter's suicide note before she died.

Mr. Gu Zhi looked at him and asked calmly, "You didn't do anything wrong?!" ”

After saying this, he left, and since then, he has not been seen again, nor has he heard a word of "sorry" from the mouth of the old bell.

made a paranoid decision to the people back then, and he must become such a person, sometimes, what he does or says can change himself, and change the way he sees in the eyes of others.

Seeing each other, I don't know why Gu Zhi remembered this, or if he was patient before, it was because of Lao Zhong's sentence "irrelevant" that his anger that had been pent up for ten years broke out in an instant.

If he had seen himself as an irrelevant person and that girl as an irrelevant person, maybe nothing would have happened.

But he didn't do it, and he made an enemy for it, and for this reason, he was never entitled to stop himself, not to think about who might have done something, and he had to stop it.

Repeating over and over what he had been doing ten years ago, endlessly, because once he stopped, he was wondering, did he owe something back then?

For these, what I can't understand is that Lao Zhong's "irrelevant" refers to me and the East?

If this is the case, then Mr. Kochi may have regarded us as his daughters, and we also followed the old bell to the tomb, but during the time we were apart, did we bring anything out of the tomb, or kept anything for ourselves?

I think it's a prejudice, just out of what I think it is, and not thinking about how likely it is to think about it.

After a while, they all slowly calmed down, and returned to the slide, Mr. Kochi looked at the vine characters and began to talk about what he knew.

The circulation of rattan script is very ancient, and the Cangjie in ancient times created the origin of writing, but to count it carefully, those are mostly pictographs, and a style that has a different way is rattan script.

Continuing from the ancient method of knotting ropes, it is very different from the pictographic style of memorization, each knot represents an event, and the stages of the matter can be divided into six levels.

For example, if you want to tell someone what happened yesterday, you must first provide a one-sided explanation, use keywords to give the other party a guess, and then add time, place and person to these phrases.

The representation described by Fujibun also needs to be seen from the beginning to the end, but there is also a division of priorities and priorities in response to different things.

For example, in ancient times, the important accounts of the heavenly sacrifices were written first about the time and place, and then the content.

Because all the records refer to the sacrifices to the things that happened between heaven and earth during a certain period of time.

Although the people at that time were backward, they were not as bad as people are washed by all kinds of sewage now.

The so-called born and raised, the biggest protector around people is the four directions of heaven and earth, and the way to see the changes between heaven and earth is through time.

Time, like a door, through a certain period of time, people can see when it will rain and when it will be windy.

Therefore, time has become a basis for the changes of heaven and earth, and the expression of this basis is man's reverence for nature.

The appearance of rattan inscription has a lot to do with this sacrificial ritual, and there are also records about rattan inscription in the earliest oracle bone inscription system.

It is mentioned in the record that the vine script did not exist for a long time, but it has a spiritual meaning that is deeply rooted in the hearts of the people, and is mostly used as a method of perceiving the changes of heaven and earth.

The recording and cracking of the vine script requires a certain method, and the time interval must also be in the vicinity.

Speaking of this, Mr. Gu Zhi glanced at the rattan script on it a few more times, "According to what you said, these rattan scripts may not be the script used by that ethnic group. The reason why it appears here is because of a funeral custom of the ethnic group, and according to the meaning of this rattan inscription, it is to make the deceased approaching the time, so as to sense the many changes in heaven and earth. ”

"In the vine text, there is already the meaning of counting the year, you look at those curly rattan petals, they are used to record time, but in our opinion, what is time, is a kind of latitude, a kind of continuation in fate, and the latitude in space, a person's life, is time, a person's day is also time, the number is the same, but the gap is different."

"The understanding of Fuji can be interpreted in many directions, but we must first go back to the era when Fuji was written and explain it with their thoughts. When words are not enough to count days, months, and years, this time also sums up the whole thing, that is, when a person is alive. ”

"You look at the front end of the vine script, it's a triangular pattern, and along this pattern is what happened over a period of time, and the triangle represents the land, the water, and the wind and rain, which explains that things are in reincarnation."

"And after reincarnation, it is time, time appears on the upper side, and the time that manifests itself as this person's time is not based on reincarnation!"

Listening to him explain so much back and forth, but not getting to the point at all, I was a little sleepy.

But at this moment, he suddenly mentioned a phrase, "God King! ”

It was as if a flash of lightning flew through my head, and in an instant I found what the phrase was dealing with.

"The God King is the legendary god in charge of life and death, and he is the only god who can only be seen from the end of time."

"Therefore, they are in a state of reincarnation, showing a mind that is somewhere between life and death."

"Do you mean, the meaning of this is that you can find the God-King and escape death by traveling to the end of time?"

I interrupted Mr. Kochi's words by asking, and he looked at me again, and finally nodded, but added, "Even so, there is another meaning hidden in it, and that is to be in death." ”

"It's like a coffin, and the people in it are looking for a way to be liberated, and the way to find it is to come to the end of time. In a simple word, it means that after the deceased dies, they can attain eternal life. ”

Listening to his last sentence, I was really almost happy, and my heart said what is this called an explanation? What kind of death are people afraid of when they die?

But at this point, it is not the end, because Mr. Kochi pointed to those vines and continued, "But at the end of the vines, there is another triangle that is the same as the beginning, which shows a new beginning and possibility. ”

"Reincarnation is not the final end of a person, if you can find a god king of that world in that end, it can also be an important pioneer of starting anew."

When I was very young, I heard a story about the world of death, maybe it was some teacher, maybe it was some boring writer, but I remember seeing or hearing such a statement.

They say that the world after death is a world without time and thought, and everyone is like a seashell by the sea, waiting alone.

They may be the same, they may be different, but they all come to that world for one purpose, and that is to find a way to leave.

But there is no thought, there is no perception, and their departure can only be found by a natural law.

Until one day, the ruler of this world appears, and according to the laws of nature, selects some people and takes them away