At this time, on everyone's faces, there are only two words that can be seen: admiration.

I saw that on the picture, just a few strokes, an old man was outlined, and there were not too many details.

This old man has white hair and white beard, and his face is slightly thin.

Everyone knows that this old man is their teacher Wang Molin.

Wang Molin on the picture, although old, has a straight body, like a vigorous old pine.

He held his head high, his eyes resolute, and his face haughty—but this arrogance was not arrogance, but arrogance.

As he said in his daily life, no one should be arrogant, but one should not be arrogant.

That kind of arrogance, there is a kind of spirit that regards death as home. It makes people feel that even if the knife is on his neck, he can't do anything worthy of heaven and earth, and something worthy of his heart.

This kind of arrogant momentum alone makes those who see it feel as if they have been cleansed by a mighty righteousness.

None of the twenty or so students present spoke or even stopped breathing.

None of the students present looked at the other two paintings.

Those two paintings, one deliberately shows off their skills, although Zuo Yiran is painted beautifully, but there is no real charm;

The other one, although painted almost exactly like a real person, does not have that kind of temperament. It's like a wax figure.

And Lin Yi's picture, although in terms of details, is far worse than those two paintings, and even some places seem to have been handled casually. But this kind of temperament, this kind of arrogance like a mountain, is incomparable to those two paintings.

For those two paintings, the most people praised was that they were "very similar" or "beautiful".

But for Lin Yi's painting, people can feel a temperament that would rather be broken than broken. Looking at this painting, people can't help but feel admiration.

Compared with the three paintings, the judgment is superior.

Zuo Yiran was also stunned for a long time.

She knew that Lin Yi's portraits were very good, but she didn't expect Lin Yi's portraits to have reached this level.

It's no longer a matter of resembling or resembling a god, but it's contagious, and one can feel the feelings and emotions of the painter at a glance at the painting.

After being stunned for a moment, she finally spoke: "The teacher just said that the most important thing in a work of art is to integrate it into your own feelings. A work of art is actually the expression and catharsis of the author's emotions, which can make the viewer feel the author's emotions, which is a successful work. From this point of view, Lin Yi's portrait is very rare because of its strong appeal. At least I'm nowhere near that. ”

Wang Molin also came to the drawing board at this time, looking at the painting, he naturally knew that Lin Yi painted the situation that he would rather tear up his own work with his own hands than sell it to Sun Shao in the teahouse that day.

This painting is indeed very infectious.

Even when Wang Molin saw it himself, he couldn't help but feel the emotions of the day in his heart.

So much so that when he looked at this painting, he was a little distracted.

After a while, he came back to his senses, a little surprised in his heart: it was not uncommon for him to be infected by a student's work, but he had never lost his mind. Is it because the painting is from my own experience? It doesn't seem to be quite like that. That is, Lin Yi's paintings are too infectious, and he has captured the most infectious moments.

I really didn't expect that after not attending classes for a month, Lin Yi not only did not regress, but made such great progress.

Wang Molin calmed down his emotions and said to the students: "The quality of this painting actually doesn't need me to evaluate it. The emotions contained in the paintings are also felt by everyone. I only want to say one thing: you see, if you look closely, Lin Yi's paintings are very vague in terms of details compared to the paintings of the two of them, and there are even many details that are absent. For example, the ears are just a few random strokes, and the nose is just a general outline. The beard and hair are simply drawn with a few lines. But the treatment of the eyes is extremely expressive.

Capture one of the most striking features and draw it so that it can be memorable.

This is already close to the freehand painting in our Chinese paintings.

As we all know, Western painting rewrites realism, while our Chinese painting rewrites freehand.

Lin Yi was able to combine Western sketches with our Chinese freehand paintings, but I didn't expect it. To be honest, I've tried this before, but I'm not satisfied with the freehand sketches I draw because of the lack of feelings. Therefore, I thought that freehand sketching was not advisable. But when I saw Lin Yi's painting today, I realized that freehand sketching is really feasible. ”

When the people heard this, they still did not speak.

All they could feel was that Lin Yi's paintings were very infectious, but they didn't expect Lin Yi to do something that even the teacher couldn't do.

The man with gold wire glasses and the man with black moles were both a little gray at this time.

When it was time for class, they quickly rolled up their drawings and left the classroom in a gloomy manner.

Wang Molin was extremely relieved in his heart, and the kind of fiery gaze that had not appeared in his eyes for a long time appeared again.

He said to Lin Yi: "I know you are very busy, but as long as you show up at school, give me all the time." I'm going to pass on to you everything I know. From today, we will start to study Chinese painting. ”

"Uh...... Well, as soon as I come back, I'll come to the teacher. ”

Lin was also a little helpless.

Originally, I just wanted the teacher to feel less lost, but I didn't want to ignite the fire in the teacher's heart again.

So in the next few days, Lin also began to study Chinese painting with Wang Molin.

Anyway, if you don't have a lot of art, maybe you will be able to use Chinese painting one day in the future.

Of course, he didn't just focus on learning Chinese painting. Secretly, he was also thinking about his next plan.

From the memories of the two or so Level 7 Evolutionaries he devoured, he knew that there were dozens of underground laboratories engaged in illegal research in the land of China, and now he had only destroyed two, and he was going to destroy more underground laboratories next.

This may stop the outbreak of the virus and allow for more evolution points.

After studying with Wang Molin for three days, Wang Molin focused on the painting skills he knew, and skipped all the small details and the like. He knew that with Lin Yi's cleverness, he would soon be able to realize these details on his own.

Sometimes I remember what I realized more firmly than what I learned from others.

Three days later, Lin Yi said goodbye to Wang Molin and Zuo Yiran again.

This time, he was going to Chang'an City.

There are five underground laboratories there.

He's going to pound them one by one.

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