Omi's laboratory is not a secret location in the wall world of repeaters, but the door deliberately set up in the pipe like a sewer makes people not happy to disturb it when there is nothing to do, no, it should be said, even if there is something really wrong, if it is not a problem that Omi can't solve, he will not run to such a place - the surface of the wall is dry, showing the texture of stone and metal, rough or smooth, but it can make people feel clean from the outside, compared to the pipe on the top of some walls, The air is more humid than expected, and although there is no mud, every time you breathe the air and step on the ground, it will give you a slimy feeling. Pen @ fun @ pavilion wWw. ｂｉｑUｇE。 ｉｎｆｏ

There are also some people who claim that in such a pipe, they will see a lot of disgusting things, maybe hallucinations, but they are also really weird, but even if they attack with a mysterious force that is not physical contact, they can't help but get goosebumps. In the feeling of many people, if the passage on the wall is presented in the form of a "pipe", then it is best not to enter it. It's not necessarily how dangerous it really is.,The continuous transformation of the London repeater makes the internal structure unstable.,And then some dangerous things will be produced.,But its strength is almost impossible to kill the magical girl.,Your resistance to the "pipe",In the eyes of many people,It's just your own psychological factors at work.。

Even so, not many people deliberately enter the "pipe", and often use the magical girl's ability to move, clinging to the perimeter of the wall, even if it deliberately goes around in a circle. Therefore, not to mention the "sewer-like pipes" that are particularly uncomfortable in the "pipes". The "door" leading to the Omi Laboratory is set up in such a "sewer" with great fanfare, but it is not widely noticed, and the reason is roughly the same.

However, Madoka will not stop visiting because of such factors that make people resist, because every time she talks with Omi, she will feel the "kindness" hidden by the other party under indifference and paranoia. Others don't think it's "goodwill", but Madoka thinks so. This rumored and terrifying expert in women's studies not only has the ability to make people look down on the mystery, but also has his own unique and attractive perspective on his own life and the world.

Madoka couldn't get used to a world that was always making people miserable, and she sought solace, answers, and conversations with Omi were like entering a church and confessing to the faceless priest hidden behind the confessional room, which always calmed her heart. She has many ideas that seem fantastical, unrealistic, naïve and naïve to others, and only Omi will listen to her quietly, and although other relatives and friends will listen to her and try not to attack her, but Madoka can feel that the attitude of these relatives and friends is fundamentally different from Omi's attitude - the former is more like a kind of forbearance and compromise out of friendship, while the latter is more calm, more discarding common sense, and understanding her thoughts deeply.

Madoka doesn't complain to friends and family, but she complains to Omi, and Madoka who complains to Omi is probably something that friends and relatives rarely see.

For Madoka, this "door" that always appears somewhere in the "sewers" is the place she wants to go most after every battle, every whim.

The "door" is colored, but there is no fixed door frame and door panel, which is more like an illusion seen inadvertently, like when multiple lines are intertwined, its shape can't help but remind people of "door". So, to say that this is a door is just a description. Madoka stepped on the ground that was full of moisture, but there was no moisture, and felt the sticky feeling that climbed on the skin, and she felt that her whole body was wrapped in some invisible but very soft substance, which was light and thin, close to the skin, and seemed to drill into every hole, making people feel awkward. No matter how many times I've been there, I can't get used to this feeling, but this feeling can't stop Madoka's determined steps.

She couldn't determine where the specific location of the "door" was in which "small waterway", everyone believed that the "door" could be found by entering the "sewer", but no one could determine the specific coordinates of the "door" before actually finding the "door", and the position of the "door" would change every time they entered and exited. However, no matter how it changes, as long as you believe that the "door" is in the "sewer" and are willing to go there, you will definitely find it.

It may be just around the corner from the point of view; Maybe it's just a moment in the blink of an eye; Maybe in the casual turn of the head; Maybe in the place where it is identified. This time, Madoka first hears the "creaking sound of an old wooden door", which is an auditory hallucination, and it is also a kind of signal, and when she follows the instinct of a mysterious expert to find this signal, she sees the "door".

As described above, it does not have the characteristics of a normal door in terms of its specific construction, but it is still reminiscent of a "door" and is colored - red, black, yellow, pink, green, orange...... It seems that every time it blinks, it changes a color, and it seems that when its gaze moves over it, it changes color, even if it stares at it without blinking, it changes color when it occasionally loses its mind. The colors that appear are not always singular either, and multiple colors are like pigments in a palette, smeared together with a paintbrush.

Madoka walked up and reached out to "push the door open", she could feel herself touching a hard entity, but what she saw was her own arm reaching into the door, and then it was as if someone was pulling the other side, and she fell in. By the time we got our feet, it was impossible to tell whether it was a hospital or a computer center. There was only one aisle, passing through her feet, spreading forward and backward, and there was no end in sight with the naked eye. The walls on both sides are either inlaid with devices that resemble a combination of computer hardware or inlaid with glass, through which you can see an object floating in the yellow solution, but you can't see what it is.

This kind of scene is inevitably creepy, and even if Madoka overcomes the psychological barrier and often travels here, she can't really get used to it.

Madoka stood in the endless aisles, knowing full well that at this time, whether she was walking forward or backward along the road, or not following the path and trying to destroy from both sides or up and down, she would not be able to get where she wanted to go. Omi's laboratory doors are open to anyone who cares, but that doesn't mean there are no precautions. It's true that this is already the inside of the laboratory, but without the guidance of the other party, the mystery of the magical girl alone can't go where you want to go, and you can't return to the place you should go back to, if it's an enemy, you'll always linger here.

These specimens of objects and computer components are like hallucinations, and no matter what they do, they are of no use to them.

However, as soon as you get here, Omi will definitely know. Madoka only stayed for two or three seconds, and then she heard someone behind her calling herself, and when she recalled it, she couldn't tell whether she really called her name, or if she was nicknamed or aliased, in short, it felt like she was calling herself, and she was like she was in a dream - Madoka turned around and saw a girl named "Marceau" standing three meters away staring at her.

Madoka didn't know if "Marceau" was really called Marceau, but she knew that the female figure in front of her, who didn't look much older than herself, was one of the core pillars of the London Repeater, and it was also the existence that would appear in front of people with such a more realistic image when dealing with most affairs. It is said that she used to be a human being like herself and others, but it was only when she was building the repeater that she chose to become a "human pillar"-like sacrifice, and she became in this state.

Marceau looks like a human, but there is not too much human taste, her rumors can make people sad and sigh under normal circumstances, but when they really see her, even Madoka can't have any sympathy and pity for her, which is very peculiar, and it can make people deeply feel that she is not suffering for her appearance, or rather, she became a human pillar, which is not something that should make people sad and painful, but a kind of "taken for granted".

Madoka thinks that compared to Omi, who everyone doesn't want to have too much contact, Marceau is the most terrifying existence, because Marceau's abnormality gives her a completely different sense of reality when she gets along with Omi. It's as if Omi's horror is just a disguise, and Marceau is real, inside out, and is becoming something else. Omi's weirdness is not contagious, but Marceau has some kind of contagion.

Marceau disappeared in the blink of an eye, like a ghost, and Madoka breathed a sigh of relief, and heard another voice behind her, which had a childish but steely voice, saying, "Your senses are keen, and I feel that you will bring us success." ”

Madoka also knew who the owner of the voice was, and she turned around again and saw the familiar figure.

Dorothy, or rather, codenamed Dorothy, is the final weapon imitation led by the Cyber Ball and gathered the power of NOG to finally complete the launch, and it is also recognized as the most powerful and complete imitation that has been close to the real thing. However, from the perspective of Xiaoyuan, in any case, this girl who shows her personality and emotions in every move, word and deed, cannot be regarded as the kind of weapon that should not be looked at.

"Acute?" Madoka had heard this description more than once.

"It's not for nothing that Kewpie clings to you." Dorothy, who was in a light white dress, stood barefoot in the aisle, and the lightness of her figure almost made people feel that she would float up at any time, "You are one of the very few people between Omi and Marceau who think Marceau is even more terrifying, this is because you can feel the lesions in Marceau's body." ”

"Lesions? Is Marceau sick? Madoka couldn't help but ask, the first time she had heard about it.

"She's always been a patient." Dorothy paused as if she didn't want to say more, and changed the subject, "Do you have any ideas again?" ”

“…… I've heard there's a time machine here. Madoka's throat was a little dry.

"Yes, the time machine." There was no surprise on Dorothy's face, "Did Kewpie tell you?" I didn't expect you to take the initiative-"

"What?" Madoka didn't quite understand what she meant, shouldn't she take the initiative to come over? However, Dorothy's admission that there is a time machine excites her a little.

"No, it's nothing, whatever." Dorothy said, "It's great if it's your own idea to use a time machine, because no one knows for sure what's going to happen, and using a time machine is a very risky thing." ”

"Ah...... Is it risky? Madoka was also a little dazed, although it wasn't something unimaginable, but she really didn't think about it, so she rushed over.

"Well, if it's just you, it should be fine, you'll be willing, Madoka." Dorothy said this, and kept walking forward, past Madoka, "Anyway, come along, I'll show you the last hope of this world." ”

"Wait, wait!" Madoka hurriedly caught up, she was in a hurry, because although Dorothy was petite and slow, she was actually traveling strangely fast.

"Listen up, Madoka." Dorothy's voice echoed in the aisle where there were only two people, "Once you've made a wish to a time machine, the process can't be interrupted or changed, so it's important to think through and seize the best time before making a wish." ”

"Huh, hey?"

Madoka didn't understand what Dorothy meant, although the literal meaning was clear, but she wasn't prepared for anything related to the time machine, and she came this time just to confirm that there really was such a magical thing, and that it was really possible to achieve a wish like "world peace". It's just that before getting a positive answer from Omi, who she trusts, she doesn't dare to hold on to her hopes too much.

Madoka chases Dorothy, even with the power of a magical girl, but she still stumbles in an unknown place, and even her own brain becomes confused, until the front is empty, she almost falls, and when she stands firm, she finds herself in a small room.

In addition to himself and Kewpie on his shoulder, there are two people in the room, Omi and Dorothy.

Omi wore a white coat that seemed to have remained unchanged for thousands of years, and bent over in front of what seemed to be an electronic oven-like device, pondering something. In addition to this equipment, there is no more sophisticated equipment that can be seen in the laboratory, and it is completely a dining room arrangement. And, isn't it natural to have an electric oven in the dining room? It's just that Madoka isn't sure that the device that Omi is staring at with that serious expression is really just an ordinary electronic oven. (To be continued.) )