The escape system operates in every ship, information flows on the screen, and numbers, words, patterns, and images are like orchestral music, intertwined in the dark and distant background of the universe. The container-like hull opened one exit after another, and the flat boxes were like a school of fish, like a swarm of bees, gushing, falling, and scattering from the brood, and there seemed to be an invisible silk thread pulling between each other, loose and not messy, and there was an invisible baton mobilizing all this, avoiding as much as possible the route of the four-day courtyard and the coconut. And the huge, even more conspicuous ships, like bait, attract the twisted and progressive Four Heavenly Yuan Coconuts. In the explosion of fireworks, the tiny schools of fish are moving away from the battlefield.

There is no way to escape from the target locked by the Four Heavenly Courtyard Coconut, but beyond her orbit, the others are safe - the space fleet is like a molt, igniting the huge skin bag that existed before it, attracting monster-like "moths". I can see from the screen of the central command system that the data is transferred, and the distributed computing core is splitting from the huge ship into each flat box escape device, but with the destruction of the ship close to the orbit of the Four Heavenly Yuan Gaco, the flat box escape device is alienated, and the operation capacity of the distributed system is also rapidly decreasing. Presumably, when this system was designed, the situation of "too late to transfer" was taken into account, so in terms of resource utilization efficiency, it can still be maintained to the extent that "it is barely enough for the survivors to escape".

The interconnection of the cluster of flat boxed escape devices is still maintained, but its overall operation has been visibly reduced, and it seems that it is a reference to the strategy of small and numerous fish in the sea to face predators from the beginning, and their swarm movement is full of immediacy, and the four heavenly courtyard coconuts in front of them are the powerful predators, and the only good news is probably that. The four-heavenly coconuts are the only predators at the moment. In the sea, even dolphins and sharks, which are several times larger than small fish, must rely on the division of labor to improve the efficiency of predation in the face of a school of fish.

It's not that she will be directly bumped into to usher in ruin. For the escape system, what makes it suffer the most is precisely the terrible ability to continue to interfere with "as long as it is close to its trajectory", even if the Four Heavenly Yuan Gaco has already passed this route, the mystery left behind is still not something that the flat box escape device can resist. From the screen, you can see the scene of the alienation of the flat box escape device, which is like the steel of a dead object suddenly adjusting from the atomic level, turning the inorganic matter into an organic matter, and it is like the organic matter stored in the inorganic shell is receiving some mysterious image, and the vitality of the organic matter rises sharply. Self-proliferation instead covers the inorganic shell.

These flat boxes, which continue to be alienated by the influence of the Four Heavenly Yuan Coconuts, will eventually become a kind of semi-organic and semi-inorganic life form - I don't have enough evidence that they can think, but the movement of their own parts, their own movement trajectory, and all the details presented in the movement make people feel that they are "alive" and not dead things controlled by logical calculations. These monsters came to life. It's like a flea shaken off the body of the Four Heavenly Courtyard Coconut, attacking other escape devices that are quite normal. They are a line faster than they were when they were escape devices - I don't think I would be wrong about the perception of speed - as if left unchecked, they will be overtaken by these alienated escape devices before they land on Earth.

The escape system has also monitored this scene, although the main engine has been reduced with the demise of the ship, and the branch after the transfer cannot be 100% efficient due to various hardware constraints. However, the surviving clusters of flat-box escape devices have begun to improvise new survival strategies for these alienated escape devices. Just like the gecko's tail cut, their actions clearly abandon some of the escape devices in order to attract those alienated escape devices. It was very simple and cruel. But it's a strategy that works.

There was no information coming from the abandoned escape devices, only that the members were physiologically at a level of intense exercise, and they were unable to reveal any information, and all sounds were sealed in a small box to ensure that no negative information could be transmitted to others. I can imagine how desperate and frightened they are at this time, and the boiling emotions have been expressed on this cold screen in the form of digital physiological state information.

If I hadn't been here, they'd probably be dead. No, to be more precise, if I don't forcibly turn on the escape system, there will probably be people who will be bewitched and bear the ravages of the Four Heavenly Courtyard Coconuts with a fluke mentality. Furthermore, if I were to remain silent at this time, these abandoned people would die in a desperate confined environment, tormented by the brink of death.

When I think about it, I feel like there's more I can do.

The cluster of escape devices is divided into two parts, the largest part is heading towards the Earth, and the smallest part is staying in place, carrying out a complex and regular regional movement. Not far away, I was witnessing all this from the ship, and on all sides of me, the container-shaped ships were being destroyed one by one, and the four heavenly coconuts were like moving celestial bodies, flying in their own paths, crashing, and smashing in my direction. Behind her, the alienated escape devices had also gathered into a group, staggering with the trajectory of the Four Heavenly Courtyard Coconuts in one place, directly pounced on the operating network of the escape devices that were carrying out regional movements.

I took a deep breath and left the central system a split second, pounced through the exit of the escape route, and flipped onto the top shell of the ship. The Four Heavenly Courtyard Coconut slid past a thousand meters away, and the ships on the near side began to explode, but at this time, all the escape devices carried inside these ships had been detached, so those alienated escape devices were only the ones that pounced on the distance at this time. In terms of numbers alone, there are still a few who have been alienated, but the spirituality and aggression they show make me not to be lucky to survive the group of escape devices abandoned by the large group in the area defense line.

Nothing is a fluke, because. There's more I can do.

I felt that the mystery of the battlefield of Radiant was so distorted and grandiose, that the fourth-level magic pattern had begun to speed up, and the aftermath of the data hedge was being absorbed in an endless stream. I stood on the top of the ship, and from the position under my feet, the grayish-white constructural material spread like frost along the surface of the hull. The gaps that seep into the atoms envelop the labyrinthine interior like a mist. In my chain judgment, strange structures are like tumors, like nerves, like spines, growing and interspersing in the interior of the ship. The gears engage, the levers interact, and the hinges pull up. The circuits are flattened, the lights are flowing, the lights are flickering, as if there is a design that I don't understand, planning what I want to do - I don't know the process, I don't even know the principle, but I can get the result I want.

This is the power of the fourth-level magic pattern. After adapting to it for such a long time, its potential was further tapped by me. It can be made. It is no longer a sword and shield with a single structure, nor is it a cannon fire that wins only by numbers. This ship has been reborn under my feet, just like the mystery of the Four Heavenly Courtyard Coconuts, alienating and distorting the inorganic flat box escape device, and the fourth-level magic pattern also has a similar ability.

By the time the Four Heavenly Courtyard Coconut had gone thousands of kilometers away, the interior of the ship had been completely different from its original appearance. New offal begin to function. Transferring new power to the hull, the hull itself began to roll up like scales, bones piercing the skin, tendons tangled together. Containers generally have no undulating shape. In this transformation, the limbs were stretched, the waist was straightened, the torso was erected, and the head that resembled the face of a human woman grew out of the neck.

The composition of "her" body is completely different from that of a human being, but the curves of her body are similar to that of a human being. She is neither completely inorganic nor can be relegated to the organic sphere, only in appearance, it is more similar to the physical life that lives in the ruins of the Ruling Bureau, however, her size is larger than all the physical life I have seen so far, and the contours of her physiognomy are closer to the appearance of Zuo Jiang in my memory. In the past, guns often appeared in the form of arrays, and they were draped all over her body, which could be both offensive weapons and defensive armor.

The birth of "she" is not my design, but more like a fourth-level magic pattern that makes "her" from existing raw materials in a way that meets my expectations.

Her birth is unscientific in the eyes of others, and the same is true in my eyes, not to mention the principle and process, even her form is by no means a scientific form of "optimization of combat ability". But, it didn't matter, she was the result I was hoping for.

"Your name is Megatron." I stood on her shoulder, holding her neck, looking at the Four Heavenly Courtyard Coconuts, which had begun to turn in an arc, and the alienated escape device that was closer to the defense line of the escape device area, "Super crossbow level * Alice * Megatron!" ”

I don't know if she has a mind of her own, but in front of my eyes, she seems to be responding to my thoughts. She reached out, grabbed me, and shoved me into her mouth. Her body began to tumble and a deep passage appeared, and the safety device bound my body and catapulted me into the cab. Her actions responded to my will, but I couldn't directly control her every move, and in this cab, I couldn't "drive" her in the full sense of the word, but I could see through the window and know what she was doing.

The body of my *Alice Megatron began to glow, and the light was colorful, with countless firefly-like debris tumbling in the brilliance. It was the whole body of the concentrating device that began to function, unlike when it was originally a container hull, which did not emit any light at all. She is so dazzling, eye-catching, and gorgeous, as if she wants to turn this deep and dark cosmic background into a theater exclusive to her.

With a rainbow-like light, Alice Megatron, whose form was already as huge as the Four Heavenly Courtyard's coconuts, sped faster than all the moving objects in the field. At the same time, the trajectory of the four-day temple coconuts began to change, and the speed began to increase, and the target was clearly us. But our top priority is the cluster of alienated escape devices on the other side that is about to come into contact with the defense line of the escape device area. Before we arrived, the muzzles of Megatron's guns were already open, and the ammunition fired from different parts was densely packed, instantly filling the range of the 360-degree circular screen.

The barrage that fills the screen is staggered forward, and the timer for contact with the target is rapidly counting down, reaching zero after a few breaths.

At the same time, explosions in the distance were endless, and the brilliant light color made these explosions like colored ink dripping on rice paper, leaving behind ink stains that quickly spread on the paper. With just one blow, only scattered wreckage remains, and the rest of the cluster seems to have been erased from the cosmic background. It was also this blow that made the Four Heavenly Yuan Coconuts who came from the arc stop for a second or two before they started to accelerate again.

Alice Megatron stretched out his hand, and it was radiant again, this light was not only decorative, but also full of aggression, and the beam of light that had just shot out was bent in mid-air, like a peacock opening the screen, and once again sniped at the coconut of the Four Heavenly Courtyard in orbital motion. The pure beam attack and the pure live ammunition shot were repeated in just ten seconds, and the range of vision was filled with rich light and explosions, and the wave of attack was higher and higher, making people suspect that the ammunition had not been lost.

The alienated escape device was completely emptied, and the escape device that was forced to stay behind for area defense restarted the escape strategy and chased after the large army that had already moved away. In the monitoring feedback from the Megatron's memory, I can clearly see the fluctuations in the physiological state of those survivors. I can imagine how they suddenly loosened their whole bodies in the extreme emotions of the NDE, and what kind of thoughts they had with them. However, my mission is not to comfort the unfortunate ones who have walked on the edge of the cliff, and it is up to me and Megatron to stop the Four Heavenly Courtyard Coconuts if they are to truly escape.

"Are you ready?" I whispered softly inside Megatron, "This is an opponent that must be stopped but cannot be killed." ”

No, to be exact, even if Alice Megatron tried his best, it would be impossible to kill this monster in front of him. (To be continued.) )