When I came to the capital this time, I didn't expect that Feng Qingyang also took a business order to help the coal boss get rid of a relationship.

It's still early, and there is no need to go back to Jinhai so soon, so we took the subway all the way to Liulichang according to the original plan.

I took the scroll I bought from Brother Tai's auction and asked several calligraphy and painting framing shops to repair it, but the other party either offered a ridiculously high price or was unwilling to take the job.

Because most of them now use a framing machine to frame calligraphy and paintings, the framing machine is a kind of heat treatment, which is very simple and fast, and can basically be taken immediately.

However, compared to hand-mounting, it is too time-consuming and labor-intensive.

Even, the traditional framing method, many shopkeepers will not know, even if they can, they are not willing to do it, because it is too troublesome, there is a machine, a button press, how convenient.

I have no choice but to go back to Jinhai to find out if there is a master willing to take on such a job, and I'm not in a hurry anyway.

Lao Cui had a friend in Liuli Factory, and after meeting, the friend pulled Lao Cui to chat.

Feng Qingyang and I were in a hurry, so we simply separated from Lao Cui, and the two of us started to visit the glaze factory.

The Liulichang in the capital is also a cultural relics market, which is older than the ancient culture street in Jinhai, but it is mainly full of shops, and there is generally no chance of picking up leaks.

I followed Feng Qingyang around, and I didn't find anything eye-catching, so I was ready to go back to find Lao Cui.

When I walked to the corner of the street, a middle-aged woman with a rural accent and a floral cloth dress suddenly jumped up from nowhere.

Standing in front of me and Feng Qingyang, he half-retreated and followed us forward, and said vigorously: "Look at the two bosses like connoisseurs, I have a good thing there, I don't know if the two of you are willing to appreciate the light and take a look?" ”

I didn't want to take care of it, so I pulled Feng Qingyang and went straight to my own path.

However, the middle-aged woman was very stubborn and followed us more than a hundred meters away.

The middle-aged woman said with a sincere expression: "How about it, boss, the thing is in the guest house opposite, come with me to have a look, I see that the two bosses are experts, I want to sell the ancestral things to insiders......"

I interrupted her with a wave of my hand, and I had heard a lot of this kind of high-hat remark, and I felt particularly annoyed.

Feng Qingyang whispered to me: "Brother Xiaoma, I finally came to the glass factory once, why don't we go and have a look?" ”

Actually, it's not a hassle to take a look at it by the way.

In normal times, if I were alone, I would definitely not go, because there are many, many such traps.

But now that I have a martial arts master of Feng Qingyang's level by my side, am I still afraid of a middle-aged woman?

Moreover, this time I came to the capital, I was going to buy some things to go back to make money, although I participated in Brother Tai's auction, except for the scroll, I didn't receive anything good, so I returned empty-handed, I was really unwilling.

This village woman looks like she is in her 50s, her clothes and face are dirty, if you trick us into going to the guest house to have a Buddha jumping over the wall, I guess even the police will not believe it.

Since Feng Qingyang wants to take a look, I have nothing to worry about.

I nodded at Feng Qingyang, who made a gesture for the middle-aged woman to lead the way.

The middle-aged woman rented a double room on the first floor of the guest house.

The quilt on one bed was not folded, and on another lay a young man.

The village woman explained to us: "He is my son, and he stayed in the house to look at things, for fear of losing them." ”

I didn't agree with Feng Qingyang, the village woman woke up her son, and the young man looked seventeen or eighteen years old, rubbing his eyes and getting off the ground, lying under the bed and rummaging things.

Seeing that young man's movements are very skillful, he seems to be a veteran.

Soon, he carefully dragged out a cardboard box from under the bed, and the gap in the box was stuffed with waste newspapers.

I looked down and saw that there was something inside, wrapped in a few rags, like a piece of porcelain.

The village woman picked it up, opened it slowly, carried it carefully, and stuffed it into my arms.

I quickly dodged, and only those who didn't know the rules would reach out to catch it.

If I stretch out my hand and the person who handed it over deliberately loosens his hand, it is very likely that the thing will "snap" between the handovers and shatter on the ground.

If it is broken, it is impossible to say whose responsibility it is, and it will be difficult to entangle it when the time comes.

So, I just pouted and said to the middle-aged woman, "You put the things on the bed first, and then we'll take a look." ”

The village woman smiled awkwardly and laid her things on the bed.

The bed was very soft, and seeing that it was indeed steady, Feng Qingyang and I leaned over and slowly looked down.

It turned out that on the bed was a brother kiln pen wash, about 20 centimeters in diameter.

What is Pen Wash?

Pen washing is a kind of traditional handicraft, which belongs to a kind of study utensils other than the four treasures of the study, ink, paper and inkstone, and is actually a vessel used to hold water and wash the pen.

Ge kiln is one of the five famous kilns of the Song Dynasty, characterized by the fact that the fetal bone is earthy yellow, gray glaze, the glaze is moist and transparent, and it is covered with criss-cross open pieces of different shades, commonly known as "gold wire iron wire".

When I looked at it this way, I found that the object in front of me seemed to be very similar to a Song Ge kiln brush wash that was auctioned for millions of Hong Kong dollars a few years later.

It's a pity that the one on the bed is obviously just an imitation.

The four eyes, one old and one young, were looking at me without blinking, and I had to smile bitterly.

The village woman slowly approached me and asked, "How is it?" The old stuff that has really been handed down from our ancestors......"

Although Feng Qingyang couldn't tell if this wash was genuine, he must have seen that it was a scam, he snorted in his nose and asked: "You really used us as a mallet, just this, I knew I was coming with you......"

"Is there anything else?" I coldly asked, "If not, we'll go!" ”

The young man glanced at his mother, and looked like he was about to speak.

The village woman hurriedly pushed him aside, shook her head and said, "No, it's all old things stored at home, and we are not second-class dealers who specialize in this business......

Feng Qingyang and I exchanged glances, turned around and walked towards the door.

The middle-aged woman was in a hurry, and finally brought two guests, so she hurriedly said: "Wait, two bosses, there is one more thing, it is a couplet, you can see that it is not too late to leave......

"Well, you take it out and have a look?" I'm just saying it casually.

Inside the cardboard box, there was also a newspaper roll, which was a couplet, and the innermost part was wrapped in a thin layer of plastic paper, and the village woman spread the couplet on the bed and slowly unfolded it.

When it comes to appreciating calligraphy and painting, my experience is quite high.

In fact, imitation can only imitate its surface, although you can use tea and incense ash to make the paper old, but the dark yellow color is floating on the surface.

Experienced people don't need to look at it with a magnifying glass at all, but after a little look, they can naturally see the truth and falsehood.

Like the scroll I bought at Tai Ge in the morning, this couplet is also framed in plain white silk.

Ayako is a kind of cloth framed on the edge of calligraphy and painting, good Ayako are silk fabrics, and the grade is easy to see, such as this couplet, which is obviously the original old mounted.

The paper on the surface is naturally stale and grayish-white, not like the tea water dye, nor like the smoked, as if it was also mounted.

Speaking of the calligraphy above, it is a six-character couplet.

The upper link is: how can it be as good as it should be.

The next link is: But please be worthy of my heart.

There is no date written in the corner, and there are only two words in the inscription: Shian.