The massive Saya body rose from the black water, but it couldn't get past the crimson Mae monster, its growing deformed limbs and anomalous flesh had made it unrecognizable, and all the structures used to "move" were disintegrating. Pen × fun × Pavilion www. ｂｉｑｕｇｅ。 info Saya does not rely entirely on its limbs for movement, but all the deformities that have taken place from it seem to be encroaching on its means of movement from a mystical angle, whether it is through visible parts or invisible forces.

Although it is no longer able to move, Saya's body still stands in the black water, its image is full of morbidity in the observation of the Goth Maiden, and the flesh and blood that has been peeled off from it are turning into ashes that are difficult to use, although this phenomenon of "being hurt" can be used as a link in the linkage of the three messengers, just like the Mae monster destroyed the face of black smoke in one go, but the ash state that cannot be used for sacrifice is a huge loss, which will make this linkage process create a huge gap.

Whether it is in the state of matter or in the state of consciousness, no matter what form of existence, there is no fundamental difference in the eyes of the Goth girl, the material state is transformed into the state of consciousness, the different forms are transformed into the same form, or, on the contrary, in her insight, the relationship between each other obeys a certain macrocosmic conservation, but this macrocosm has completely exceeded the scope of its own visibility. In the small cognition of human beings, everything within the imaginable range is always regarded as a closed system, and a conservation law is applied in this closed system by default, but in the eyes of the Goth girl, this closed system will only be bigger, bigger than expected, and people are not sure whether this is a real closed system or not.

The conservation of this unimaginable macrocosm, the change in the state nature of a certain thing, is only an external manifestation, and its most basic essence may be the same, and the basic essence in this assumption is also the basis of the linkage of the three messengers. The loss of the black water face, which gave birth to the body of Saya, is a change in nature, and their essence takes on a change in the state of different natures in a mysterious sacrifice, and the damage suffered by one messenger is used for the other messenger

The summoning is also just a transformation of this macrocosmic conservation.

Theoretically, as long as there is a law of transformation, the external appearance of things can be transformed without changing the essence of things, and this process is sacrifice - this is how Goth Maiden understands the sacrifice ritual of Doomsday Shinrikyo. In the face of the truth of the end of the world, the sacrificial ritual, which is very evil and cruel in the eyes of others, is not a change in the nature of things, but only a change in the phenomenon of that part of the nature of the state can be observed, which is a natural and pure, but does not involve a fundamental change, and does not need to be looked at with emotion at all.

For Doomsday Shinrikyo religion, it is not so much that the sacrifice is human as it is the expression of "human". Human beings are just a manifestation of the essence of things.

The Goth girl tries to understand the Doomsday Truth Cult, to think about the Doomsday Truth, and has the identity of the Big Three of Doomsday Truth in this Doomsday Fantasy, but her own ideology that guides all her actions is still full of humanity, and the depth of her understanding of the Doomsday Truth is even inferior to that of Father Sissen and Father Edward, so the defects of the Three Messengers inevitably appear. The sacrificial rituals used by the Three Messengers are close to the sacrificial rituals of the Doomsday Shinrikyo religion, but they are not thorough.

This "incompleteness" is having a ripple effect in an environment where the factors required for sacrifice cannot be met. If the Goth Girl wants to stop this chain reaction and save as many resources as she can use, she has to give up those resources that she can no longer use. In this way, Saya's body was forcibly suspended without being able to exert its combat effectiveness, and all the parts that were abnormal under the influence of the Mae monster were forcibly cut off, and the side effects were inevitably fed back into the black water.

In the silence of the goth girl, half of Saya's body turned into ashes, scattered in all directions like snow, and the other half smashed into the black water, but there was not even a ripple, because the gray and white with a sense of dead silence centered on this half of the body were also spreading in all directions. If the ash falling from the sky is described as drifting snow, then the grayish-white spreading in the black water is like the accumulation of this drifting snow.

The gray-white part has lost the characteristics of the black water, and can no longer be used by the goth girl, and the black water that has been hit hard is still endless, but the goth girl feels a cancerous infection, which is passing in the black water, not fast, but it cannot be reversed.

The time for the Goth Maiden to delay with the help of the power of the Four Heavenly Courtyard Gaconuts has been greatly reduced again, and the difficulty of carrying out the three-messenger linkage has once again been greatly improved, and the Mae monster is still in her observation, doing nothing, but its influence has been expanded again and again. The Goth Maiden could no longer estimate how much she needed to change to weaken the enemy's influence.

Even so, the Goth Maiden's new attempt has been hidden in the ashes of the sky, flying in all directions - it is a spores that cannot be seen by the naked eye, and it is a manifestation of the "Saya virus", the product of Saya's body after it has been forcibly disintegrated and restored. These spores resemble ash in appearance, size, and inertness, and only burst out of their restrained mystery when they multiply on a specific thing.

In this collective human subconscious, which is full of unknown dangers, the Goth Maiden has always been using her familiar form of power, or rather, she is trying her best to show all the phenomena that she can observe, the power that she can use, in a way that she is familiar with. The fear brought to her by the monster forced her to pursue those things that were familiar to her, and the survival instinct warned her that once she fell to the point where "everything familiar became unfamiliar", it was a foregone conclusion.

The cancerous gray-white color spreads in the black water, turning the fluid into a solid state, and the water into powder, as if it is about to be transformed into a gray-white land in the endless ocean, and the spores are hidden from the ashes falling from the sky, as if blown by the wind, drifting towards the direction where the crimson real river monster is. However, on this battlefield, there is no such thing as a "wind" in the sense of common sense.

It is not so much that the "wind" is anomalous, but that the "wind" does not come from air convection. The concepts in the collective human subconscious are so complex that no single concept can be presented alone. All kinds of strange phenomena are the manifestation of the intertwined effects of this chaos, so the "wind" blowing the ashes and spores is also a strange phenomenon. In the past, Goth Maiden had been using Blackwater to protect herself from these strange phenomena, but now she must remove some of her defenses, "leak" certain strange phenomena, hide her counterattack methods in these strange phenomena, and be pushed by these strange phenomena.

While the "wind" blows the ashes and spores, the Goth Maiden is also directly affected by the strange phenomenon of this part of the black water leaking. It is dangerous for any consciousness walker to face the strange phenomena that appear in any state of consciousness, not all of these strange phenomena are dangerous, and the interference effect is different for different consciousness walkers, but as long as it can interfere with the strange phenomena of the consciousness walker, it is possible to directly kill the consciousness walker. Confronting the strange phenomenon in your consciousness is like playing a game of Russian roulette.

The strange phenomenon in the collective subconscious of human beings acts directly on the Goth girl, and the complex geometric phenomenon that distorts her human form for unknown reasons, causing ripples on the surface of her humanoid silhouette, and making her see a distorted and ugly posture when she observes her appearance. However, the goth girl herself can confirm that these effects are not fatal, and can even be said to be extremely superficial, just like looking in a haha mirror and seeing the deformed self inside, but the real self has not actually changed. As in the past, there is only one question to face: when and how will the truly deadly strange phenomenon appear, and act on itself. It's like using a pistol that doesn't know when a bullet will shoot, pulling the trigger on yourself over and over again, only to know that this bullet that can kill you exists.

Even if the Goth Girl is the strongest consciousness walker in the human race, with a special background, she can't directly fight against the danger generated by the collective subconscious of the entire human race, the fatal probability is fluctuating, and every time she passes safely, she can't help but make people afraid of the next time. The spores that float away from the ashes towards the crimson Mae monster allow the goth girl to withstand this ever-accumulating fear, because that is hope.

When the spores did not disappear and did not fall on the Mae monster, it was full of hope.

Blackwater is trying to cut off the infected part of itself, but even if the part centered on the former Saya body is isolated, the gray-white spread will not stop there. The alienation of Saya's body and the side effects of being forcibly removed do not feed back from a certain "point" associated with Saya's body and black water, and the infection generated at this time is a comprehensive chain that does not have a specific location of the lesion.

If the initial infection site is removed, a new infection will be generated in a seemingly intact area, and if this part is treated, the part will recur, and the cancerous transformation that will not stop at all will only be transmitted from different locations at a certain speed, and the cause of the essential alienation cannot be eradicated, and it cannot be truly cured. The volume of the black water will only get smaller and smaller, and if there is no specific way, the complete disappearance is already a visible end.

The spores hidden in the ashes can also be transformed into black water, but the Goth Maiden is not sure, but after they are transformed into black water, the continuous cancerous transformation of black water will continue to appear on them. In front of the True River monster, Saya's body and black water were broken, and the face of black smoke was powerless to face, and the spores were already the last resort of the messenger of the "Four Heavenly Courtyards Gacoco".

The crimson Mae monster still didn't move, and in that quiet and evil gaze, the goth girl, who was clearly thinking chaotic and unstoppable, but her heart became more and more silent, saw only a grand and continuous movement, which seemed to continue like this. What exactly is moving, what kind of movement, the goth girl can't tell, this sense of movement combined with the inherent and huge sense of presence, makes her feel as if she is struggling in a moment of eternal time.

Every decision made by the goth girl made her feel that it took her millions of years to make a decision, and every judgment was pinned on the waiting of millions of years. From this long sense of time, she felt that her own movement was slowly standing still, and she felt that it was an illusion, but this feeling was so strong that even if it was an illusion, it would not help.

The spores finally crossed the distance that felt long, and landed in crimson with the ashes, and the Mae monster raised its hand for the first time, as if waiting for the snowflakes to fall, letting the ashes fall in the palm of his hand. This is the first time that the goth girl has seen in this monster, in addition to its appearance, it has shown the sensual behavior of human beings, and the naked and beautiful upper body is like a woman who is feeling the falling snow. The attention of the Mae monster seemed to be diverted by this sensibility, freeing the goth girl from that terrible gaze, and the sense of time that seemed to be standing still disappeared as if it were an illusion.

At the same time, the spores hidden in the ashes suddenly cracked, and the roots and branches swelled with an elastic force, plunged into the blood-like liquid, wrapped around the woman's body, and in a few blinks of an eye, rose from the ground and grew into a tall and strange plant: all the branches were made of countless tiny rhizomes, and the vines were entwined around the main trunk, as if they were companions, but they were also essentially part of the rhizomes that made up the trunk. The leaves and fruits that grow from the roots and branches of this plant are deformed organs and wriggling flesh.

The Mae monster was completely encased in this huge and strange plant, and the Goth Maiden felt its presence, but could not feel its changes. Goth Maiden didn't think that this monster would be destroyed, nor did she believe that it would be suppressed for a sufficient period of time. In an unknown amount of time, this strange plant will be eroded from within. If this erosion does not turn the plant into something as unusable as ashes, then the linkage of the three messengers will return to normal, but assuming that the result of the erosion still does not work on the linkage, then the leaves and flesh that have already borne at this point are the last protection.