1935 Omi's Trap
Omi looked up at the stars, which dotted the clear night sky, and bands of aurora were spreading, drenching the night in blue, green, and red, and from the three primary colors were born even more colorful colors. Pen ~ Fun ~ Pavilion www.biquge.info Sometimes the night sky seems to be covered with sand and gravel, a little rough, but sometimes, it is as smooth as water. The air has no smell, no temperature, no feeling of cold and heat, everything but the night sky is so hollow, and even the platform under your feet has no sense of carrying weight. Everything except the night sky is like a mirage dream, but Omi finds his own sense of existence in this empty dream, under this beautiful night sky.
Omi, Omi Trap, she didn't know why she added the description "trap" to her name, but the moment she observed Dorothy, it seemed that some kind of memory that had been in her soul and body for a long time, or some kind of self-awareness, quietly lifted the lid. Who are you, where do you come from, and where are you going? This question has always puzzled all philosophers in the world, and is also seen as the root of all suffering, as well as an opportunity for all to go to the other side of joy.
Omi is not the only one who has begun to think about this question now, and she is convinced that when human beings have wisdom, this question is an innate and instinctive way for all people to think. However, there is a huge difference between the answer to this question at some point in the past and the answer to this question today. And this difference even made her feel as if she had been divided into two individuals with different perceptions of their own existence in the time period when Dorothy was observed.
No, maybe it's three: Earlier, when I met Takakawa, I probably had a big difference, although at that time, the outlook on life, the world, and morality had not changed much, but at least I had a completely different idea of the answer to "where to go" than in the past.
Omi Trap, a trap for "E", even Omi himself is not entirely aware of the details of Dorothy's plan. Judging from the general content, it is as simple as "putting the river in the Omi". But in fact, this is not a material implantation, nor is it a conscious implantation, but a deeper and essential insertion, which is summarized from the phenomena that appeared in the past of the "river", and the final conclusion of reasoning is that Omi is like a special container, like a honeypot, which has great attraction and adaptability to the "river", in order to ensure that "the river will definitely enter or descend in the river" and "when the river enters the river, it will not be able to leave it for a short time", and "during the time period when the river resists the erosion of the river, Omi is a container that cannot interfere with anything other than itself." Omi has done a lot of research himself.
Dorothy and Ishiki themselves may not have a complete plan for the feasibility of the plan, and they may not even have figured out the necessary needs, all the plans themselves are experiments, and Omi must ensure that he becomes a real trap, which is of course extremely cruel from a humanitarian point of view. However, Omi realizes that he did not have a choice, but that he did not want to rebel against this fate from the beginning, or rather, he was happy to carry out this plan.
This plan is poisonous to Omi herself, and after she observes Dorothy and realizes her duty and mission as an "Omi Trap", she has a kind of addiction-like pleasure from a conscious and physiological point of view, as well as a kind of pleasure in seeking the truth: she is very aware of how many difficulties she needs to overcome to become an Omi Trap, and she is also very clear about what kind of terrible existence her opponent is, but because of this, she feels happy.
Dorothy and the color system have the only computing resources in this world, and even such they can only come up with a plan of outline, in Omi's eyes, full of a kind of temptation: why is he Omi? Why can you be a trap yourself? Why do you have to push this plan on your own? Extrapolating from these questions made Omi come to only one conclusion, that is: he is special.
Yes, in this world, Takakawa is special, Dorothy and the color tie are special, the witch VV is special, and even many occult experts themselves have their own inconspicuous particularities, and even organizational concepts like Cyberball and Shinrikyo of Doom are special. However, compared with all the particularities that exist, the particularity of "Jiang" and "Virus" is overwhelming, so doesn't a self that "inevitably becomes a trap for hunting Jiang" have a particularity similar to that of "Jiang"? Omi does not doubt this idea, because "E" is so special, and the examples of it that have been presented in a clearly individual way are enough to prove that it is very different from other people and non-people in this world. If you do not have a clear commonality and similarity between yourself and the "Jiang", you will not be enough to become a honeypot to attract the "Jiang", and if you and the "Jiang" do not have a relatively equal and mutually opposed particularity, then you will never be able to trap the "Jiang", but will become a part of the "Jiang" just like the carriers from which the "Jiang" descends.
From the perspective of "virus", "river" and the "world" that we can observe, it is not incomprehensible that "river" will be regarded as the core and source of all disasters, and even, in terms of existential structure, "river" and "virus" have a status close to the truth. Mathematically unanalyzable, logically incomprehensible, but philosophically vaguely visible, the world becomes meaningless without both. From this perspective, Omi has recently begun to believe that if the world he observes is meaningful, or if the world in which he lives can be given a meaning of existence, then forcibly destroying the "river" or "virus" will only be counterproductive.
Perhaps from the perspective of Dorothy and the color system, he saw that the culprit that caused the destruction of the world and the suffering of everyone was "E" or "virus", but Omi had a feeling that without these two, the world and people today might not exist at all, not death, but a kind of structural and philosophical non-existence, so as to achieve the "apocalypse" ending more completely.
From this point of view, the Omi trap is just a "trap that traps the river" rather than a "trap that destroys the river", and in fact, it naturally has a positive meaning. It may not be possible to "eliminate E's trap", but even if it does, Omi does not think that he should do it. She didn't tell Dorothy about that idea.
Perhaps in Omi's birth and fate, Dorothy and Tie Sei were the driving forces, but this does not mean that when Omi is willing to carry this mission, he becomes a puppet. Omi knew what she was doing, and she did what Dorothy had arranged, simply because it was what she wanted to do—so that when she and her fellow travelers had a difference in thinking, she didn't need to tell each other, and she didn't need to show it in action for the time being, and when the inevitable divergence of the road appeared, everything would change naturally, and all goodbyes would become taken for granted.
Many people regard Omi as a research maniac, but Omi's heart is actually gentle and calm most of the time, and the woman who looks very cold on the surface is like this platform, this night sky, with starlight, aurora, vanity and reality.
The Omi Trap research is in its final stages, and most of the ideas could not be put into practice until the Witch VV appeared, and naturally there was a lack of data to support the feasibility of the entire project. It can be said that without the witch VV, the Omi trap will probably only end up in a largely crippled stage, although it will still be executed at the last moment, but the effect will not be expected. The Witch VV was so important that even Dorothy and Chroma didn't expect that at the very end of the whole plan, there would be such an important and critical factor that would lead the plan to success.
The meeting between the witch VV and "Jiang", and the final result, is a simulation of Omi's trap - Omi has completely analyzed the changes in the way of existence of the witch VV in the whole process, including but not limited to changes in the material level and changes in the level of personality consciousness, too huge data can not be directly saved in any carrier other than Omi's own memory, not just because the volume is too large, but because these data have a strong corrosiveness, once other carriers accept, It is possible to be corrupted and become an individual of the "river" -- according to Omi's research, in fact, when the "river" comes, it does not necessarily require a definite individual, nor does it need to ensure that the individual is a living being, or even whether its essence is organic or inorganic, whether it is an intelligent life or an unconscious dead thing, and there are no specific requirements.
The fact that the "river" can adapt to all the beings in this world is not so much to distort the structure of these existences into its own structure, but rather to say that all the structures that exist in this world are contained in the structure of the "river", so the "river" only needs to manifest this specific structure to be able to connect with the goal as one. Such an idea may seem fantastical or crazy to others, but Omi has enough evidence and logic to convince him of it.
It's just that her evidence and logic can only be understood by herself. She didn't even know why she could understand it when others couldn't.
Unearthing mysteries in this world is not only a matter for mystery experts, but also many scientists who want to try to figure out a little truth from it, so that these mysteries are no longer mysterious. However, Omi is the only one who can deal with mysteries even better than all mystical experts, and who can really "study" mysteries.
No one knows how Omi understands these mysteries, and how he turns the mysteries he understands into artificial creations, because "understanding" and "mystery" are conceptually inherently contradictory: the intelligible mystery is no longer mysterious, and on the other hand, when the mystery exists, the understanding is conceptually denied.
Omi didn't know why she was able to understand these mysteries, and furthermore, she didn't even know if she really understood them, understood the mechanism of their existence and the strangeness, accident, and indescribability relative to understanding. Although in the eyes of others, Omi is truly doing research on mysteries and has achieved effective results, but she herself is not so sure whether she is studying mysteries or whether she is naturally aware of them, and the so-called "research" is just a review of what she already knows.
Whether it is the study of the mysteries that are often encountered by occult experts, or the very special research on the interaction between the witch VV and "E", Omi has never really encountered such a situation as "incomprehension", or that there are no obstacles such as "ignorance" and "trouble" in the whole process of observation and research.
Of course, I understand, even if I say it, others don't understand it, or I can't express what I understand correctly and completely, but I just understand. No one can prove that she understands something, however, when she understands, when she lives to say, and when she feels that she understands, she must have the same feelings, and it is this feeling that makes Omi not doubt her understanding, and she really relies on what she already understands but cannot explain, creating one miracle after another.
The so-called "Omi Trap" will also be one of these miracles, and it is taking shape at an objective pace. Although this process of formation is still in Omi's observation and cognition, after all, its carrier is herself, but, from the point of view of cybernetics, it has lost control in the real sense - it develops on its own, expands on itself, restricts itself, and finally becomes what it naturally becomes.
Omi, and at the same time Omi Trap, has an extremely natural transition, and it can even be said that when the change begins, it is destined to become what it is today.
No one can stop it, and no one will stop it, and the things that can prevent Omi from becoming a more feasible Omi trap have been "repelled" by Dorothy and Shiki using various means. Omi is closer than ever to a sudden success that he never even thought of, but more than ever, he feels his own loneliness, and from this smoothness and loneliness, he feels a more macroscopic script-like fate.