Chapter 68: Boys and Girls

The Yoshino Kofun, which has never undergone archaeological research, has been dead with the cherry blossom trees for an unknown number of years.

Needless to say, even if it is a sea of swords and fires, Qin Beiyang will go down to save Qi Yuanshan.

"I'll go down with you." Taiki Haneda climbed down the hole and dived into a steep tunnel, "I was the one who funded the experiment on the armor's 'soul machine', and I am responsible for it. ”

Nine Colors and Light, the little girl and the big dog, plus the young tomb robbers, also came down.

When he arrived at this kind of place, Xiaomu was like a fish in water, and he was familiar with it.

Qin Beiyang held his breath, holding a three-foot Tang knife in his hand, touching the four walls of the tunnel all the way, and there were traces of artificial excavation everywhere, including the stone strips that had been cut and polished, which was the old craft of the stonemason. Hikari ran to his side: "Brother, I don't want to be too far away from you. ”

Before the words fell, a cold light flashed in the darkness ahead. Qin Beiyang recognized the shape of the Japanese sword, followed by the crescent-shaped helmet of the one-eyed dragon Date Masamune. He used the Tang knife to block it violently, but because the tunnel was narrow and he had to protect the girls around him, he fell behind. The strength of the armor was very amazing, and Qin Beiyang was pushed against the stone wall and actually rushed open a stone door.

The light grabbed him by the waist, and the two of them fell together, like an abyss. The top of the head has been sealed, and there is no light left.

"Ernie sauce, are we going to hell?"

In the fall, the light whispered in Qin Beiyang's ear.

Qin Beiyang slammed on the stone, and his waist was about to break, but fortunately there was no fracture. The light fell directly on his chest, leaving him unscathed.

"Brother!"

She screamed in the dark and touched his eyes and nose, and Qin Beiyang grabbed her little hand: "I'm fine!" ”

Qin Beiyang touched the Tang Dao on the ground, got up and groped for a while, but he couldn't touch the boundary at all, as if it was a wide room or hall.

The two of them couldn't see anything, and they could only tug at his waist and smell the smell of his body, and the wheezing of the teenager in his chest.

"Nine colors!" Qin Beiyang opened his throat and shouted "Haneda ......" above his head

The stone ceiling bounces back and forth, and it's a veritable hell. Sighing slightly, he sat down heavily on the ground and felt for the artificially hewn stone slab.

The light dragged him up again, and continued to walk forward in the dark: "I don't want to die yet, brother, you must find a way to escape." ”

"I'm sorry! Light. ”

Although this is Japan, Qin Beiyang remembered the structure of the ancient Chinese tombs, once he fell into this kind of space, there was basically no possibility of escape, either he was eaten by the tomb beast, or starved to death......

It seems that there is no end and no light in the long walk. Or are the two people dead, just souls roaming the path to the netherworld?

The little girl gave up a little, she seemed to be crying, leaned on Qin Beiyang's chest and said, "Ernie sauce, do you have a favorite woman?" ”

"Yes."

This unhesitating answer made the little girl pause for a moment: "What's her name?" ”

"Anna."

Qin Beiyang used his fingertips in the palm of his hand to write "Anna" in Chinese characters, katakana, and Roman letters.

"Will you die for her?"

"I will."

As soon as she thought of Ouyang Anna, her heartbeat became steady. Close your eyes and breathe deeply. As if in the boundless dark world, a pair of glass-colored eyes floated, like fluorescent creatures in the deep sea of the distant South Seas, blowing in his ears......

Suddenly, there was a little green light in front of me.

Qin Beiyang grabbed the light and rushed towards that light. And around the light and shadow, there seems to be a crowd of shadows. But they didn't move.

As I got closer, I noticed gray or red faces, slender eyes and noses, and a special bun on the top of my head. These people are not very old, there are men and women, they are either children, or at most teenagers. But judging from the shape of the clothes, it doesn't look like a Japanese, but more like the style of the Qin and Han dynasties.

He boldly touched those people, and it turned out that they were all fired terracotta figurines, lifelike, and the surface was covered with colorful paintings. There are several bronze swords on the ground, which are still extremely sharp after a thousand years, and when he was lurking in Longxi Hall in Desheng Gate, Beijing, he saw many ancient swords of the Warring States Qin and Han dynasties, all of which looked like this.

Wrong! This is more like an ancient tomb of the Qin and Han dynasties?

In a trance, in the middle of the piles of sculptures, there was a grinding sound, countless clay was beaten to pieces, and the green light was thinking about Qin Beiyang.

He protected the light behind his back, and the three-foot Tang knife was horizontal in front of him, no matter what kind of monster it was, he didn't want to hurt this girl.

The monster is also a girl.

Eyes radiating green light, eleven or twelve-year-old girl, combing the hairstyle of the Qin and Han dynasties, golden skin, and a small upturned nose.

Virgins.

She had thin arms, but no legs, or rather, the legs of four beasts. A familiar voice sounded in the virgin's body, and the warm blood jade pendant on Qin Beiyang's chest was hot again.

Virgin Town Grave Beast.

It stares into the eyes of light, as if it sees a friend of the same age, and the corners of its mouth are slightly raised, revealing snow-white and neat teeth. She was actually laughing, innocently laughing.

Hikari smiled too.

She was fearless, but walked in front of Qin Beiyang, wanting to reach out and touch the virgin's face.

Suddenly, Qin Beiyang dragged her back. There was a loud bang overhead, and a black object fell down and fell onto the pile of terracotta figurines, splashing countless fragments again.

It was a red armor, with snow-white bear hair on the top of his head, no eyes visible in the ghost mask, and Takeda Shingen's Suwa Dharma armor, as if the grandson Shiru military flag of the "Wind Forest Volcano" was still fluttering behind him.

It raised its Japanese sword and slashed at the face of the Virgin Town Tomb Beast, cutting a thin crack at the same time, and the sturdy sword also shattered into several pieces.

Then the virgin showed a countenance of pain and sorrow, and in an instant turned to reveal her back...... It also has a face on its back!

The face of a little boy is also about twelve years old, and his face is a little like Qin Beiyang's childhood.

The boy wore the same bun as he wore in the Qin and Han dynasties, but he put on an angry expression, raised a bunch of thick arms, and smashed Takeda Shingen's armor to pieces with a single punch.

What a powerful force this is, the armor of the famous Japanese general of the "soul machine", the famous "Kai Tiger", the first general of the Warring States, was vulnerable in front of the tomb beast, not only the shell turned into powder, but even the miniature internal combustion engine and battery that had been modified in the abdomen were also splashed out, as if the internal organs and intestines had been hollowed out.

The Virgin Town Grave Beast turned again, and changed into the face of a virgin again, this time it was no longer sad, but showed the grinning face of a little girl.

Qin Beiyang discovered that this was neither a boy or a virgin tomb beast, but a tomb beast that was a combination of boys and girls. It's like two sides of a copper coin, with a virgin on the front and a virgin on the back. It has two different pairs of arms, but shares the same body and four animal legs.

Suddenly, the boy and the girl town tomb beast faced Qin Beiyang, and saw that the Tang knife in his hand was like the Japanese knife in the armor's hand, which was an extremely unfriendly murder weapon.

The boy's arm slammed towards Qin Beiyang, like a child fighting in the school. The punch was lightning fast, there was no way to dodge, and he could only close his eyes and die.

Suddenly, the fist stopped.

Light.

The twelve-year-old girl was blocked between Qin Beiyang and the Tomb Beast's fist, and the tip of her nose was only half an inch away from the fist bone joint.

A tear slid down her cheek and onto her lips, presumably grieving that she and her brother had perished.

In an instant, the Virgin Tomb Beasts retreated, and they seemed to feel some subtle thread in the boy and girl, which was also the thread between the boy and the girl, from the distant sea, to a homeland that could never be returned.

Qin Beiyang also felt the sadness of the boy and girl, and he sang a "Qi Feng" of the "Book of Songs" -

The sun in the East, the son of the other is in my room. In my room, I am in my room.

The moon in the east, the son of the other, is in my place. In my, I am shy.

The sun in the east, that beautiful girl, is in my house, just play in my house. The moon in the east, that beautiful girl, is in my bedroom, playing in my bedroom......

This is a song sung by a thousand-year-old woman at the Yokai Museum behind the tomb of Abe Harumi in Kyoto to prove that she is one of the three thousand boys and girls of Xu Fuku.