I don't fully understand what it means to see in the sky and beneath my feet, but when I look at the abyss of the mirror image of the deep sea at my feet, I realize that the anomaly that makes people feel frightened from the bottom of my heart is the most direct manifestation of the "virus" so far. Its existence form is very similar to the expression of "Jiang", almost the same intensity, irresistible evil, this is not a fixed evil, but just the concept of "evil" - I have guessed more than once, this is actually a thing that changes according to the receptor's intellect, if the recipient is a normal person, then this "evil" will be manifested in a way that violates a person's common sense, emotions and three views, but if it is a different thing, different people, with different common sense, The audience of emotions and perceptions will still change it, and it will always remain in a state of "evil" and "fear" for the audience.

In this embodiment alone, the "Saya virus" is something similar, or rather, a shortened version of this "evil".

The "Saya Virus" does not turn people into zombies, and infected organisms - usually based on "humans" - will continue to maintain their "human" biological structure until the lesion reaches its final stage. It only changes the sensitivity of human beings to contact and perceive foreign objects. Based on the five senses such as hearing, smell, taste, touch, feeling, etc., the overall perceptual distortion is carried out, so that the beautiful becomes ugly, the ugly is still ugly, the good smell becomes unpleasant, the unpleasant still smells, the delicious becomes disgusting, the disgusting is still disgusting, and the inherent concept and feeling system of a person, any beauty that represents "acceptable" and "desirable" will become "completely unacceptable" in this distortion, and perhaps a person's inherent cognition and concept will be different. But this makes no sense to the "distortion" itself, because the result of such a distortion is completely the opposite of the concept.

People who are infected with the Saya virus will not feel any good because of this distortion. In the second stage, you will lose the ability to communicate with others, because of the distortion of your feelings, you will not be able to express your feelings normally, just as it is difficult for a deaf person to speak even if his vocal cords are intact. Patients will gradually become unable to understand what others are saying, and what they are saying will not be understood, so that any conditions that facilitate communication will become "unbearable".

When the beauty of listening and dialogue is completely distorted, people are isolated and human beings as social creatures. At this time, they will completely lose their sociality and become "alien".

Inability to communicate. It is impossible to talk about it, what is seen and heard, only evil, disgusting and ugly. As a result, the patient becomes agitated and full of aggression before they finally die. He is already infinitely close to death from the soul. It's a terrible thing to live in a world where you don't feel good at all. If the distortion of sensibility can be adjusted with reason, then, the final stage of the Saya virus. If rationality is intellectually "acceptable" and "unacceptable" -- this is the rational characteristic that all intelligent beings must possess -- then in the final stage of the Saya virus infection, the "acceptable" of a qiē rationality will also transform into an "unacceptable" form.

The reason why a stone exists as a "stone" in our cognition is because human beings have made a comprehensive and detailed description of such a thing with their inherent cognition, and this description is based on human beings' perception and rational observation of it, and this observation standard has always been limited by the biological and physiological characteristics of human beings. However, if there is such a "mystery" that modifies this criterion, then, after the modified observation criterion of qiēcun zài tong guò, it will become a form of embodiment that is opposed to individual cognition, and it will continue to change synchronously with the development and change of individual cognition.

The result is naturally disastrous, even if the observed nature of the being does not change, but only the way in which it is manifested - but how can man be arrogant enough to think that he can observe the essence of these things without being constrained by his own biological and physiological properties? Like, when the body smells bad smells, tastes gagging, and sees ugly things, then how can it ignore these bad smells, nausea, and ugliness, and completely accept such things in essence? When you can only see such a thing that violates physiology all the time, and you lose social communication, how can you get rid of the negative feelings in your heart?

Only in the occult can those enlightened saints have this kind of ignorance of superficial embodiment, but focus on the essence of things, from the form of the ultimate essence, to perceive the whole world, and then for them, they no longer have any "disgust" and "like", because the saints are no longer limited to their own biological and physiological characteristics, and the opposition between sensibility and reason, for them, conceptually, there is no distinction between "acceptable" and "unacceptable", so as to achieve equality of the one.

From the perspective of modern science, a "sage" is a person who can only see "atoms" and "energy strings" at all times, whether it is for himself or for the observation of external objects, and even more essential than the "energy strings", and will not have any likes or dislikes for the way it operates.

In a narrow way, "atoms" and "energy" are a pole-based embodiment of human beings that no longer has the concept of likes and dislikes. If one can observe and look at everything in a way that "atoms and energy work" all the time, then the Saya virus should be ineffective against it.

Yet, almost no one can do such a thing. Human narrow-mindedness, limited by their own biological and physiological characteristics, has never been able to get rid of the division between "acceptable" and "unacceptable", so for humans, the Xaya virus is terrible.

At this time, the embodiment of the "virus" that I observed, and the embodiment of the "Jiang" that I felt in the past, was more advanced than the "Saya virus", which violated common sense, concepts, ways of knowing, sensibility and rationality. Ultimately, it comes down to the concept of "evil" that I can understand.

Yes, evil, is the most extreme, the most antagonistic concept in my perception, and it is constantly changing. According to the changes in my own common sense, concepts, ways of knowing, sensibility and reason, I am always on the opposite side, and full of oppression. Because, if there is even any trace of "acceptable", any point of "feeling that it can be overcome", then it no longer belongs to this extreme concept of "evil". From this point of view, I actually accepted "Jiang", which is undoubtedly extremely contradictory and incomprehensible, but also irresistible.

I stared at the one in the abyss. Body and soul trembled, and not only me, but also the wizards and physical beings of the Doomsday Shinrikyo were like frogs stared at by snakes, all movement frozen. Their expressions have made me think more than once, is this really what they want to summon? Isn't it out of their expectations, or rather. From the beginning, they didn't know. When you complete this magic array, there will be such a deposit?

However, when I thought about my own situation, I was unconsciously shaken again. Perhaps, the Doomsday Shinrikyo is just like me, and my coexistence with "Jiang" is so contradictory. And the relationship between the Doomsday Shinrikyo and the evil and terrifying being in the abyss may be so contradictory. They are also fearful, disgusted, intellectually and physiologically rejecting the thing, but irresistibly. Go and accept it, whatever it is, and move in its direction.

If there must be some kind of consciousness that plays a key role in this, I think it may be "faith". Only true "faith" allows one to endure one qiē until death. This "belief" may not be correct, but it must be selfish, and it is an incomparably strong motivation for oneself alone.

I have never underestimated the Doomsday Shinrikyo Cult, and every occult expert feels that the Doomsday Shinrikyo is the most difficult and terrible opponent, precisely because although they are a cult, they have such a "belief" that the end will come, and so is the truth, and in the process, it will be reflected simultaneously. It is precisely because they believe in it, not jokingly, that they can endure a qiē, and they can be driven by this "belief" to do anything that goes against human common sense and concepts, and even make themselves no longer human.

If there is something that can make a self-righteous "belief" degenerate and perish, it can only prove that this is not a real "belief". Only when a person believes in a thing or a truth until death without repentance, and is willing to give a single measure for it, to accept anything that is otherwise unacceptable, can one be called to have "faith" - a concept that is as extreme and distorted as "evil", and perhaps because of this, it can remain unwavering in the face of "evil".

Perhaps, the Doomsday Shinrikyo of the Doomsday Shinrikyo and my love for the "river" have ceased to be what they were at the beginning, but have become a kind of "faith", so that in front of us, even if the body and soul are frozen with fear, even if the body and soul are frozen with fear, we can still have an unrestrained consciousness that we can try to observe, think and recognize.

What exactly did Shinrikyo do? In this ceremony, there was such a manifestation closest to the "virus"? It is even more representative of the "virus" than any final weapon other than the "final weapon 999". And for what purpose is this thing embodied at this moment? No, what a stupid question, everything that the Doomsday Shinrikyo does, from beginning to end, is for the sake of the "doomsday truth", and isn't the existence in the abyss the embodiment of the "doomsday truth" that is closest to the "doomsday illusion"? From this perspective alone, in fact, I should have understood long ago that everything that the Doomsday Shinrikyo did would eventually turn into such a result - they would open a "door" for the "virus" to manifest in this world in the most direct way, so as to achieve the most essential "end of the world" in this world.

I even thought, perhaps, that this is the ultimate truth of the "Tianmen Project" that began with the Mar Jones family. This "Tianmen Project", in multiple disguises, after countless reincarnations, finally unfolded in front of me in a way that is closer to the essence of this world than any era, any time and place.

Then. This ritual is just a warm-up for the Doomsday Shinrikyo to complete the final "Tianmen Project", and before, all the "Tianmen Plans" that appeared in the "Doomsday Illusion" were just a foreshadowing.

Yes, I'm pretty sure. It is precisely because the evil and terrible existence in the abyss is such a heavy thing, therefore, it will definitely not be summoned by this ritual lightly. There is no complete reason for this idea, but the past situation is verifying the truth of this idea - it is the "protagonist", the highlight of the final act. It's never possible to make an early appearance - it may be too dramatic to describe it, but reality is often more "dramatic" than what people think is "cruel". People think it's "dramatic" because they can't accept it.

It's very easy for me to accept this "drama". Or even for granted. Because, "Jiang" is in my body. It doesn't get much more dramatic than that. Any illusion that "Jiang" makes me produce is also reflected in "drama". The singing, the singing, the poetic content, seemed to vaguely correspond to my encounter. I can't help but think about it, through the evidence that I associate with it, to observe the world I walk in—whether it's a post-apocalyptic fantasy or a hospital reality.

My own being, what I see. What I associate and understand is already dramatic anymore, so why not take "drama" as "real"?

"This is a 'human' tragedy, the conqueror flying worm, is the main star in the play." I couldn't help but recount the hallucinations that had appeared, as if answering the sigh of "Jiang" in the dark.

In this tragedy of the "end of the world", "Virus" and "Jiang" are the main actors, the protagonists who exist all the time, but only appear in the final scene in the most precise way - with this point of view as the core, I seem to finally be able to understand those things that I once could not understand.

Moreover, it was precisely because at this time that everything seemed to become clearer than in the past, so I was more sure of how successful my plan was. More than ever, I am convinced that my plan is no less than the plan of Takakawa, Tiese, and Dorothy in the past.

Because, my plan is tailor-made based on one of the main characters in this drama. At this moment when the other protagonist "virus" has gradually stepped out of the background, for the first time, I have seen the embodiment of the "virus" that is more essential than the "final weapon", and confirmed, this is the same sense of existence as "Jiang", what else can prevent me and "Jiang" from walking in front of it to complete the final scene?

No, the last scene of this drama must be like this: "Jiang" and "Virus", as the protagonists, stand on the final stage that belongs to them, and complete an unexpected ending in the most dramatic way.

I covered my mouth hard to stop the intense feeling of gagging.

"Ha, haha......" I heard myself laugh and heard myself say, "I've seen the end." ”

"Appeared, appeared-" Mae cried out in my arms, her hands dancing like a crazy bear child, "Achuan, I see it, I see it!" ”

My left eye twitched violently as Mae hugged me hard, pain and fear, making every cell in my body groan. It is different from the kind of terrifying oppression brought about by the existence of the abyss. The pain and fear brought about by the "river" is from the inside out, and it is closer to my soul than any external oppression. So much so, in this incomparably close, almost unestranged pain and fear, the fear and evil brought about by the existence of the abyss seem to have become less oppressive.

Mae laughed and shouted in my ear, clapping her palms as if she was cheering for the wonderful part of the drama, and in this space that had become dead and silent because of the mutation, her voice became the only one. She is so abrupt, so conspicuous, so eye-catching, that even the terrible and evil existence in the abyss cannot take away her brilliance.

There was a trance in front of my eyes, and Mae's body was wrapped around my back, and I couldn't see her face, but I could only hear her blurry but full of charm and at the same time extremely evil voice: "Look, it's so beautiful-" said softly.

Is Mae talking about the existence of zài in the abyss? Is that something beautiful to her? However, in my opinion, it is definitely not such a thing.

The same world, the same things and changes, what Mae saw, and what I saw, were completely different things - so, relative to me, she was the real mental patient.

The existence of zài in the abyss, the dancing real river, attracts all the attention, so that when the change occurs, almost no one can react. This is true for me, and so it is for the doomsday truth and the beings of the body that led to the qiē. By the time he came to his senses, the scene in the sky had shattered. Although this scene becomes so insignificant when it appears in the abyss beneath its feet, it is also an anomalous existence, because it is a "normal world" scene. I think it should be a scene in the world of repeater traps, not the real outside world of Doomsday Fantasy, because the "normality" of Doomsday Fantasy has long since disappeared due to the invasion of the "Nazis".

Only the world of repeater traps maintains such a fresh everyday scenery - the wilderness, the mountains, the cities, the streets and the bustling people. These things are reflected in a cracked mirror. It was as if it had been melted, but it was still intact, except that something smashed into it when no one noticed. This "crack" looks like telling us that this area of domination will be connected to the world on that side, and that the defensive "mystery" of the world on that side - the "mystical restrictiveness" - will also be shattered by this blow.

I couldn't help but laugh out loud as I looked at the scenery over there in the "Broken Mirror", because it was definitely not an Asian landscape.

"I did it, I really did." It doesn't matter whether it's my own strength or the strength of "Jiang", my plan has really been achieved, which proves that the plan based on "Jiang" must be executable and successful. It's a small step for me now, but it's a big step for the future I want.

I gazed greedily at the scenery that was by no means Asian, and the joy in my heart was beyond words. At this moment, even if the battlefield of the aborigines is silent, even if the Las Vegas special operations force still does not arrive, it is nothing. The scene in front of me made me know that my own painstaking thoughts, my incomparably ridiculous ideas, and the plan constructed entirely on the basis of speculation and association, are really achievable. It's dramatic, yes, because it's dramatic!

The scene of the abyss at my feet was fading, and it came magnificently, but when it faded, although the process was very clear, the terror it exuded still floated in the air, but it was no longer enough to crush my determination and joy at this time. Frequent battles, many doubts, and unrelieved boredom were all swept away at this moment.

My left eye twitched, and it was no less than the fear of the abyss, but it was like adding fuel to my blood. The scorching heat rushed through the veins, as if it were not blood, but magma. I heard the beating of my heart, like the drums of a war song. I grabbed the knife-like critical weapon and swung it at the feminine body life that had been holding each other back.

Game 2 begins!

I don't think about how I can get rid of my Speedrush Superpower when it's restricted. I was just swinging a knife, galloping, my left eye twitching, and the invisible high-speed tunnel was intermittent, as if to guide me to victory. (To be continued......)