Some questions about this volume

First of all, I must say that this volume is very messy, so I'm very sorry.

In fact, the purpose of the third volume is mainly to draw out Bill the Shadow, and to show part of the setting of this world.

But the story is almost fragmented, and I want to depict a big but not so complex world, but when I put it into the book, it becomes an anticlimactic feeling, so I've been reflecting on this issue lately.

There are several stories in this volume that I want to express well, but I don't seem to be able to kick you hard in the lower body.

Bill's plot felt too dragged halfway through, so he turned to the fat man's side, and felt that the plot on the fat man's side had little to do with the main line for the time being, so he returned to the protagonist's side, and then wasted a lot of ink on several supporting characters that appeared for the first time, resulting in the overall plot being dragged and scattered.

So these are the places where I'll rest next.

As for the sudden change between the witch and Bill who suddenly appeared at the end of this volume, I believe that many friends will feel that the plot here is very blunt, and I know this very well, no matter what the excuse is, the main reason is to end this volume as soon as possible and enter the next plot.

And I'm afraid that the plot will drag on and I won't describe very carefully how much the witch has affected Bill's inner world, so I have to reflect on it here.

I controlled the focus to reduce unnecessary descriptions, and I wanted to create a sense of a dream that suddenly began to disappear, but looking at what was written, it still failed.

So finally explain about Bill's strange personality and the changes in Bill at the end of this volume.

In fact, there have been many readers who have said that Bill has been affected by the shadows, and has seen the indescribable cause SAN to keep falling, which is indeed something I have been writing, no doubt, but due to the power of the pen, I still don't seem to have done a good job of portraying the protagonist of the chaotic camp as the most perfect in everyone's minds.

At the same time, it turns out that the half-crazy protagonist/neurotic protagonist can only be recognized by a very small number of readers, just like my favorite book "Clown Game", which is popular or not.

So I'm also sometimes struggling, the rational protagonist is at least better grasped than the crazy protagonist, why should I ask myself to write such a strange protagonist.

But among the other Cthulhu, do completely sane protagonists really exist?

So I opened Du Niang again and determined what the Cthulhu style was:

The characters in the Cthulhu style have no distinction between good and evil, gods are not gods, demons are not demons, there are no emotions for humans, there are many terrifying unknown existences in the universe, they have great strength and terrifying figures, humans are very small in comparison, and the exploration of them will lead to devastating disasters.

Due to a star position error (or the work of the Old Gods), Cthulhu is sealed in the ancient city of R'lyeh in the deep sea of the south-central Pacific Ocean, in suspended animation, unable to move, but never truly dead, and will constantly dream.

The sea shields out these mental fluctuations, but they are often felt by artistically gifted, mentally sensitive, or neurotic people in the world, resulting in images of Cthulhu and the cities of Leye in their dreams, eventually leading to serious illness, coma, and even madness.

The protagonist in the Cthulhu style often behaves in inexplicable ways that people can't understand, and is forever surrounded by incomprehensible situations around him, eventually disappearing from view forever, and by the time people find him again, he has fallen into eternal madness.

So I still don't think there's anything wrong with the protagonist being crazy or extremely neurotic, and the problems in the book are all due to my lack of ability, so what I can do is to continue to write, continue to improve my ability, and write the stories and characters in the book more engagingly.

So in the end, thank you very much for still chasing books, willing to spend money to subscribe to genuine friends, your existence let me know, I'm not alone, and there are people who recognize this strange brain hole and, thank you.