With my last remaining skull at its core, the construct proliferated into a sphere that rolled rapidly through the swift invisible passages. Being inside a solid, spherical structure, I could no longer observe anything with the naked eye, and could only rely on chain decisions to identify moving objects, and the trajectory of movement was presented in my mind, centered on my position, like a positioning and navigation system. I began to move regularly with this rough model of orbit, and to some extent, Youjiang was able to avoid my observations more easily than before, and my situation was relatively more passive, but on the other hand, the spherical structure that was still increasing in value was not created to "seize the initiative" in the first place—a sphere that was running at high speed, rotating at high speed, and increasing in mass and volume dramatically over time, had something superior to other shapes.

The knife-like weapon has disappeared, but the ability has not disappeared, it is integrated in the structure of the sphere, with the movement continues to spread and vibrate in all directions, it can be said that there is no dead end, although the ability to concentrate on one direction is weakened, but the transmission of this shock, not only as protection, but also to be able to make the chain judgment play a greater effect. With only one head left and still sealed in the structure, if there is no significant movement inside the structure, the effect of the chain judgment is actually weakened, and the vibration of the structure itself is like a wave amplifier and a sonic radar, allowing me to maintain the observation of the outside world in a closed state to determine my own position and the enemy's position.

What I "see" at this time is completely different from what I see with the naked eye. It seems that a large area of the universe is a voidless vacuum, but in my mind, there is a staggered appearance of trajectories, these trajectories are of course less than what can be seen on the earth, but they are obviously richer and more substantial than the cosmic void that can be seen with the naked eye. But. Beyond the range of the chain judgment, everything is filled with darkness, and the earth, which could be seen by the naked eye, is also in this darkness, and even the outline cannot be formed. The wreckage of the Four Heavenly Courtyard Coconuts is undoubtedly the most conspicuous presence in this simple picture, which is only lined and monochrome, even so. Its outline is no longer visible to the naked eye, and on the coordinates it is in, chaotic lines are interspersed, like a knotted ball of wool.

When Youjiang appeared in my mind again in this observation picture, it was already directly in front of my orbit at this time. I could feel how big the impact was as it was marked out and how big it was, almost digging out a large piece of the orb head-on, and altering the body's own motion, a change that was very obvious in my mind - a large number of chaotic trajectory lines like tentacles. Interspersed within the sphere, however, because the sphere has proliferated to a fairly large size, it is completely impossible for these apparently broken trajectory lines to insert into the core of the sphere where my skull is located in a short period of time.

I know that these chaotic trajectories must be part of the construct that has been alienated into flesh and blood.

Because of the high-frequency motion of the sphere itself, these trajectory lines begin to distort, and I know that too. This is the alienated flesh and blood being shattered and thrown out. They will be the same as they were in the past. Black water, then spells, and then an overwhelming attack on where I am—all of this is perfectly observable with chain judgment. However, what I used to worry about was one after another. The sheer number of anomalies is no longer as effective when confronted with large spherical structures running at high speeds.

Constructs themselves are extremely resistant to mystery, as they are also highly mysterious. Huge volume, mass and solidity, coupled with a high-speed and high-frequency state of movement. Inherent in these attributes is a terrifying power, capable of confronting anomalies that are mixed in quantity but uneven in quality. My spherical structure, which was subjected to continuous attacks, proliferated to a diameter of 100 meters in a second, and it was like a meteorite, moving back and forth in an orderly manner along the planned track of the invisible high-speed channel, and only when it did observe the position of the right river did it adjust its orbit and attack it.

It was a temporary defensive stance, but it worked as well as I expected. Youjiang's attacks began to become insignificant, not because the power and amplitude of these attacks were weakening, but because the effect on me was decreasing. The bigger this dense spherical structure is, the lower the destructive power that Youjiang can achieve with the means he uses at this time, and the remarkable effect of the actual effect makes me a little regretful, why didn't I think of it in the first place.

This flash of inspiration was actually inspired by the earlier situation when the Four Heavenly Yuan Jia Coconut was distorted by the "Jiang", although the Four Heavenly Yuan Jia Coconut at that time gave a similar state of movement to a more active desire to attack, but when facing the Right River, it seems more correct to use it as a defensive counterattack.

In the first second of completing this sphere, I was still under countless attacks, but in the second second, Youjiang's attacks stopped. I followed a fixed track, and each reciprocating cycle of movement passed by the wreckage of the Four Heavenly Courtyard Coconut. And at the very second that Youjiang stopped attacking, the Four Heavenly Yuan Coconuts, who had not moved much, shot out tentacles like a predator when I crossed her side again.

The violent movement of the sphere caused most of the tentacles to begin to disintegrate, but the Four Heavenly Yuan Gaconuts still wrapped around me desperately, it began to deform, and in the observation of the chain judgment, its trajectory began to spread, and the mischievous knotted yarn was flattened, but the lines continued to slide as if lubricated, and in a very short time they completed an orderly weaving.

The Four Heavenly Courtyard Coconuts that I observed completely lost their previous contours, like a bag covering the entire spherical structure, and even sewing the mouth of the bag, making me feel as if I had been "eaten" by her. I don't quite understand what exactly Shitenin Gaco wants to do, but, purely subjectively, I don't think it's an offensive behavior. In the state of the self-sphere that can be observed by the chain judgment, the alienated flesh erosion phenomenon caused by the right river is rapidly being worn out, and the Four Heavenly Yuan Jia Coconut seems to be targeting these anomalous flesh, but specifically, it is not correct to use words like "expell", more like "devour".

Originally, the monstrous shell occupied by the Four Heavenly Courtyard Coconuts was a combination of Black Water and Saya. Of course, she also has the ability to alienate flesh and blood as Saya. It's just that the failure on Youjiang seems to have made her lose this ability, although I don't know the specific situation, but. The wreckage of the Four Heavenly Courtyard Coconuts seemed to be all that was left of such a monstrous shell, and what this shell was doing on the spherical structure at this time made me think that she was trying to reclaim these abilities.

After the contact between the alienated flesh and the Four Heavenly Yuan Coconut, a chemical reaction soon occurred, which was a change that was completely beyond my understanding, and the lines representing the two were not "combined" into one, representing that the lines of the Four Heavenly Yuan Jia Coconut had originally begun to be orderly, but after touching the lines of the alienated flesh and blood. It was encompassed in one fell swoop, and it became chaotic again, and this chaos showed no sign of being reorganized.

The lines of the two are stacked together, complex and chaotic, but full of a restless vitality.

All the changes are happening at high speeds, and the timing in seconds seems long. Youjiang once again disappeared from the observation of the chain judgment, and the volume of the spherical structure, when the alienated flesh and the Four Heavenly Yuan Gaconuts came into contact and produced a violent reaction. Cut faster than before. I'm starting to feel the load that Level 4 Demon Patterns are creating to fill the structure at this rate of consumption, and it's because I can feel the load. Therefore, it can be more clearly recognized that there is also an upper limit for the operation of the fourth-level magic pattern, although this upper limit has not been reflected in the past battles, but it is his own use that restricts the play of the fourth-level magic pattern.

When the fourth-level magic pattern appeared to be loaded, it also made me realize that the limit of the fourth-level magic pattern was coming. However, the fight didn't end there, and I felt I had to be mentally prepared. Either we will continue to fight on the premise of "overload", or we will have to find another way to fight in a battle where the pressure is still increasing. Find a better way to fight to take the stress out of using the magic pattern.

The Four Heavenly Courtyard Coconuts, which were still like wreckage, gradually fleshed out, as if they had been refilled with flesh and blood, reshaped the silhouette of the mutilation, and in the observation of chain judgments, the trajectory lines that represented its existence rose sharply, although they were still chaotic, but the density rose sharply, completely engulfing the trajectory lines representing alienated flesh and blood. Even so, it is still consuming the spherical structure, representing its trajectory line, which is constantly extending towards the core of my position, and its existence is like a file covering the sphere, starting from the most superficial structure and grinding away layer by layer.

Its behavior was so crazy and aggressive that it made me wonder if it still had any senses.

Although I couldn't look directly at the Four Heavenly Courtyard Coconuts with the naked eye, the shroud of chain judgment allowed me to use consciousness walking on it—something I hadn't done in the past, but now it seems to be a very special situation, and when I decided to do so, I didn't have any twists and turns, and I succeeded in one go.

In the third second that the Four Heavenly Yuan Gaco Coconuts had completely replaced the alienated flesh and flesh and were attached to the spherical structure, Youjiang had not yet appeared in the observation of the chain judgment, and I had already pushed open the door to the consciousness of the Four Heavenly Yuan Gaconuts. This door seems to have been washed by time, mottled and tattered, but it also seems heavy, I always feel that this door is definitely not a "person", nor is it a door of consciousness that a "person" can have.

Before I saw the Four Heavenly Courtyard Coconut, I had imagined its conscious image at this time—humanoid, non-humanoid, recognizable in female form, completely lost in human form—and all kinds of speculations turned into unexpected surprise when I actually saw that image. Because, at this time, the Four Heavenly Yuan Jia coconut has no body at all. As soon as I walked in, I felt it was there, but actually, I couldn't see it. What I am facing is just a dark space with no end to the left and right, it seems to be everywhere, and it seems to be standing only in front of me, although I am standing in front of me, the distance between me and it is difficult to describe it with "far and near". It wasn't the dark space itself, but more like an invisible ghost, in another dimension that I wouldn't intersect with.

This dark space is impossible to see, but sounds can be heard. Listen carefully, it seems that countless people are muttering, sobbing, and as if the waves are washing the invisible beach, these sounds make people feel ominous, make people feel terrifying, make people fall into a kind of sadness, when this sadness becomes more and more depressed, it will suddenly give birth to a hysterical emotion, so that the sound that needs to be heard carefully has become hysterical and deafening.

I've never seen a single human being look like this. I feel that this is dangerous, and I want to turn around and leave immediately if I can, however, I must speak to the Four Heavenly Courtyard Gaco, whether it is now or not her.

As if sensing my determination, the dark space was separated - to be honest, I didn't see a more precise scene, the darkness was still only darkness when it was separated, but there was such a feeling of being separated, as if there was a kind of power, gently brushing open the curtain to reveal what was inside, although it was still dark, but, only from the feeling of feeling, the darkness inside and the previous darkness were not the same thing.

There was a hallucinatory fluctuation that seemed to be my own thought, which was saying to myself, "Why are you here?" "I think it's the Four Heavenly Courtyard Coconut, or it's not the Four Heavenly Courtyard Coconut, but it's really the consciousness that is controlling the body of the Four Heavenly Courtyard Coconut and talking to me.

"I want to know what you're going to do." I said this to the darkness, and though I opened my mouth and knew what I was saying, I couldn't hear my own voice, I didn't know if I was making a sound.

"Fused with the final weapon." That voice, as if it were my own thoughts, answered my question. People can't help but wonder if they are asking themselves and answering themselves.

"You've failed, you simply can't replace her." I say.

"If you add Takakawa, it may be different." The darkness replied, as if it were my own thoughts, "As I said before, we will carry out the plan. It's not me, it's us. The previous failure was precisely because it was not done. ”

"You should understand that I have my own plans." I say.

"So, first of all, let's blend in." The meaning of the darkness is conveyed, "The plan enters the enforcement phase." ”

When this answer still echoed in my mind like a thought, I already felt strongly that there was such a feeling of extreme danger that put an end to this communication. (To be continued.) )