I stood on top of her and felt that her consciousness was falling into an extremely dark depth, but the huge body like a mountain was more and more diffuse with a rich vitality, as if the next moment, there would be trees, flowers, mountains, rocks, rivers, and all kinds of animals growing out of these flesh and skin. In the occult, there is a legend that "the great Holy Spirit has evolved a whole world out of its own materials", and the Four Heavenly Temples are not as huge as the "world", but her changes at this time are inevitably reminiscent of these legends.

The coconut seems to be asleep and on the verge of death, but it is between dead and undead, and those beings that seem to be about to breed from her are also born from the state of being born without being born. Life and death, existence and non-existence, became very ambiguous at this moment, and I felt all kinds of illusions, saw all kinds of changes, heard voices that seemed to be there and nothing, these movements happened in my heart, but they were not actually presented, but they only made people feel that all this was "not entirely false".

I stood on the body of the Four Heavenly Courtyard Coconut, and I got closer and closer to the alienated right river with her. In the vast background of the universe, because of the lack of references, people are more likely to have a false sense of distance. We are still at least 108,000 miles away from the Alienated Youjiang, but when we look at it directly, we feel that it can be described as "close at hand", however, this is still beyond the scope of observation of chain judgment. The closer I got to the eyeliner-like cracks in the Eye of the Moon, the clearer I could see, and in my eyes, the cracks had become different from what they looked from farther away, and in the blurred shadows, something was indeed wriggling, and it was impossible to feel that it was pure. Lifeless earth and stone structures.

The shadow that clings to the rift and spreads deep into the interior is not a single piece, but a puzzle of pieces, connected by countless individual individuals, and the closer it gets. The more you feel this, the more you feel it, and even the more you feel it, it's the right word to describe them. The answer is, of course, no, whether they are familiar or not, and I don't feel that the "they" I feel are natural and vivid at all. They are strange and vague, although they are individuals, but they can't see the specific shape, if you have to make a comparison, then. They are more like plants than animals, and more like fungi, densely rooted in a huge rift like an eye.

If the swaying and undulating of the grass in the grassland when the wind blows is described as a "wave", then the "they" I see are forming a similar movement. I don't really see it, just from that blur. vaguely, as if in the contours of the illusion. Think they're swaying, full of rhythm, layered on top of the rift and pushing from the top of the rift to the bottomless bottom. This frequency is not fixed, but it is full of rhythm, like a song. It's like talking, but humans can't know the meaning of what it's saying, but the rhythm itself can resonate with people.

I felt like I was resonating with that rhythm. It's as if they're sending some kind of message, and I'm watching them and I'm receiving it. Although it is impossible to decipher what exactly these messages are expressing, a sweet malice can be felt. It's like a poison made into a dessert, you can feel the strange malice, but you can't resist the sweet temptation, and you can't help but get closer to them.

I can't say that I didn't have the slightest impulse, but because it was such a strange battlefield and a critical moment in the plan, the resistance to this sweet malice was also greater than I expected. I gazed at "them", and while my emotions were stirring, there was an extremely cold thread running through my emotions, so that these emotions could not be completely unfettered and reckless no matter what. I felt that my rationality was suppressed to the extreme, but my sensibility was abruptly divided into two parts, one hot and impulsive, the other cold and clean.

100,000 meters passed, 50,000 meters passed, and 20,000 meters passed, and the Four Heavenly Yuan Coconuts were like meteorites about to fall into the surface of the moon, tilting violently downward. It's not the gravity of the Eye of the Moon, I can feel the initiative of this action. Although the appearance of the Four Heavenly Courtyard Coconuts is no longer as distorted as when she pursued the "river", the power she exerted at that time seemed to have been controlled by her. At this time, as she was at that time, she was following an inevitable track, and it seemed that she was going to use "impact" as a signal to start a war.

The Eye of the Moon is only a satellite relative to the Earth, but it is also huge compared to the volume of the Four Heavenly Yuan Coconut, however, once the Four Heavenly Yuan Jia Coconut hits the Moon Eye, the power generated by the physical weight and volume alone must be similar to the power generated by the Moon hitting the Earth. If the Eye of the Moon was just an ordinary moon, then it would be pierced by this orbital motion that seemed to be unrestricted by external forces, just like the space warships before it, and even completely destroyed.

When the body of the Four Heavenly Yuan Coconuts entered the orbital movement, it was already holding its knees and curled up like a baby. Standing on top of her, surrounded by her mystery, I didn't feel any influence from the outside world. However, the impact has already begun, and I don't want to take it directly. What's more, the eye of the moon is not a normal moon, and it is not clear what kind of countermeasures there will be. Therefore, I jumped out of the Four Heavenly Courtyard Coconuts at a height of 10,000 meters from the Eye of the Moon.

I used the invisible high-speed passage to rampant through the air, and the fourth-level magic pattern absorbed the aftermath of the data hedge, constructing all the armor needed to fight in the universe on my body. Unlike the "Eye of the Moon", which was the first target to be chosen by the Four Heavenly Yuan Coconut, I galloped towards the Alienated Right River, which I could directly see and levitate above the Eye of the Moon.

Behind me, the Four Heavenly Courtyard Coconut fell at a heavy and slow speed, which was more reminiscent of the terrible impact it was about to erupt the moment it hit the Eye of the Moon. But even at this moment when the battle was about to be engaged, the alienated Youjiang who was sleeping still hadn't woken up. There is still a spatial mystery protecting her, and my speed should be fast, but it is obviously a visual distance, but it does not seem to be measured by my speed at all. The distance between me and her was shrinking at a slow rate, the Four Heavenly Courtyard Coconut behind me and the Eye of the Moon below me were shrinking at a slower rate than the speed of the two, and I could already feel that there was a connection between the two. It's like no matter what, the impact of the Four Heavenly Courtyard Coconuts will happen before I reach the location of the Alienated Right River.

Because of the rapid sweep state, the movement of the outside world has become extremely slow to observe. The slow but inevitable impact turned into a reality at the very last moment, and there was a change as expected—a huge rift like the slit of the eye of the moon was like life. The width is expanding, and when you look down condescendingly, it's as if the Eye of the Moon is opening its eyes. And the Four Heavenly Yuan Household Coconuts were like a stone, intending to smash into this eyelid that opened its eyelids.

Spreading across the rift, spreading towards the depths of the rift, the indistinct foreign object began to change the rhythm of its own swaying, as if there was an undercurrent that was even greater than before, making the waves suddenly rise higher. The foreign object whose posture cannot be described concretely is in this stormy rhythm. Rifts gushed out from all directions. At this time, I could clearly see that they were red.

From my distance, I can't discern what they are, what kind of state they are, and what kind of substance they are. However, their overall movement gives people the feeling of fluidity. Looks. It was like a large amount of blood and tears welling up in the cracks of the eyes, and the eyes of the moon seemed to be crying, wailing, full of tears, but the red as blood brought deep malice and treachery. If it were me. Definitely not wanting to touch these foreign objects, however, the orbital motion of the Four Heavenly Courtyard Ga Coconuts seems to be unchangeable, and she has fallen along this fixed track, so far. Unless it's the track itself that turns around, there's no power that can really stop her.

I also don't think that the Four Heavenly Yuan Coconuts in the current state will have an obvious sense of avoidance.

The impact began slowly, but inexorably, in a state of rapid sweeping. Although I was moving at a high speed, the displacement of the relatively alienated Right River and the Eye of the Moon began to stagnate. The impact on the surface of the Eye of the Moon radiates in a huge ring that radiates and expands in all directions. The eye of the moon is like a half-asleep, half-closed eyelids, but the four-ten-in cocot has exactly burrowed into the half-closed eyeballs - in fact, after the rift has expanded, whether the deep bottom is an eyeball in the ordinary sense, I can't observe it - in fact, the four-ten-in ga coconut smashed into the rift, without touching the edge of the rift at all, and this rift has opened up enough to accommodate the four-ten-in coconut. However, since the shock has been generated, there must be something that collides with the Four Heavenly Courtyard Coconuts.

I couldn't see what exactly was happening, I just saw the result of the collision. The "mushroom cloud" that used to describe the impact did not occur, and it was clearly visible, only a ring of air waves carrying countless debris and spreading in mid-air lower than where I was. The diffusion phenomenon is quiet, slow, like a brush, scraping through the foreign objects like "blood and tears", and quickly obscuring them completely. But I could feel that more drastic changes were taking place in the area below that I could not observe, the area that had been flooded by the impact.

The Eye of the Moon, which looked sturdy, was slightly swollen with the impact, giving it a feeling of elasticity, like jelly, like very soft rubber, which was distorted after being struck from the outside and inside. Soon, more foreign objects flowed out of the "eye slits", as if they had been injured by the "stone" of the Sitenyuan Coconut, and the "blood tears" composed of the red foreign body completely smeared the body of the Sitenin Gacout.

The Four Heavenly Courtyard Coconuts were sinking, and it looked like it was continuing its movement along the established track, but it was also like it was being pulled down by the rift valley and swallowed by the Eye of the Moon. I couldn't interfere with a collision of this magnitude, it was so loud that it felt like if I stayed down there and I was going to be blown away. Too large a size, once exercised, will naturally make people feel frightened and powerless. I don't think I'm going to die if I'm caught between the Eye of the Moon and the Four Heavenly Courtyard Coconuts because of this shock, but psychologically, I'm more inclined to be a bystander.

I don't think it's the last time the two sides will play each other. However, it is not certain that he can observe a more obvious phenomenon of combat than this. The tendency of the Four Heavenly Courtyard Coconuts not entering the Eye of the Moon made me sure that the fiercest part of this battle would be inside the Eye of the Moon - and this situation was quite obvious after the Four Heavenly Courtyard Coconut said the plan.

It is precisely because attacking from the outside is likely not to work, that from the beginning, an internal breakthrough was chosen, and it was not "internal" in the ordinary sense. For various reasons, I was still on the outside, so I was unable to observe the specific situation of the battle, and with time, I gradually lost the room for interference.

Just when the figure of the Four Heavenly Courtyard Coconuts completely sank from my eyes to the depths of the rift, and I could no longer look at them directly, the red foreign body erupted with a more ferocious momentum, some of which flowed on the surface of the Eye of the Moon, and the other part flew into the air with the impact, and suddenly disappeared, thousands of miles away, turning into a cloud of red mist, diffusing on the surface of the Eye of the Moon.

I don't know what their effect will be, but I don't think it's a change that means the Eye of the Moon has been severely injured and bleeding a lot. The presence and release of these red foreign bodies is an inevitable stage of change, and it is more like a sign of the "awakening" of the Eye of the Moon, a by-product of the "movement" of the Eye of the Moon.

After the impact blew away a large cloud of smoke and dust, it finally revealed the true face of the Eye of the Moon - the rift was stretched so wide that it was as if it had stared at it, and this eye was pitch black and deep, without pupils and whites, completely black, but red flowed out of the black, whether black or red, they set off each other very strikingly. When the rate of red foreign bodies slows down and the number decreases, they are like bloodshot eyeballs, one by one, they are clearly visible.

The swelling on the surface of the Eye of the Moon became more and more obvious and frequent, and one couldn't help but think that the activity of the Four Heavenly Courtyard Coconuts inside seemed to be about to break it from the inside. The change was so alarming that the speed of my observations was also accelerating, and in contrast, my displacement relative to the Eye of the Moon and the Alienated Right River was also accelerating. Or, it should be said, after launching a sprint with the goal of alienating Youjiang, I can finally clearly feel that I am approaching her. (To be continued.) )