Behind the door is another self, and in front of the door is another self, and at the same time that the self is about to see another self, it is also being observed by another self. Pen | fun | pavilion www. ｂｉｑｕｇｅ。 infoThis is Takakawa's natural feeling, but it's not the most surprising situation right now. For an experienced and mysterious expert like him, the rule of "no turning back" is the most troublesome.

Assuming that nothing happens without looking back – both good and bad – then nature also means that nothing will change in a restrictive environment. If you never "turn back" and don't do things that will cause your "other self" to do something extra, will you always be wandering in the "church" and "another mirrored church"? Takakawa also has this consideration. The strange things that happened here, the strange smell that people felt, the grotesque phenomena that they observed, all made it clear that there was a set of rules here, and no one revealed them, but it was enough for those who had experienced these anomalies to sketch it out in their own minds.

No one will tell Gao Chuan whether he thinks right, whether he thinks too much, or if he thinks too little, or if he thinks too much. Only Takakawa decides whether his ideas are right or not—whether he wavers or not, he must ultimately decide between the several options he comes up with, and before he makes his decision, he has no friends, no relatives, no ancestors, no aphorisms, not enough clues, and no absolute references to tell him the outcome of doing so.

Gao Chuan's choices about himself are divided into only two types: one is in an urgent situation, and the other is in a non-urgent situation.

The current situation seems to fall into the second category.

He had turned his body and turned his back to the door. He could feel the "person" on the other side of the door grasping the doorknob, and he felt like he would open the door at any moment. The waiting time is actually only a short second or two, but it seems especially long in the grotesque and silent atmosphere. Then, just as he thought, the door was pushed open by the "person" on the other side, and bright light poured in through the crack in the door that slowly opened - the church was full of light at all times, and the endless darkness outside the window seemed to be two worlds, and the same church was on both sides of the door, but even so, Takakawa still felt that the light pouring in from the other side of the door was brighter and more colorful than the light of the church he was in.

The highlights overpowered the lowlight, creating shadows on the floor—a scene that would have been almost impossible to see under normal circumstances, unfolding right before Takakawa's eyes.

The struggle and pouring of light, the shadow breeds between the two, spreads at the junction. Takakawa had always felt that when light and light overlapped, it would only make the shadows thinner, but at this time, he saw that the colors of these shadows were becoming deeper and heavier. He felt that he had seen an illusion that the light of his own church, the light of another church pouring from behind the door, and the unnatural shadows that bred between the two lights, which were supposed to be the same, but which were actually different in brightness and color, were all distorted like life.

Takakawa couldn't describe how he felt, he wasn't sure if he saw it with his eyes, or if it was observed with his eyes, or if the information generated by his brain's hardware was presented in a vivid and dynamic way on the retinal screen, or if it was just a mysterious force in his brain that was attacked, rather than some kind of hallucination that came naturally.

He was just instinctively inclined, and it was an illusion.

The shadow of the door, the shadow of the candlestick, the shadow of the pendant, the shadow of the bench, the shadow of the table, the shadow of the puppeteers, and the shadow of the "man" standing behind the door, as if looking at the church on his side, frantically split from the spreading, deeper and deeper shadows—they seemed to have a life of their own, but before, either there was no formed environment, or they were forced to squeeze into a featureless mass when they were formed, and now they are divided one by one by one outlines. It makes the shadow world in the church more colorful and more grotesque, like a group of dancers, enough to make a normal person feel panicked, thinking that he has released some terrible demon.

The door was completely opened, and Takakawa listened to its heavy "babbling" sound, and then felt the gaze of the "person" on the other side penetrate directly through him, patrolling the pews and tables of the church where he was located. Takakawa felt that "it" did not see itself, or even the light he saw struggling, and the shadows spreading, like a grotesque scene of a group dancing wildly.

"It" was as calm as if it had seen only the most ordinary things, as it had done before. Gao Chuan couldn't help but wonder, he didn't see the "person" behind the door at the beginning, he only felt that the "person" seemed to have run away, is it just like now, the other party just "turned around" and entered an abnormal space that he couldn't observe when he opened the door?

No, perhaps it cannot be said to be "another space", but only the difference between "seeing" and "not seeing", and "what is seen". In the same environment, oneself and other "people" can only observe what they can observe, but they can feel a larger range of things, which is why this ghostly situation occurs.

Gao Chuan really wanted to go back and see if that "person" was himself. Although he guessed that it was himself, if it was really himself, what would happen once they looked at each other? In the occult, this ending is generally not very good.

This time Takakawa didn't hesitate for too long, and when the "person" decided to come over as he had done before—if the "person" walked in and Takakawa hadn't moved, this route would definitely have overlapped the position of the "person" and Takakawa—and before it overlapped, Takakawa had already taken out the music box and lifted the lid.

The melody of the music box sounded, and the "person" seemed to hear it, and he didn't know if he was startled, and was about to stop with the figure that overlapped with Gao Chuan. Takakawa stared down at him, he just wanted to make a "change", but he couldn't be sure if the "change" was feasible or what the consequences would be. And when the melody sounded, Takakawa saw one of the results: his own shadow, which he had never paid attention to before, as if it had not existed before, was now rapidly taking shape, as if it had been squeezed out, spreading in the direction of the shadows of other things in the church.

In the blink of an eye, Takakawa's shadow turned into a slender silhouette. But in terms of location and color, it is distinguished from the shadow of the "person" behind him.

Gao Chuan didn't know if the "person" noticed the change in the shadow or whether he could see his own shadow, but his intuition told him that the other party could see it, and he would inevitably see it, and he would inevitably make inevitable mental activities because of the change he saw—if the "person" was another self, what he would think and do, for Gao Chuan, who was familiar with "himself", it was impossible to hide it at all.

However, on the other hand, Gao Chuan is very sure of one thing: even if he turns his head and sees another self, it is not another self in the true and complete sense, and even this "relationship between himself and himself" is not even as good as the relationship between "the prosthetic Gao Chuan and the young Gao Chuan".

The personality of "Gao Chuan" has always been "rebirth after death", just like "metabolism", not the simple and frequent "split" of other patients with doomsday syndrome, when Gao Chuan recognized that he was a "prosthetic Gao Chuan", he could also observe another "young Gao Chuan", which was already abnormal enough, and the appearance of "Young Gao Chuan" was also the result of "Jiang". However, no matter how big the origin of this possible "other self" is, the mystery that supports its existence will definitely not reach the level of "Jiang".

This is the deepest night, but not the deepest night in Las Vegas, it is possible to communicate the information of the reality of a part of the hospital, thus becoming a gray and ambiguous junction between the apocalyptic illusion and the reality of the hospital, but it is also impossible to really reach the intermediate environment where a certain Gao Chuan was stranded when he was sniped by the "river" in the process of entering the apocalyptic illusion from the reality of the hospital in the past, and even far less than the information of the reality of the hospital in the deepest night in Las Vegas.

These gaps determine that, in this particular case, the "other self" that may be seen is necessarily incomplete.

The degree of incompleteness may be enough to call it a "pseudo".

First the "Jiang" of the fake, and then the "Takagawa" of the fake? Such a thought crossed Takakawa's mind.

The melody of the music box reverberates in the church, excluding other mysteries, and if the "man" behind it also has a chain judgment, it is inevitable that he can expand his scope of observation through this obvious movement. Not only Takakawa himself, but also Sakiya, Hakkei, Shirai, and Morino, who also have their backs to "it", can also be observed. Gao Chuan is reluctant to "turn back", but if the other party chooses to stand in front of him, it will be another matter.

Will "it" be observed? The melody of the music box, and more contours outlined by this sound. Gao Chuan thought so, and the "person" behind him finally moved. "It" passed straight through where Takakawa was, as if they were just phantoms to each other. "It" stood in front of Takakawa with its back to Takakawa. Gao Chuan still can't see "it" at this time, but he can sketch out every move, every posture, and every expression in his mind through sensibility.

It was like an illusion growing in his mind, and Takakawa saw "it" slowly turn around—a little hesitant, but still did what Takakawa didn't do—and this illusion of turning around was gradually enriched in the process, and it was no longer a scene that was only sketched in Takakawa's mind, but a scene that could be seen with his naked eye. This "person" is like being born out of nothingness, coming out of the air, and when he completes his turn, he is already filled with the most real sense of existence.

Takakawa's gaze lifted from under his feet and met his. Gao Chuan's eyes were calm, but Gao Chuan saw surprise, confusion and vigilance in his eyes. Takakawa immediately realized that there was a qualitative gap between the two sides' understanding of their own situation, their analysis of the mysterious changes, and even their reasoning about some of the information hidden behind the mystery.

Gao Chuan looked at him: he was a young man of eighteen or nineteen years old, older than the young Gao Chuan, but more immature than his own prosthetic Gao Chuan. But the facial features, figure and breath do make people feel that it is the eighteen- or nineteen-year-old "Gao Chuan", even if it is Gao Chuan himself, it is difficult to find out the details of "the other party is not himself" from the appearance.

But even so, Takakawa has too deep a deep understanding of what "Takakawa" is, he has the information left by Takakawa in the past, and he has the actual reference of the young Takakawa. In the face of such a huge amount of data and such a unique reference, the feeling that this "Gao Chuan" in front of me is indeed just a fake object, is so strong.

Gao Chuan was in a trance for a moment, and he suddenly had an impression, as if he had suddenly had a hallucination, and imagined such a "fact" from the hallucination: after the LCL of Takakawa in the real hospital was revealed, some experiments related to the "special test subject Takakawa" were still carried out, which was the key cause of the "Deepest Night" of the Las Vegas repeater, and the current replica of the Deepest Night, although weakened, was still essentially close to the "Deepest Night" of the Las Vegas repeater, so it triggered a similar effect. That's why there is this fake thing in front of him.

- Hospital reality

- Dr. Nguyen Li

- Deepest Night

- Takagawa clone

The impression that I had never felt before was swelling in Gao Chuan's mind, and the stronger the sense of déjà vu, the stronger the sense of sight.

In reality, there was a trial project that doctors failed to complete, and Dr. Nguyen Le reconstituted it. The new test was based on the old test theory, and in the end, the code name of the research project still maintained the doctor's original name, "Deepest Night".

In this trial, an attempt was made to use drugs to stimulate patients with specific doomsday syndrome at the genetic level. The test subject is named "Takakawa Replicator", but it is not a clonal product, but only a test sample of a by-product under the "virus" common erosion test. After Dr. Nguyen Li took over, he further used Dr. Ender's theory of "Human Completion Plan" to stimulate changes in the mental level of the test subjects.

This experiment continues to the present day, and has been placed under the supervision of Super Dorothy.

All of the above are Gao Chuan's sudden thoughts, if you were an ordinary person, you would probably think that this is just your own imagination, however, Gao Chuan's own hallucinations, his sudden conjectures, all have a cautious attitude. (To be continued.) )