Chapter 48: Eat the Sun Again

The moon looked huge, but in fact, under Wang Yonghao's almost tidal attraction, a huge amount of energy poured into his mouth. ()

The moon was shrinking at a visible rate, and Hatty, the moon hound, watched in amazement as the moon that he was supposed to eat was swallowed by the flame giant in front of him!

The moon grew smaller and smaller, and finally turned into a silvery-white snow-bright fire that he sucked down.

And this moon hound couldn't do anything at all, he could only just watch.

From the bottom of his heart, he wanted to eat this guy who robbed him of the moon alive, but he couldn't move at all!

Not even the slightest thought of hurting this giant!

Wang Yonghao ate his moon under the tribute of the moon hound with a mouth full of haras.

"This car is good! Horses are not bad either! ”

Wang Yonghao was quite satisfied, and Wang Yonghao, who was huge, sat in the position of the original coachman.

"Turn around, let me fly to the sun!"

Although he couldn't look back at what was going on in the carriage behind him, he could basically know with certainty what was going on.

Now that the victor had made it turn around, he didn't dare not turn around, especially when it was still following the moon hound that had been chasing him for an unknown number of years.

The giant wolf who couldn't eat the moon and could only grin at him now made this god horse chill and be scared from his heart.

The god horse could only turn around and fly quickly towards the other side of the sky.

In fact, for the first time since he took over this task, the horse drove the carriage against the course that he used to travel on.

The Sun Chariot, which was chased by wolves led by the Sun Hounds, continued to move forward at its usual speed.

Pulling the arnica are two horses, Arvak and Arsvi, two groups of horses specially selected by the gods to have strong physiques and strong physiques.

The chauffeur of the Arnica Suncar is a giantess who is completely out of step with the word pretty.

The two horses with bright hairs are not running hard, but they are definitely not light.

Even if they have been in this world for an unknown amount of time with the sun, they are still trying their best to hurry, which shows that the sun is much bigger and heavier than the moon.

The two horses and the coachman don't remember when they started, and the giant wolf nicknamed the Sun Hound began to chase the Sun Chariot in the sky with a pack of wolves.

The giantess Sur habitually looked behind her over the huge sun, and the giant wolves who were bent on chasing the sun were still far away from the sun.

Sur sighed, felt the gain of the solar energy behind him, and drove the carriage drawn by the two gods with peace of mind.

Sur leaned against the giant shield Svalin behind the driver's seat, feeling the cold that shielded him from the sun's heat, and feeling comfortable with the coolness.

Yes, a flame giant, actually feeling comfortable because of the cold feeling!

The heat of the sun was too strong to hurt not only the two horses, but also Thor, who was born as a flame giant, could not stand it.

The flame of the sun is not like the gentle moon, so in order to prevent the horse from being roasted into horse jerky, a large skin bag containing gas is specially added under the horse's shoulder.

And in order to prevent the ground from being scorched by the sun, they made a huge shield called the Cold One, and placed it in front of the chariot.

In this way, the giantess Sur can absorb the flames of the sun without being assimilated into a impersonal fire by the flames of the sun.

The giant shield Svalin gave Sur protection. But it also limited the amount of Sun Flame that Suer could absorb, but fortunately, what she absorbed was what she could accommodate.

Because of this, the coachman of the Sun Carriage, Sur, is actually not as strong as his younger brother, but the bursting layer of the energy contained in it is far higher!

[A bunch of messy things, just look at the point, really sleepy, change tomorrow! ] 】

The following anti-theft ......

"It kills the wearer, it doesn't make people happy, it doesn't make people unlucky, whoever gets his hands on it is full of anxiety, whoever doesn't master it is jealous, all people are greedy for it, but no one can take advantage of it." The whole story will revolve around this curse. In the prologue, Alberich renounces the affection of the goddess of water for gold, so he creates the ring, which looks like he is about to have all the wealth and power, but heralds the beginning of tragedy.

The ring is an extremely colorful image in the play, and everyone has a different interpretation of it, and this difference appears for the first time in the scene where the giant, Wotan, and Logg fight for the ring after Wotan gets the ring. The titan king Wotan wants to possess the Ring to gain power, and although he is already the king of the gods, he still desires supreme domination. They wanted rings to fill the gaps in the ransom, and for them, the rings were only their most essential material—gold, the reward for their hard work, and the wealth they deserved. In "Gold of the Rhine", when the giants ask Wotan for building the castle, they want to take Freya as a reward, but it can be seen later that Freya's ability is still very important, and the gods need the golden apples she planted to keep their energy up, but why did Wotan promise to give them Freya in the first place? In fact, from the beginning, Wotan did not intend to pay the giants, "What we joked and agreed upon, you cunningly did it", but casually promised to give the goddess to them, so that they could build a castle for him with peace of mind, but the giants did not back down for their own reward. In the face of wealth, God and giants are equal, and God cannot have the slightest privilege to be exempt from paying money because of his status, and cannot drive giants to serve them for no reason. In this world, wealth has always followed the principle of equal exchange, and no one can get money without giving, and no one will lose what they have for no reason.

God-King Wotan wants to possess the Ring to gain power, and although he is already the King of the Gods, he is still full of desire for supreme dominance. The ring may seem like a source of wealth and power, but Alberich cursed it, "It kills the wearer, it does not delight, it does not make people unlucky, whoever has it is full of anxiety, whoever does not master it is jealous, all men are greedy for it, but no one can take advantage of it." This curse seems to have a kind of meaning of "can't eat grapes and say that grapes are sour", but in the stories we have read, the curse may not play a role in the curse itself, but a deep insight into the human heart and human desires, and the source of all human misfortunes is excessive desires and the sense of suspense that desires can never be fully satisfied. Fafnir is arguably the first person to appear to be controlled by the curse of the Ring, but this curse is actually the greed within him. His lust for money blinded him, causing his brothers to kill each other.

In order to keep his promise, Logge wanted to return the ring to the goddess of water, because the gold of the ring was originally in the Rhine, and he did not have the idea of taking the ring for himself, but he had an innate sense of justice, believing that it was the right thing to return to its original owner, and the ring was an order for him.

In "Valkyrie", Siegmund is hunted down for reasons that can be seen in his character, he is besieged to protect the girl he is forced to marry, his concept of justice conflicts with the people around him, he believes that people should be free to choose their own marriage, so he and Sieglinde fall in love, regardless of whether they are brother and sister. Flicka is furious, the violation of the marriage contract and the love of twin siblings, respectively, represent a moral and ethical undermining that she cannot tolerate as a defender of order, while Wotan thinks that this is natural and should be blessed, and the different ideas they produce are actually inherent in human nature and the conflict between nature and morality, how should people live? Follow nature, follow your heart, or should you strictly abide by ethics and the law? Under pressure from Flicka, Wotan punished Brünnhilde, who had helped Sigmund by trapping her on the top of a mountain surrounded by flames.

In Siegfried, Mime thinks that the ring is something he has worked so hard to make and that he deserves it, and that he raised Siegfried and should have the ring as an honorarium. This psychology is very similar to that of the giant, but he said to Alberich, "You are the master, but you will treat me as a brother!" The ring has a far more important meaning in his heart than a gratuity, that is, it can take him from the bottom to the ladder of dominance. He wants to use the ring to get rid of his low status and gain respect.

Alberich's obsession with the ring should be the deepest, because he is the creator of the ring. At first, he was humiliated by the goddess of the water and took the gold in a fit of rage, and he used the magic of the ring to make the gnomes look at him, giving them skills, and creating treasures such as the Stealth Helmet. This is very similar to Mimei's psychology of wanting to improve his status, but when he uses the magic of the ring to complete one thing after another, he feels that he is almost omnipotent, this is a process from extreme inferiority to extreme self-confidence, he has not only relied on the ring to have magic, in his heart, the ring can only play the maximum value in his hands, maybe the magic is given by him. Therefore, only when the ring is in his hand will his own value be revealed, and to a certain extent, the ring is a way of self-realization for him.

Siegfried did not know the magic and curse of the Ring, he was never afraid so he had to learn to fear from Fafnir, but he killed the dragon and accidentally obtained the Ring, which was the trophy of his battle, a medal for his infinite courage. It is not a good thing to have no fear of everything in the world, and it is the ring of conceit that leads him to tragedy. He finds Brunhilde and exchanges the ring for her vows. Brunhilde took the ring, which was her lover's vow, and she cherished it to protect it, even though Waltrout persuaded her, "If you send the ring back to the woman of the Rhine, the gods and the earth will be free from the spell!" The ring trumped everything to her: "It flashed Siegfried's love!" They will never be able to take my love away, even if the splendor of Walhalla will be reduced to rubble! ”

In Ragnarok, the fearless Siegfried is deceived by Gunter into crossing the flames in the form of Guntel, and is deceived into marrying Guntel, but Brünnhilde recognizes Siegfried and his ring, at which point the ring is no longer a symbol of love, but a source of her pain. Feeling the pain of shame and betrayal, Guntel was induced by Hagen, who thought that by killing Siegfried and seizing the Ring, he would be able to escape the pain of shame and betrayal, and at the same time have wealth and power, and he could achieve true liberation, but he did not know that he had stepped into another abyss. Siegfried's self-righteousness made him not listen to the persuasion of the three maidens, but thought that he was threatening him, and once again fell into the disaster brought to him by the Ring of Courage, which prompted his own death. Eventually, Brünnhilde died with Siegfried, turning the ring into gold in the fire, removing the curse and returning it to the goddess of water. The firelight illuminated and drowned everything.

We all close one eye and use the other eye to see the world through the gap in the ring, the world is what we want it to be, so we have an inexplicable thirst for the ring, nothing more than to keep looking at that beautiful world, but let go of the ring...... No, we don't even have the courage to put down the ring.

"It kills the wearer, it doesn't make people happy, it doesn't make people unlucky, whoever gets his hands on it is full of anxiety, whoever doesn't master it is jealous, all people are greedy for it, but no one can take advantage of it." The whole story will revolve around this curse. In the prologue, Alberich renounces the affection of the goddess of water for gold, so he creates the ring, which looks like he is about to have all the wealth and power, but heralds the beginning of tragedy.

The ring is an extremely colorful image in the play, and everyone has a different interpretation of it, and this difference appears for the first time in the scene where the giant, Wotan, and Logg fight for the ring after Wotan gets the ring. The titan king Wotan wants to possess the Ring to gain power, and although he is already the king of the gods, he still desires supreme domination. They wanted rings to fill the gaps in the ransom, and for them, the rings were only their most essential material—gold, the reward for their hard work, and the wealth they deserved. In "Gold of the Rhine", when the giants ask Wotan for the construction of the castle, they have to take Freya as a reward, but it can be seen later that Freya's ability is still very important, and the gods need the golden apples she grows to maintain their energy, but