Lin Yixian drew the general framework of the cube.

Only this framework, Zuo Yiye was surprised.

I saw that this frame is close to large and far small, which is completely in line with the principle of perspective, and the degree of near large and far small is very accurate.

Generally, people who are new to sketching either can't draw the perspective relationship between near and far, or they can't grasp the degree of near and far away accurately. The sketches are either exaggerated or dull.

But Lin Yi, a beginner, drew it compared to himself who had practiced for three years.

Zuo Yiran was surprised for a few seconds, and then hurriedly lowered his head to draw his sphere.

Time is running out.

After a few minutes, she looked up and was surprised again.

I saw that Lin Yi had already drawn the gray and dark sides of the cube, and even half of the shadows were drawn.

"So fast?!"

Zuo Yiran couldn't help but whisper.

Looking down again, I saw Lin Yi's left hand waving on the paper, and I could only hear the rustling sound on the paper.

Lines flowed out of the paper.

These lines are joined together, which is the shadow of the cube.

Its speed is so fast that Zuo Yiran's eyes are dazzled.

That's too fast, isn't it?

Moreover, if the average person's hand speed is too fast, the drawing will inevitably be less accurate, and the weight of the line will not be grasped.

With such a fast hand speed, the lines drawn by Kelin should be thick and thin. The light should be light, and the heavy should be heavy.

This can no longer be described as a genius.

Soon, Lin Yi had already finished drawing the cube.

Zuo Yiran compared Lin Yi's cube with his own, and found that his cube was slightly off. The layman may not be able to see it, but those who have practiced for a few years can still find it if they look closely.

And the cube drawn by Lin Yi is exactly the same as the real thing.

Zuo Yiran was very skeptical that Lin Yi had studied before.

She naturally didn't expect that this was Lin Yi's promotion to a level 4 evolutionary, and his abilities in terms of hand speed, observation and other aspects were several levels stronger than ordinary people.

Although he had not practiced, the sketches he drew were almost identical to the real thing, at least in terms of light and shadow changes and composition.

And that's exactly what you need for a sketch.

After Zuo Yiran was surprised, he secretly felt happy for Lin Yi.

Didn't these classmates gloat just now, and see what else you have to say this time?

Thinking of this, she said to Lin Yi: "It's time to draw the sphere." One thing to note about this sphere is that its light and dark changes are gradual. Its dividing line between light and dark is not as obvious as that of a cube......"

Lin Yi listened to Zuo Yiran's words and began to draw the sphere.

Again, start by drawing a general framework.

The frame of the sphere is very simple, it is a circle.

However, it is not so simple to draw a circle on this circle, and it is impossible without a period of practice.

The teacher was looking around at the time, looking at the students' drawings, and when he saw that the drawings were good, he stayed for a while. If you see a poorly drawn, you will leave soon.

When she came behind Zuo Yiran, she saw that the cube drawn by Zuo Yiran was very suitable. The light and shade changes strongly, giving people a very three-dimensional feeling.

The only fly in the ointment is that this cube is slightly off.

Maybe she was in a hurry, and she drew a little too fast.

Now Zuo Yiran is painting spheres, and he has a good grasp of composition and light and shade changes.

The teacher nodded.

After reading Zuo Yi, the teacher looked at Ning Zhiyuan again.

I saw that Ning Zhiyuan's sphere was half drawn, whether it was a cube or a sphere, it was all painted very realistically.

And the technique is extremely sophisticated, apparently for several years.

The teacher didn't know that Ning Zhiyuan was actually a sophomore.

She nodded and said, "Well, this classmate's basic skills are very solid, and it seems that he has worked hard before." Keep up the good work, and I am sure that in the near future, you will definitely make a difference in painting. ”

Ning Zhiyuan was praised by the teacher and secretly felt refreshed.

He could feel that the eyes of several girls looking at him had changed.

The other boys in the class were also secretly envious.

He glanced at Zuo Yiran next to him without a trace.

After the teacher finished praising Ning Zhiyuan, he planned to return to his position.

When passing by Lin Yi's side, he accidentally glanced at Lin Yi's drawing board.

When she looked at it like this, she couldn't take her eyes back.

I saw that on the left side of Lin Yi's drawing board, there was a sketch of a cube.

This picture has a very good grasp of the composition, the change of light and shade, the relationship between perspective and the use of lines.

I couldn't find the slightest flaw.

This look is drawn by a veteran who has been sketching for many years.

Look at the sphere that Lin Yi is drawing:

I saw that the circle was a very positive circle, almost like it was drawn with a compass.

Lin Yizheng is drawing the dividing line between light and dark with lines on this circle.

His right hand was extremely fast, and he felt like he could swing an afterimage.

It is as if the lines are not drawn, but flow from his brush.

These flowing lines are quickly joined together, forming a gray side, a dark side, a shadow, and a reflection.

Every point is grasped very accurately.

If watching Ning Zhiyuan paint feels like art, then watching Lin Yi paint is completely enjoyable. When he paints, he gives people a very smooth and comfortable feeling.

The surprise in the teacher's heart was beyond measure.

She asked herself: Maybe the sketch I drew would be more three-dimensional and vivid than this classmate's. But I can't draw this kind of fluidity, especially when he can grasp the points so accurately with such a fast hand speed, which I can't do, and I can even say with certainty that many painters don't necessarily do it.

Thinking of this, she looked at Lin Yi's side face: This is not a zero-based student at all, could it be that he just pretended?

However, when watching him draw, in addition to the smooth lines, light and shadow changes, etc., he is very rusty in other aspects. Totally a layman.

Obviously, he is indeed a zero-based student.

But a zero-based student, the first time he draws a sketch, he can draw to this extent, and the word genius is no longer enough to describe him.

It can be described as a "genius".

Thinking like this, the teacher kept standing behind Lin Yi and never moved a single step.

The other students saw that the teacher had been standing behind Lin Yi, and the expression on his face gave people an unpredictable feeling, and they all thought to themselves: This guy must have drawn too badly, and the teacher couldn't stand it.

But if you can't stand it, then don't look at it, for Teacher Mao to stand behind him all the time?

Could it be that the teacher has masochistic tendencies?

In confusion, someone walked a few steps and glanced at Lin Yi's drawing board.

In this way, he was also standing there like the teacher, unable to move his footsteps or take his eyes off his eyes.