Chapter 42: Mismatch
The monkey and the sunspot god chattered and didn't know what they were hiding from me, the more they chattered like this, the more I wanted to know that seeing that the sunspot's mouth was not easy to pry open, I looked at the monkey again and scolded: "Damn, what the hell is it, you fucking say it quickly, don't give me a sloppy eye!" ”
The monkey stammered, "This...... This one...... I...... I ......" he glanced at Kuroko and said, "This ...... I really don't have a master of this! I don't know how to tell you, I still listen to Brother Hei, so I won't tell you first, maybe that's ...... That's the best choice! ”
As soon as I heard this, my heart straightened up, and my heart said, "When the hell did you get closer to Kuroko than me?" We have only been friends for more than ten years, and you actually listened to his orders and hid it from me?
Suddenly, my heart was so angry and blocked that I didn't know what to do. At this time, Kuroko has already begun to mess with the mechanism of this doorway, and it seems that it should not be difficult for him. The monkey was busy beside Kuroko, and I wanted to pull away from the monkey and ask him alone, but it seemed that there was no chance at all, and the monkey seemed to be deliberately avoiding me, hiding far away from me.
At this moment, the door to the doorway was opened by Kuroko. I glanced into the door from behind them, and it was pitch black, and I couldn't see anything.
Kuroko picked up his yellowed flashlight and walked straight into the doorway. The monkey trembled and followed Kuroko, and followed in.
Seeing that both of them went in, but I was still standing alone in front of the doorway, I was a little stunned, and a sense of loneliness appeared in my heart for a while, this feeling actually made me hesitate, should I follow up!
I let out a long sigh, and the inexplicable feeling in my heart just now faded away, and then I came back to my senses. At this time, the monkey and the sunspot had already entered several meters, and their bodies looked particularly dead and silent in the dim afterglow of the flashlight.
I patted the flashlight in my hand, and the light began to turn yellow, and I shuddered, and then I also walked towards the doorway, and caught up with the monkey without taking two steps.
We walked on for a while, when the sunspot in front of us suddenly struck a match, as if to light something. Then, an oil lamp lit up in front of us, and almost at the same time, one after another, the oil lamps also lit up, just like the thousands of roller shutter oil lamps that wrapped around the Divine Dusk King's Ding, and the wicks of all the oil lamps here were also connected. Suddenly, the lights were bright, and the structural environment of this layer was fully revealed.
At this time, we were in a curved passage, about three meters wide and five meters high, the floor and walls of the passage were made of bronze, and the doorway we had entered before was just a small passage leading to this curved passage. On the walls on both sides of the arc-shaped passage, there are rolling shutter oil lamps about every three meters, which are symmetrically distributed, but the oil lamps here are much smaller than those on the outside of the giant ding. The arc of the passage extends inward in front and back, and I think the passage should be circular.
Kuroko looked in both directions, as if secretly pondering something, and then chose a counterclockwise direction to walk forward. I don't know if there's any difference between clockwise and counterclockwise directions, but looking at the appearance of the sunspots, there seems to be another mystery inside, and the monkey and I have to follow the sunspots closely.
After walking a distance, we got a heavy discovery, on both sides of the passage, between every two oil lamps there is a door one meter wide and two meters high, and the doors on both sides are also symmetrically distributed, looking at this posture, the two sides of the passage should be composed of small rooms one by one, which is somewhat similar to the pattern of the dormitory building when I was a student, and there is also a long aisle in the middle of the building, and on both sides of the aisle are symmetrically distributed dormitories. The only difference is that the aisles here are rounded.
I
I have blown away most of the dust from the depiction, and the whole painting has been revealed. So I took a closer look at the depiction, which showed a man with a bare upper body, kneeling with his legs down, hunched over, facing a black whirring thing, and seemed to be kowtowing to it. The man in the painting is shown with his back, and only his back can be seen, not his face, while the black whirring thing stands directly opposite him, as if maintaining the same posture as him.
The content of the portrayal is a little weird, I really can't see the meaning of the portrayal, but after reading the depiction, I inexplicably remembered another picture in my heart, that is, the depiction on the wall of the cave when we first entered the underground, as soon as I thought of the picture at that time, I gasped, could it be that the black whirring thing that the man who was kowtowing in front of me was also his shadow?
I don't know why I associate two images that are so far apart, or whether I understand the picture in front of me correctly, but I just stared at the portrayal on the door and felt uncomfortable. I shuddered, and was about to leave to look at the other doors, wondering if the other doors had the same engraving.
Just as I was about to turn to leave, something at the foot of the door suddenly surprised me. I saw that the deadbolt of the door was located in the lower left corner of the door, and above the deadbolt of the door there was a padlock that we use in modern ordinary films! I was immediately confused, how could this be possible, in such a giant tripod made of bronze, how could there be a padlock that we modern people use? It's so incompatible!
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