But I vaguely remember that I didn't have anything in my backpack.

I was about to open my backpack to check it when I heard a tingling sound.

The sound sounded "buzzing" and noisy, but it was not a meaningless noise, but it had a frequency and rhythm, as if they were communicating with each other.

"Damn, it's evil everywhere." I cursed, then picked up my backpack and stood up with the fire fold.

The dungeon palace I am in now is about the same size as the one I stayed in before, and the palace is also empty, with no furnishings and no murals on the walls.

But there was an exit from this palace, and the "buzzing" sound was also coming from the exit over there.

But I don't dare to go over, I'm separated from the little spear now, and I can't act rashly.

I turned, trying to get back into the dungeon palace from the wall.

But this time, the walls were as hard as iron and as cold as ice, and no matter how much I knocked them, I couldn't "open the door with sesame seeds".

I'm a little dazed, so how did I get dragged over just now?

There was no other way to go, I had to walk towards the exit of this palace, the source of the "buzzing" sound.

But as soon as I reached the exit, the sound disappeared, and in front of me, there was a row of stone stairs going down.

I held the fire fold in my mouth, and the hunting knife in my hand was very tight, and I rushed down!

rushed all the way to the end, and at this time, there was no monster in front of me that I had expected.

Still, I was stunned.

Because the main hall of the underground palace I am in now is too huge! It should be half the area of our Tashan Village, and the height of the main hall should be thirty meters! Ten stories high!

The palaces of the previous underground palaces were all small and short, after all, they were built too close to the ground and there was not enough space.

But this hall, according to my estimate, after we came down, we walked all the way to the north, and walked about 300 meters.

On the ground, three hundred meters north of the tower, there is a mountain, this hall, should be directly hollowed out of the mountain, and open up a part of the space underground, connected together, the area is so vast.

This hall, like the previous underground palaces, is also quite empty.

But I found that the walls around me were inlaid with huge lanterns, and the stone carvings under the lamps were carved into human slaves kneeling and holding lamps.

I took out the fire fold and looked at the oil in the lamp, and it was still quite surplus, and it was not the ointment that had long since congealed into lumps, the color was quite new, and it still maintained its viscosity.

I thought to myself, it seems that when we first entered the underground palace, the figure we saw was probably really a living person, and there must be someone living in this underground palace.

But what did that man want to do when he hid in seclusion under the deep mountains and old forests?

I lit the lamps next to the walls one by one with a fire fold, and the whole hall was lit up in an instant.

That's when I found something that shocked me even more.

The four walls of this hall are also painted with frescoes.

If the exquisite and vivid murals I have seen before are ingenious works, then the murals on the walls of this hall can only be said to be miracles.

Because it's just too big.

On the walls of 30 meters high and more than 100 meters long, painted with incomparably fine murals, what a huge project.

I looked up and looked at the murals, there were four of them, and the reading order should be southeast, northwest.

When I looked up at the first painting, my face turned a little red.

The protagonist is a woman, and on those murals, in addition to those pictures of the Spring Palace, there are also some pictures depicting the woman's daily life.

That woman seems to be an ancient person, looking at the appearance of the costume, there is a "paddy field suit" made of various rags she wears, the paddy field suit is a unique style of women's clothing in the Ming Dynasty, this woman should be a person in the Ming and Qing dynasties.

And this woman's life is also quite luxurious, when traveling, countless guards are dressed in armor, solemn standing, and there are attendants holding neatly draped horses, very respectful, during the banquet, countless slaves grovel, passing wine and meat.

The background of the woman's home was also full of gold pots and silver pots, agate crystals, and even the horses she was riding, and the saddle stirrups were inlaid with gold and jade.

I watched it with emotion, I don't know who this woman is? The whole painting seems to depict the bliss of this woman's life, wanting a man at any time, wanting money, wanting fine clothes and food, and being inexhaustible.

I sighed with emotion, this is the real rich man, compared to the so-called number one rich man Sun Cannon in our village, so high that I don't know where it goes.

That woman's face is also quite beautiful, but she has three eyes, one vertical eye, which grows on her forehead, and she looks like the sister of Erlang God Yang Jian.

I turned to look at the second mural on the south wall.

The protagonist is still the woman, but the style of this painting is completely different from before.

It's all scenes of killing.

That woman, when she saw people killing people, and seeing beasts killing beasts, all the places she passed were rivers of blood and miserable.

But this time, the third eye on the woman's forehead was gone, but behind her, five tails of different colors grew, and at the same time, although her face had not changed, the expression on her face was not the first painting, the kind of rich woman who enjoyed a luxurious life.

On the contrary, he has a fierce and jealous face, wanting to kill all the people in the world and destroy the world.

The scene of the mural, there are several paintings, it is the army of the government, going to crusade against the evil girl with five tails, and the people in those armies are all wearing "military machine kan" vests of different colors, holding foreign guns, looking like the regular soldiers of the Eight Banners of the Qing Dynasty government, and looking at them holding foreign guns, it is speculated that the time is probably the end of the Qing Dynasty.

The government dispatched the Eight Banners, holding foreign guns that were extremely scarce at that time, to crusade against the woman with five tails.

On the mural in the back, there are all kinds of people dressed as Taoist priests to encircle and suppress the five-tailed demon girl, but they all died under her hands, and they can't stop her killing karma at all.

I went to see the third mural on the west side, but I was confused, and the paintings on this wall had nothing to do with the first two.

On the mural, it is divided into nine pieces of the same size, and then describes the lives of nine different women, looking at the scene is modern, there are female intellectuals wearing green military uniforms down the mountain to cut the queue, and peasant women working in the fields in coarse cloth clothes, all of which are ordinary, modern ordinary women's life fragments.

I just feel like falling into the clouds, this third painting, and the first two paintings, have nothing to do with half a dime at all, and the style of painting is too different.

I can only go to see the fourth mural on the north side, which is completely different from the first three.

This painting is no longer a painting of people, but of a scene.

The sun, moon and stars, mountains and seas, above these scenes, are eighteen monsters with human faces and beast bodies, which are the eighteen shamanic gods we have seen on the tower before.

Further above the eighteen shamans, there is also a mural space.

Painted on it is the protagonist of the first two murals, the woman, who now has three eyes and five tails at the same time, holding the sun in her left hand and the moon in her right hand, surrounded by stars, and with mountains and rivers and seas at her feet, like a god who rules the whole world, looking at all beings, giving people an infinitely huge sense of oppression!

"What is the origin of this woman?" I was amazed.

Above the so-called "Immortal Heaven", it means that she is more powerful than God?

What do the previous paintings mean? Are the causes and effects of the four paintings completely connected? But why can't I read it?

Just as my mind was full of questions, I suddenly heard footsteps behind me.

I thought it was the little sharpshooter who came looking for me, and I turned around happily.

But the person who came was not a little spearman, but an old man, dressed in a shaman robe, wearing a black veil on his head, with a thin face, an eagle nose and deep eyes, and a beard with sideburns, and he looked extraordinary.

"You...... Who are you? I looked at him in amazement.

"The people who live in this dungeon." The old man said.

"You're alone? What do you do when you live in this dungeon? I glared at him.

"Waiting for you."

"Huh?"

The old man held out his hand to me.

"Give it back to me."

"What's that?" I asked blankly.

"Your uncle's human skin." The old man said expressionlessly. ()

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