Chapter 120: Blue Lotus Swaying (6)
The old naughty boy naturally can't do the doppelganger technique, let alone the old naughty boy, even Su Zhihang himself hasn't come into contact with such a mysterious realm as the doppelganger technique, well, at least not yet. Then the origin of this "naughty boy fist" is already about to come out - Tiangang sword technique, to be precise, perhaps it is more appropriate to call it Tiangang sword formation.
When Su Zhihang practiced Tiangang swordsmanship, he was wandered around (?) As soon as he saw the effect of Tiangang's swordsmanship doppelganger, the old naughty boy's eyes immediately lit up, and he shouted for Professor Su Zhihang without any of the elders' discipline. Of course, Su Zhihang would not refuse the old naughty boy's request, so he naturally taught him the tricks.
However, although Su Zhihang's teaching was indeed unreserved, the old urchin himself was a little weak, so the result was not satisfactory. Everyone knows that the old naughty boy usually doesn't use weapons, although as a top master, the old naughty boy must not be able to say that he doesn't know swordsmanship, at least the level of the all-true sword pharaoh naughty boy is definitely above the level, otherwise Wang Chongyang would not have specially left a "hidden star" position for the old naughty boy.
In other words, if you want to set up the Tiangang Beidou Array, the level of the old naughty boy is obviously enough. However, when the burden of the entire nine people of the Tiangang Beidou Array was placed on the old urchin alone, the old urchin's level of swordsmanship that was okay was obviously a little insufficient.
After practicing for a period of time, although the old naughty boy can also use a set of Tiangang swordsmanship according to the script, the actual combat effect is really miserable. In this regard, even Su Zhihang can't help anything, after all, the improvement of swordsmanship is not something that can be done by casual practice, this is a process that cannot be tricked. However, if you just look at it and don't actually do it, the visual effect of the old urchin is still quite good.
Fortunately, what the old urchin needs is only the general effect of the clone technique in Tiangang's swordsmanship, so although the result is not ideal, it is enough for the old urchin to be able to bluff people everywhere. Su Zhihang thought that this matter would end here, but he didn't expect that after the separation, the old naughty boy tinkered alone for a while, and changed the Tiangang swordsmanship according to his own situation, creating this set of naughty boy boxing.
I have to say that if the general effect of this kind of doppelganger technique appears in front of him for the first time, the scene is really shocking, so it was not until the old naughty boy's attack came to his front that Huang Yaoshi reacted and hurriedly resisted the old naughty's "beating".
I saw that the old urchin on the left made Tianshan fold his hand, and the old urchin on the right used the empty boxing, both of which were first-class and one-of-a-kind, at this time, the old naughty boy made the two together, and for a while, even if Huang Yaoshi's body was amazing, it was difficult to unfold, and he could only be tired of dealing with the old naughty boy's offensive, and the situation was reversed in an instant.
If Huang Yaoshi's unknown footwork is the crystallization of his painstaking efforts in the past five years, then the meaning of the old naughty boy's "naughty boy's boxing" is also not bad. Because he didn't have Su Zhihang's ability to "live like a year", the time it took for the old naughty boy to change the Tiangang sword technique was three years, and the effort spent on it was no less than that of Huang Yaoshi.
In Su Zhihang's opinion, although this set of naughty boy boxing looks the same as his Tiangang swordsmanship, it has actually broken away from the cage of his Tiangang swordsmanship and walked out of his own path. Which of these two is better or worse, before it comes to an end, even Su Zhihang himself can't make a conclusion.
Su Zhihang's Tiangang swordsmanship uses the way of virtual reality, and the mystery lies in the fact that "between thoughts and movements, the virtual and real are reversed", even if it is only an afterimage, it also makes the other party have to defend, because after the other party recognizes whether it is an afterimage or an entity, it will be too late to defend. Although the effect of the afterimage is the same as that of the entity, in essence, Su Zhihang's real offensive is still only one.
But the old naughty boy's "naughty boy boxing" is a different way, although in terms of quantity, one is far less than Su Zhihang's shock of being divided into nine, but in terms of "authenticity", the old naughty boy has greatly surpassed Su Zhihang!
Zhou Botong has a very famous talent - fighting left and right, so after one person plays two people, not only are the moves completely different, but also the moves of the two Zhou Botong are all real, and none of the half moves are false moves, which can be proved by Huang Yaoshi! If this is in the eyes of an unknown enemy, this set of punches is no different from the legendary doppelganger technique!
If it is said that the afterimage created by Su Zhihang with Tiangang's swordsmanship will soon be recognized by the other party after it has an effect, then the two people separated from the old naughty boy's "naughty boy's fist" have no so-called entity and afterimage, because even Hong Qigong and Yideng Master, who were carefully observing from the side, could not see the details of the old naughty boy's move, let alone Huang Yaoshi, who was persecuted by the old naughty boy.
The rest was not as Su Zhihang expected, the old naughty boy, who was basically equivalent to two to one, firmly had the upper hand, and Huang Yaoshi finally failed to reverse the ending of his defeat, and the first encounter ended with the old naughty boy successfully finding the field.
The victorious old naughty boy is naturally proud, although Huang Yaoshi is unwilling, but the victory of the old naughty boy is not adulterated, Huang Yaoshi still has this bit of bearing, which also makes the old naughty boy more and more proud, and wants to continue to fight with Hong Qigong to win or lose. As for the master of one lamp, according to the urine nature of the old naughty boy, if there is a master of the lamp present, the old naughty boy should be as far away as he should be to hide.
Ah, thinking of this, Su Zhihang reacted: Just now, the old naughty boy actually fought with Huang Yaoshi for so long in front of Master Yideng, this script is wrong! Old naughty boy, a master of a lamp, really a living master of a lamp, are you not afraid? When did the old naughty boy change sex?
Su Zhihang even thought that the old urchin had been dropped by someone else for a while, and couldn't help but secretly look at the old naughty boy for a while, and found that although the old naughty boy's expression was still a little uncomfortable when he looked at the master of a lamp, it was not as fearful as a snake and scorpion as Su Zhihang imagined, and the master of a lamp looked as usual and did not show anything.
Seeing the two of them like this, Su Zhihang had a little guess, it should be that in the past five years, Aunt Ying has found the old naughty boy, and between these two people and Master Yideng should be the same as the previous suspicion, after all, between the three of them, the old naughty boy and Master Yideng are not stubborn characters, only Aunt Ying has always been obsessed. Now that there is Qiu Qianren, the culprit who has attracted Aunt Ying's hatred, this contradiction is relatively relaxed, and it is not incomprehensible that this grievance ended early.