Originally, it seemed to be thousands of meters away, and no matter how long the two of them walked, they couldn't close the distance, but when the driver said "it's almost there", it suddenly appeared 100 meters away, and the driver completely accepted this abrupt phenomenon, which made Gao Chuan feel that in his eyes, this process was another more gentle way to fit the cognition of normal people - or, the driver had become completely abnormal.

It is only when abnormal people look at abnormal phenomena that they will feel naturally. And the driver will become abnormal, in fact, there are already signs, along the way, his expressions, words and movements, there is no place for Gao Chuan to feel that he is still a normal person. Especially the muttering, muddy, incantation-like voice, the driver himself didn't seem to feel it, but when Takakawa heard it, he couldn't help but think of the unique language of the Doomsday Shinrikyo wizards.

Witch VV and Wizard.

The driver fell into an abnormal and unaware performance, and the murmuring sound.

If this is not the doomsday Shinrikyo cult, Takakawa would like to see who else it is. However, even if this abrupt encounter was really a ghost of the Doomsday Shinrikyo cult, this process also exuded a feeling that made Takakawa feel different from the common doomsday Shinrikyo in the past.

It can't be said to be completely different, but the ambiguous sense of time, the desolate and bleak beauty of this wilderness, the loneliness washed by time, and the unnatural sense of creation in the silence - just like picking the nameless wildflowers with dew on the roadside paths and inserting them in the wooden bowls that have been thrown away by others, they are obviously things that are readily available or discarded, but they are combined with the consciousness and beauty of the parties to create a surprising and intoxicating scene.

If it weren't for the Western-style pavilion, you might think that the formation of this wilderness would be a natural gesture, like the night of Valpurgis, but the Western-style pavilion stands in front of him, exuding a sense of presence that is absolutely impossible to ignore, and Takakawa cannot see the place he is in as a virgin land that has not yet been explored.

It is very likely that the owner of the foreign pavilion, that is, the witch VV in the driver's mouth, created this quiet wilderness. And this master is very likely to be a member of the Doomsday Shinrikyo - even so, not to mention that Takakawa is not afraid of the people of the Doomsday Shinrikyo people, just in terms of the charm of the wilderness in front of him, Takakawa has some doubts about this person's identity in the Doomsday Shinrikyo Sect.

Gao Chuan's brain and hardware have sifted through the information of the Doomsday Shinrikyo again, and there are many unsolved mysteries among them, and the one he cares about the most is none other than the triumvirate of the Doomsday Shinrikyo. Although "The Cult of Doomsday Shinrikyo is composed of the Big Three" is a well-known history in the mysterious world, in fact, there is not much research handed down, everyone seems to have passed it on by word of mouth, and most of them have only heard of the general situation of "the existence of the Big Three", and there is no accurate and detailed understanding of which the Big Three are.

In large mysterious organizations such as Cyberball, they all have a high level of confidential authority for the information of the Big Three, and Takakawa knows very well that even if there is a relationship between Omi, what he knows is only a small part. The secrecy of these materials, and the degree of simplicity that circulated in the ears of everyone, made Takakawa wonder if there was some kind of will to deliberately seal this part of the information—perhaps it was the existing mysterious organization, perhaps the Doomsday Shinrikyo itself, or maybe the people who knew the details were hiding the information together so that some of the truth would fade into time.

If this is deliberate, then the current situation is enough to prove their success. Even Takakawa only knew that "the Doomsday Shinrikyo once had three giants, and later split into three parts:

One is the apocalyptic truth that the Mar Jones family is now in charge of.

Second, the Nazis, who successfully established themselves on the moon in the Second World War, and the most mysterious of all, the last giants that have not even been known for their names, Father Sissen and his godfather, teacher and guide, Father Edward, seem to be the inheritance of this last giant.

Although all three claim to be the apocalyptic truth, there are differences in the details of the interpretation and doctrine of the apocalyptic truth, and these differences in details make the philosophies of the two more and more divergent, which is also the key reason for the eventual split of the original Apocalyptic Truth Cult deduced by everyone in the mysterious world. In fact, this kind of disagreement is not uncommon in history, and almost all religions have had a similar situation, and the parts of the branches have been baptized by time, and finally erased the traces of the original doctrine and become the main body of this religion.

The Doomsday Shinrikyo under the leadership of the Mar Jones family, which is now most commonly referred to as the Doomsday Shinrikyo Cult, has developed a group of wizards as a group of combat subjects, and its own ideas are actually very much in line with the trend of the times of the apocalyptic fantasy - the end is inevitable and is approaching quickly. It can be said that after the Nazis went to the moon on their own initiative or by force, it was the words of the Mar Jones family that replaced the former triumvirate of polyphony, making the thoughts and actions of the Doomsday Shinrikyo more unified and orderly.

In addition to the Nazis, the disappearance of another giant, most people believe that it was ideologically ostracized by the current Doomsday Shinrikyo religion. It was gradually suppressed by the Mar Jones family by means of organizing internal politics, and failed to get more talents in subsequent development, so its influence gradually faded, and finally withdrew from the front stage of the mysterious world.

However, this reason is only speculation, and there is no real evidence. Even Father Sissen, who has a relationship with Cyberball, has never spoken directly about the last giant.

It is precisely because the last giant is so mysterious, whether it is the origin, the past and the present, it is covered with a hazy veil of reverie, so there are still many people who believe that this last giant is the most powerful of the three giants, and the existence that is most in line with the meaning of the title "mysterious organization". It is believed that it has not died out, nor has it really withdrawn from the stage, but is more mysterious than any mysterious organization today, and the many coincidences in this world are actually inevitable under its guidance.

Of course, those who say this cannot produce actual evidence.

Father Sissen is suspected by Netball to be the inheritor of the last giant, and his godfather and teacher, Father Edward, although he occupies a high position in the current Doomsday Shinrikyo Religion, is the one who passed on the identity of this "successor" to Father Sissen. In the subsequent mysterious events, Father Edward's betrayal and Father Sissen's departure have more or less become clues that can prove this conjecture.

Because Father Sissen's idea of apocalyptic truth is regarded as "fundamentalism", it implies that if this "fundamentalism" is neither the apocalyptic truth of today nor the Nazis of today, then it may naturally be the idea of the last giant.

Father Sissen's fundamentalism seems to be a fairly moderate doctrine in the eyes of the Netball, and it is precisely because many people agree with his views that there are various kinds of cooperation that have followed. This situation also seems to imply that in fact, the last giant did not die, but better integrated into today's society.

In a sense, in Takakawa's cognition, since there is such a statement in the doomsday illusion that "the Doomsday Shinrikyo has three giants", its existence is basically undoubted, and on this basis, thinking about what this most mysterious giant has done, people can't help but feel abnormal.

No matter how weak this giant's sense of existence is, it is always part of the doomsday truth, and any occult expert can clearly feel the imminent end of the doomsday under the guidance of the Mar Jones family and the Nazis rooted in the moon. As part of the apocalyptic truth, the last giants could not have been completely motionless as people felt - even if there were already two suspected heirs in the foreground, Father Siessen and Father Edward, who had already begun to act, but their actions were too secretive compared to the other two giants.

It's not that it has to be fanfare in order to be seen as "taking action", it's just that when the covert action reaches a certain level, the influence it produces is definitely not in line with the identity of "one of the three giants of the Doomsday Shinrikyo".

In this case, it means that in the actions of Father Sissen and Father Edward, this last giant will inevitably produce more actions, not in the past, in the present, even in the future, which is definitely not far away.

The experience of mystery experts has told Takakawa countless times that the mysterious events in the apocalyptic fantasy are never isolated, in the places where people can see and cannot see, in the way of time and space that can be felt, and the span of time and space that cannot produce real feelings, each mysterious event is connected with more mysterious time at the same time, forming an extremely complex chain network. And looking at the chain reaction of these mysterious events from the reality of the hospital, it can also be somewhat linked to the worsening of doomsday syndrome.

The connection between this mysterious event and the mysterious event certainly makes it impossible to isolate this "witch VV" incident - from this point of view, Takakawa has always believed that what happened to him and the driver is definitely not accidental. Even if the driver is really the protagonist of this mysterious incident, and he exists in this place, he is definitely not innocently implicated.

A thing that comes from the mystery, the past, the present and the future, all have a certain relationship with itself, is transcending the appearance of time and space, and has a more direct contact with itself. Takakawa believes that the things in the Western-style museum, no matter what they are, have a purpose, and it can even be said that they have been planned for a long time, and that the seemingly abrupt things at the moment all originate from everything he has experienced in the past, and those experiences accumulate to create the conditions for this contact, but he cannot sense the connection before this direct contact occurs, and he cannot form a cognition of such a trend.

The hazy, inevitable, ambiguous, indistinguishable will of malice or good will dominates this wilderness, and Takagawa felt that the temperament of the things in the Western-style pavilion must also have an extraordinary consistency with this night of silence in the wilderness that is free from nature and the supernatural. The scenery in front of you is beautiful, even if it makes people hesitate and question, but it impacts the inner sense of beauty, which makes people unquestionable.

For Gao Chuan, "beauty" is a kind of strength, a kind of harmony, a more impactful sense than "ugly", which has a terrible corrosive ability. He could even make a preliminary judgment about the existence that exuded this power: the other party must be a consciousness walker, and moreover, the strongest batch of consciousness walkers he has seen so far.

For the driver, perhaps the contact in front of him is an accident, a possibility, the fulfillment of a wish, the beginning of a wish, an accidental encounter that makes the heart throb, or a destined source. However, Gao Chuan's own perception is that he has been invited - yes, it is not a siege, although it is mysterious and may be full of malice, but it is not immediately expressed, the other party wants to meet with the two of them, no matter which reason is one, they must be implicated in the other, and there is no "unrelated person" between the two of them.

From the beginning, Gao Chuan didn't feel that there was a possibility that the two of them would not be able to get close to the Western-style pavilion. However, when they stood outside the gate of the spacious outer courtyard of the mansion, they were still speechless for a while.

Although you can see the outline of the Western-style pavilion from a distance, and even in the current environment, you can see some of the details, but after seeing it from such a close distance, I still feel that it is very different from what I imagined - I can't say what the difference is, just a feeling of imminence, just like the same thing, the first time I saw it, it was an impression, after a period of time, when I saw it for the second time, although I felt familiar, I felt that there were many changes, but it was difficult to tell whether it was the change of things. Or a change of their own.

Everything here, and everything in the wilderness, is so ambiguous, stable but uncertain.

The door wall of the outer courtyard of the Western-style pavilion is carved with the mottling of time, and the new vines that have just grown and the old vines that have just withered are intertwined, climbing from the wall to the gate, although there are no barbs, but they are tangled, like chains sealing the gate, as if to tell the two that this is actually a ruined museum. However, neither Gao Chuan nor the driver felt that this was really an abandoned building.

What the appearance of the foreign pavilion told them and their own inherent impressions were intertwined and conflicted, creating cognitive fluctuations, which made both of them hesitate a little - even if Gao Chuan had already been mentally prepared, and the brain and hardware were also strictly managing emotions, there should not have been hesitation. (To be continued.) )