After determining the general age of the characters, they searched for the categories of these characters along the chronology, and deduced the contents according to the gazetteers of the same era and the chronicles of the year.

Through these, we have established that more than 900 years ago, there was indeed a mysterious group of people who migrated from one place to another.

They followed a peculiar geographical route, following the divergence of natural mountain veins to another location.

But tracing the purpose and direction of this tribe requires reference to the words engraved on the bones, so we are not yet sure of the verifiability of these chronicles.

However, after the system of writing was determined, everyone began to discuss the method of deciphering this system, because these characters appeared too long ago, and they were from different ethnic groups, so it was not a short time to find people or methods to decipher this language family.

Taking a step back, even if you can find someone to decipher the text, it will not be easy to translate the contents.

I used to study ancient texts, so I also understand that the ancients' expressions of language were very obscure.

Even if you are familiar with these words, it is difficult to guess the meaning of the links into sentences.

When Lao Zhong mentioned deciphering those words, an old man with a white beard suddenly said that he knew someone who could decipher this kind of writing.

This person's surname is Lu, and if you ask him for help to find out what is inside, it is only a matter of time.

Hearing him say this, I seemed to be very sure, and I looked curiously in the direction from which the voice came, and saw that the other party was looking at me.

Subconsciously retracted his gaze, and when the pictures swept down by the old bell were finished, there were only some photos we took in the tomb, one of which was the feng shui diagram taken in that tomb.

When everyone saw this photo, they all started talking, and one of the old professors who studied ancient feng shui looked at it a few times, and shook his head again and again, saying that there was something missing here.

But when others asked him what he was missing, the man shook his head, as if illegible.

Seeing that nothing was found about this, everyone looked down again, and those were all taken by the old clock, mixed with a few photos taken along the way, which were used to distinguish the layout of the tomb.

After these pictures, it was the burial chamber that Lao Zhong said, and when the pictures flashed over the walls one by one, I saw the fragments around me, and the stone platform, and when my eyes rested on this stone platform, I saw that it was carved with large and small vine inscriptions.

When the picture stopped, I didn't react, because I was still wondering if the vine inscriptions were consistent with what we had found in other burial chambers.

But why did this stone platform appear, and why was it not a human bone, but a box?

Is it unintentional, or is there another purpose?

Just as I was thinking about this, I suddenly heard the old professor who pointed out the feng shui diagram just now speak, pointing to the stone platform on the picture, "I remember, on that feng shui diagram, there is a door missing." Did you notice that there is no straightforward door when you walk through the tombs and the tombs just now, just like the description of this tomb, the tombs and tombs here are moving! This can barely replace the door used to connect and block the two places, but such a door is not real, just like in the feng shui diagram, corresponding to the location of this stone platform, it should have been a coffin, perhaps with stone as the material, in order to block something in the coffin, which can correspond to another purpose of the coffin, but also to make the deceased peaceful, and go to another world, and then derive the existence of the door. ”

"But this feng shui diagram does not reflect the illusory ascension, and the soul inside is completely imprisoned with such a sarcophagus, cutting off all ways of survival of the deceased from the mind."

"What does that mean?" Old Zhong asked him.

The other party frowned and thought for a moment, and finally said, "The door is something we can't see, but the stone is real, and this is the most missing thing in the entire tomb." ”

"I guess it's not the owner of the tomb, it's not a reasonable tomb, and if there are corpses in it, it must be designed to imprison souls."

"I once remembered that the ancients had the practice of carving inscriptions in coffins, and those inscriptions represented the meaning of communicating with the soul of the deceased, and there were two reasons for this communication, one was that the deceased was their own relative, and the inscription was carved to persuade the deceased to rest in peace, and the other, on the contrary, was used to imprison the deceased, usually for the most heinous people, for fear that they would turn into evil spirits after death and endanger the world, so there would be warlocks on their coffins, and the simplest and most direct way was to engrave the inscription that sealed the soul, Or pour tree sap on the coffin to completely seal the entire coffin and the body in the ground. ”

Listening to his words, everyone was stunned, the so-called feng shui tomb pays attention to a kind of checks and balances, don't be too good, collecting wind and gathering water will often wash away the soul of the deceased, so that future generations will not get anything good.

Of course, it can't be too simple, if you bury your bones in the poor mountains, stagnant water in all directions, and your luck is not passable, then sooner or later you will be robbed of the mausoleum by the wild ghosts in the mountains.

The size between the bad and the not bad, one looks at the number of the deceased's life, and the other looks at the good fortune of the family.

The laws of heavenly evolution are hidden in the laws of man, the truth that can be glimpsed, and the victory and decline that can be checked, but often some people believe in victory and some people believe in decline, but this kind of belief is not something that can be said clearly.

In short, where to be buried, depends on the law set by the deceased and the heavens, if it can know 50% of the law, and the belief in the life is by no means false, then the person can be buried in this law to a place with wind and water.

On the other hand, if this person has nothing to do in his life, has no great ambitions, lives in a faint way, does not know the truth and falsehood, and does not believe in his heart, he will eventually be like a decay, and his life will be in vain, and his death will be in vain.

Speaking of these doorways, I can't finish talking about them for three days and three nights, but what I see now, the stone platform that should not appear in the tomb seems to be very reasonable with this person's explanation.

He said that the tomb was for the purpose of imprisoning something, which coincided with what I had seen in the tomb, as well as this stone platform.

I don't know if the stone platform that Lao Zhong saw was empty, but what I saw should have been human bones, but there was no one here.

As for what he said about the lack of a door, it is also true, but is the connection between the two really related to the elaboration on the feng shui diagram?

Looking back, when I first saw that picture, I did feel that something was missing, does that mean that it is not a burial chamber?

I think about it like this, it feels both reasonable and unreasonable, and it's really hard to sort it out for a while.

I try to let go of all superfluous methods and think of things in the simplest places, maybe it's just missing a connection, a resonance.

The breakthrough of a checkpoint is like a gossip diagram, an S-shaped line separates the yin and yang fish, if this is the existence of the balance of everything, then what they lose should be the connection between the fish's eyes.

Black and white represent checks and balances, and black in white is the same thing, but if they change color, fish of the same color will make them lose their balance.

But it doesn't seem to be out of balance in the tomb, which means that the magnetic field at the two poles is not wrong, otherwise the tomb wouldn't have been preserved for so many years.

If it weren't for their shifting position, what would be the missing thing?

The memories that flew through my mind were like the rushing water, and as the water continued to surge, a ray of light shot out of the water.

Along that light, I finally thought of the possibility that since the position did not change, could it be that the third color was the counterbalance to them.

Between the poles, it should be something that can neutralize them, that is, something that the whole tomb has?

When I looked back at the rattan inscriptions, I realized that it was this rattan inscription that could neutralize them.

In the tombs we see, there are also the same vine inscriptions, but the difference is that the stone platform found by the old bell is not hollow, and there are no red caterpillars.

Because the stone platform is not a human bone at all, naturally there will be no such thing as us, so this stone platform only exists to hold the box.

According to this idea, the things in front of me have a temporary smoothness, in fact, there is no door, it is supposed that we and Lao Zhong have not met in the tomb at all.

This also means that we have arrived in two different places in the burial chamber, so the door is obviously not there.

If we had continued to search the tomb and not found the exit earlier, we might have found another burial chamber, one similar to the one where the old bell found the chest.

Even in that tomb, we will see many traces of Liu Qingchun's visit, and even find scenes related to those photos that Li Sansi received.

Liu Ran should be quite happy if he saw that, but there was nothing there, because Liu Qingchun had already taken out the things that were originally dealing with the stone platform.

Maybe it's that exercise, or maybe it's not, I don't know, and I can't verify it anymore, because Liu Qingchun is dead.

The only thing that can be guessed is that exercise, which may have something to do with it.

The tomb we were in was the one Liu Qingchun had walked through, but at that time he didn't seem to have noticed the nest we found, and even two people were trapped in the moving tomb after they were separated, and were attacked by those tomb insects, and finally left two corpses.