It is indeed the same outside, and after we walked out, we found that there were still those coffins that could not be seen, but we were about to turn back to find Jiang Yuchen, and when we went around with him to look around, we saw Gu Ren walking to the back of the coffin.

"What's there?!" Jiang Yuchen also turned his head and looked at the masked man.

Following his gaze, I also looked over and listened to the masked man reply, "Is there really no change?" I don't think so, at least this coffin has changed since we went in. ”

Hearing him say this, I was surprised and delighted, surprised that this coffin was really so weird, and happy that we had finally found our way back.

I walked over to him in a panic, and I saw a man squatting in front of this stone tablet, which immediately reminded me of the first discovery - the nickname with my name on it.

But this change, out of here, made my heart suddenly lift, and I always felt that something bad was quietly approaching.

When I walked up to him, I saw the other party raise his head and ask for no reason, "What are you waiting for?" ”

This sudden question made me stunned, "What are you waiting for?!" ”

"Then come over here and see if you still recognize your name!" As he spoke, he shone his flashlight on the stone wall and once again put his hand on the two words.

When I leaned over to look at it, the first thing I saw was not those words, because what stood out most in front of me was that there were more pictures on the originally empty stone wall.

The reason why I use the word "some" is because I couldn't see clearly at first glance, how many paintings were on it, and his flashlight was not all on those paintings, I only saw some of them through those peripheral lights.

However, before I could make a closer look, the masked man gestured to look at the place where his flashlight was pointing.

He focused his flashlight on those two words, which were not as big as the murals, so I couldn't see them clearly, but when his light focused on the words, I could see clearly.

It was originally "Qin Huai" on it, but now it has become "Tai Bad", and it is easy to be confused, so he ionized his hand so close.

"If it's not a lotus, it's silt!" The masked man said, removing his arm again, and pulling the light back, illuminating the mural on it.

Under the light, the murals were very short, like four-panel comics, and neatly arranged.

From the first painting in the upper left corner, it appears that the painting is an open coffin, but there is only a vague corpse in the coffin.

The simple picture seems to express the event intuitively, but it does not explain the characters and places, and the depiction is very rough, so we can only continue to follow the content in the picture.

The link to this second painting stretches the event very tightly, and you can see that it is a mask without color.

This mask appeared in the coffin, but the outline on it could not be seen, I don't know if it was because it was faded, or if the author did it on purpose.

Looking down, the third picture shows the mask being taken away, and in the blurred background, there seem to be many people lined up.

Immediately moved the flashlight back and looked at the previous picture, but saw that there was no such figure in the background.

It was because the location in the mural had changed in the third painting, and I was comparing the two paintings while guessing in my mind what was going on.

It could be that someone took the mask and went to another place, and in the fourth picture, things took a turn for the better.

In this painting, there is also a coffin, no, maybe it is not a coffin, but the background is still the same, still in the crowd.

And on that strange coffin, there are many dense patterns, which are somewhat blurred on this not so delicate fresco.

The painting made me feel like I was standing in the drizzle, watching it all, and the crowd there was solemn, surrounding the coffin.

In this painting, it should have ended, because lying in it was also a corpse, but his long white beard and shriveled head seemed to have been forgotten for a long time.

But under this painting, two more were continued, and those two were shrunk in the corner, and I saw that the mask was about to be carried on the face of the deceased in the coffin.

In the painting, you can see a pair of arms, holding a mask, and half of the face exposed underneath, which also proves his idea.

When the light moved to the last painting, I saw a different scene, which seemed to peel away the drizzle around it, leaving a clearer scene.

In the mural, there is the crowd behind them, the delicate masks in front of them, and the people lying down just now, which seems to be the end of a story, which successfully concentrates all the processes and screens out the core value of the content.

I looked at the mural, the original blank mask was painted with facial features, and the person who was originally lying in the coffin also came to life because of this, and the solemn figures around him gradually eased down?

But there seems to be one person missing from it, the person who brought the mask, and the person who painted on the mask, and I don't know if the author deliberately hid it, or because it was not important.

These murals are reminiscent of a lot, as if they were words that record the life of the deceased, but this is the life of the deceased in the coffin.

No, there is nothing here, there are no dead at all, how can it be said that it is a lifetime? Finally, I looked at the nickname in the corner.

The original text here has been replaced by a mural, indicating that we have returned, but this mural is really incredible.

I went back and asked them what they thought, Jiang Yuchen touched his chin and thought about it, and finally just repeated my thoughts, but found nothing else.

I finally looked at the mask man again, but he looked directly at the mask in the mural, the first time he called him, he didn't seem to hear it, and the second time he called again, I saw him react?

"Do you see any suspicions?" I saw that he was fascinated, and without thinking about it, I asked.

The other party hesitated for a moment, raised his hand and touched his mask, glanced at Jiang Yuchen again, and then said, "If my guess is correct, this should not be a recorded life, but a narrative of a prophecy?" ”

"Prophecy? It's just something that hasn't happened yet?! ”

"Yes, you see that there is nothing in the coffin, which also indicates that the deceased is still alive, and it is the same as the inscriptions we saw at the beginning, which are meant to explain the life and build the epigram."

"This!? How is it possible, people are not dead, there are these, how can it feel weird! "I don't feel well to hear him say that, but I can't tell me what makes me feel weird.

The other party glanced back at me, "Indeed, life is a very complicated thing, just like a vague mural, a memory of a certain day in a life, and when you recall it, it is like a dream, so when you look at these paintings, you will find that someone is trying to recall them." ”

As he spoke, he pointed to the last painting, where everything was already clear, "until everything was completely settled." It is a result that may not be the whole of the deceased, the process of a lifetime, but just a foreshadowing that one day, such a thing will be done? ”

At this point, I immediately interjected, "Who is the main character in these paintings, is it the resurrected person, or the one who stole the mask?" ”

"It's hard to say, but it's most likely the latter, because there's no coffin on the mural."

I sighed, but I still felt weird, after all, people don't die to get these things right, it's very eager for quick success, and even has a curse in it.

However, the masked man said that it was a kind of prophecy, and said that it was not a summary of life, but it was something that happened in a certain period of time related to it, which was engraved here as a reminder that those who might lie in it could use such a prophecy as a prompt to do something.

Although this premature arrangement is a bit special, I don't know that the inscriptions on the coffins at the beginning were also engraved in advance, just waiting for people to die.

If that's the case, it can still make people feel a little more comfortable, because everyone's life has been prepared, and then it's okay to wait for death.

But...... If there was only one person, it would have been very abrupt, just like now, when we go to see other coffins, I completely dismiss my previous thoughts, because not every coffin here has those paintings.

Looking at it, the difference here is only reflected in this one coffin, and the other coffins are still the same, with no murals, only a separate name.

Back here, the Masked Man said that we weren't taken back to where we started, but it was definitely not where we were, and that we might find something if we looked around again.

Jiang Yuchen and I both nodded in agreement, but suddenly returned to the previous scene, and there was no hope at the beginning, which made us a little frustrated.

There's really nothing to see here, it's just that we need to look for other different coffins, and we were all very happy to find them before, but then, when we walked around the other coffins, they all calmed down?

And Yuchen walked separately, but we didn't dare to go too far from each other, keeping a distance where we could see each other, and signaling with a flashlight, what we found here.

But after looking for a long time, these coffins are no different, as if we have been pulled back to the original place, and we can't see the edge.

But in that case, what is the need for the change in the coffin just now? What did you bring us here for?

Just when I was looking depressed and didn't know whether to continue, I suddenly heard a surprise voice not far away, "I found it!" ”