Prosthetic Takakawa couldn't determine what kind of reaction he was in, his voice, his perception of his movements, were all swallowed up by a sense of noise and excitement like a turbid torrent. Pen × fun × Pavilion www. ｂｉｑｕｇｅ。 The intense stimulus is not entirely painful, but anything that is too intense will only put a huge load on the senses. It was as if red-hot molten iron had poured into the veins, as if an invisible front was sewing nerves, and there were many, sometimes flexible and sometimes hard, mixed in flesh and blood in a fragmented way. He didn't think he could bear not fainting, but he realized that it was completely impossible for him to faint, and when he was in such a state that could only be described as "awakening", the physiological crisis instinct processing system had completely failed, and he could not re-enter the state of confusion and even loss of all sense of consciousness from the level of consciousness.

Takakawa began to think, having to resist the intense thrill of extreme depth or chaotic thinking, which was the only thing he felt he could do in his waking state. However, it is useless, thinking is thinking, perception is perceiving, and the two are becoming distinct, as if there is such a force forcing oneself to experience this terrible process.

He couldn't tell which one was more painful than what he had endured in the past compared to what he had endured in the past, but it was certain that if the painful stimulus was unnecessary, then he believed that Dorothy and the others would definitely be more than that. On the other hand, if "the need to endure pain in exchange for greater strength" is already the limit of what they can do, then they must bear this limit.

Being a "Takakawa" is not easy at all, and it is never beautiful, from the realization that there will always be a lot of unbearable pain in physiology, the prosthetic Takakawa just sees the pain he is facing now as a symbol of trial. He had to force himself to believe that these pains could make him stronger, to be able to face more demanding circumstances, or his personality would collapse in pain.

Even so, he felt that he and Father Edward were different from Father Edward in the midst of his suffering, and that his asceticism was imprinted on him in a vivid way at this moment, but he still felt that he and Father Edward were fundamentally different in their initiative to create and endure suffering.

He also thought of more people and more things, as if everything he had experienced and encountered since his birth was like the mud and sand at the bottom of the river, making the river of memory extremely muddy, so that he could no longer see any clear places, and he could no longer actively find the beautiful memories he wanted to see. All he felt was pain, only pain, only pain......

The terrifying and mysterious cube device was infused with a huge amount of stuff - it looked like energy, but it was not lacking in physical matter, it was blue-black in general, and in some violent reaction, it transitioned to crimson, and the whole injection process filled the surface of the cube with visible radiation, fluctuations, light, and impacts, and if it weren't for the thicker chamber locked, these forces would probably melt through all known metals in one go.

However, these radioactive phenomena are transmitted in dense wisps through the surrounding protective measures, escaping from the tiny holes, and eventually being directed back into the chamber where the home remedies are housed, and so on. From the cube device to the chamber, there are many visible and invisible pipes and gears in it, and further on the periphery of the structure, there are multiple cube structures that surround it. This chamber, both in size and quality, appears to be just one of these cubes. Only this cube structure has content, and other cube structures seem to be empty, but their existence must have their purpose and meaning, and this meaning can only be understood by Omi and "Sha", who are in charge of the transformation of the prosthetic body.

"Eighty-three percent progress...... He was about to lose it. "The voice came from Omi's side, but there was no one there." Sha's body is not here, and as the night of Valpurgis, her way of being and scale are destined to be impossible to be accommodated by any ship of the Combined Space Experiment Fleet. However, "Sha", who has already obtained the permission of Sansenjima, is indeed carrying out this transformation remotely, and Omi, who performed the key operation with her, did not arrive at Sansendao in person, but at this time, Omi has an entity, a quality projection that once existed in science fiction works, and it is presented in this huge surgical area in a posture that is completely different from the theory of those science fiction works.

In front of Omi, a large number of cube structures that seem to be loose and chaotic are presenting the whole picture in the form of images, and at the same time, some images show what is happening inside-more specific images are not necessary, and Omi is directly able to construct the most vivid and profound model of the essence of change in his mind through the data that is constantly flowing in front of him.

"Ah Chuan's limit is higher than he thought it would be, and it is far beyond our limit." Omi seemed expressionless, but his tone was full of satisfaction and joy. At the beginning, she married Gao Chuan with a tough and active attitude, precisely because she saw what she needed most from Gao Chuan - love may also exist, but that is neither the earliest reason nor the most fundamental reason. As a mysterious researcher, what does the most desired partner look like? According to Omi, the most important point is the "ultimate height of endurance".

Takakawa is tenacious, both physically and consciously, whether he treats him as an organic creature or strips him of his personality consciousness, and looks at it only from its purest physical structure, and has an extraordinary patience and adaptability. At that time, Omi was the only one who perceived this trait through his own unique perspective, and was even surprised that he was still "human"—mysteriously beyond the realm of "human" with extraordinary patience and adaptability, or perhaps he had to look at the strength and possibilities of "human" differently.

All in all, Takakawa is special, and this particularity is more important to Omi than the sensibility of "love". If you want to say whether Omi has "love" or not, whether she loves Takakawa in the sense of common sense, she thinks that she has, but after all, these sensibility are secondary to the importance of reason. In terms of the final result of the two getting along and falling in love, Omi believes that his research has achieved important results, and this is the most important and ultimate result. She believes that a large part of the credit for all her achievements lies in Gao Chuan. Without Takakawa as an experimental subject, without the sense of responsibility and inclusiveness that comes with the "husband and wife" relationship as a bond, she feels that she would not be able to achieve what she is today.

Today's prosthetic transformation is just a trivial matter, and before that, she had completed the most important research "time machine" in her life so far, perhaps in the eyes of others, the importance, completion and use of this research are far less than the other research she conducted in the Internet ball, but for herself, the result of this dream is almost the completion of the meaning of her life - and because of this, after accepting the term "Omi trap", there is no emotion, On the contrary, I accepted such a "setting" very easily.

The completion of such a significant "time machine" for her is undoubtedly the best helper for her, and in her opinion, the prosthetic Takakawa, who has gone beyond the meaning of the concept of "husband" in name and in fact, is undoubtedly the best helper. She had already understood what a terrible monster Takakawa was in front of her countless times in the practice of various means, and she never felt that the transformation in front of her would collapse him - he had passed the same and even more painful experiments in the past, and with each pass, he became stronger.

"He's my man." Omi said to Sha with pride, "I understand better than anyone what his limits are. His essence is far greater than you think. ”

As if he were joking, Omi continued to improve the control data in front of him again - the monitoring data fed back began to change drastically, and the complex intuitive structure that relied on the data directly in his mind was also reacting as if it were "melting". Incomprehensible theories, incomprehensible phenomena, play out in Omi's mind, and she knows the meaning of all this, and only she knows.

In her mind, the latest prosthetic body, Gao Chuan, has lost the shape of a "human", but a hazy and changeable volume that is loose and huge, like a mist stretching out of countless tentacles, but more profoundly in essence, it is an amorphous and amorphous structure, and finally retracts back to the appearance of "human form".

Omi murmured in his heart in a voice that only he could hear, as if facing a masterpiece like a god and couldn't help but rise up and praise:

Walking over the shore, through the clouds,

The twin suns sink into the dark and invincible abyss,

Invisible shadows shrouded in,

IT WAS THE DARK KAEKESA.

The crow flies in the night,

The moon runs in the night,

But what's even more amazing is that

INVISIBLE KAEKESA.

No one hears the singing of the Ang Xing Regiment,

The queen's robe flutters in the wind,

The song silently faded into the abyss,

RIGHT IN THAT LOST KAEKESA.

It's a wonderful poem that only rings in Omi's heart, and even she can't improvise a second one, and even this one never makes her feel the slightest improvisation. She knew very well that she had never had a literary element, but at this moment, this psalm suddenly appeared in her heart, and sang through her heart, even if she herself could not fully understand the meaning, but she could understand that the metaphors that existed throughout the text, and the terrible facts revealed by these metaphors, she could not fully express this terrible fact in her own words—only the "KAEKESA", which she did not even know about, was a completely self-made word. It seems to refer to a specific place, thing, state, and other comprehensive meanings, but it is completely monolithic. Yes, she knew that the part of speech of the word was monolithic, and it was a description of a specific thing.

KAEKESA, THE INCREDIBLE WORD, BUT WHAT EXACTLY IS IT AND WHERE DOES IT EXIST? It is impossible to understand the mere delvation of this patchwork of sounds, because when these letters are used to form a form sound, the real pronunciation and true meaning of the sound are greatly discreted. Omi suddenly understood, although she didn't know how she understood, but she just understood that KAEKESA was not a "human", and this was definitely not a voice that humans could make.

And, more importantly, after completing this improvised poem, which even she did not expect, she understood that this was not describing the prosthetic Takakawa, the hazy mist with countless tentacles that she had previously depicted in her mind based on the data, and it was definitely not the prosthetic Takakawa—it was already a part of the Prosthetic Takakawa, and it had existed in the Prosthetic Takagawa from the beginning, something very essential and basic, but it was definitely not the Prosthetic Takakawa.

If you had to think about it, Omi would have only one reimifier in his mind: "virus".

What I see is the "virus" that exists at the bottom of the existence of "Prosthetic Takakawa", and that figurative gesture is only one aspect of it.

It is entirely possible to see the "virus" through "Takakawa", of course, if you think about it in a more superficial way, it may also be "a monster in the collective subconscious of mankind".

With the help of such associations, or rather, these associations that Omi can't help but have, in a moment of uncontrollable thoughts, a splicing of a piece of consciousness is completed: the meaning contained in KAEKESA is all about the "virus". The meaning of this word, which cannot be correctly and completely expressed in human language and cannot be pronounced correctly in human voice, is its name, the place where it exists, the meaning and state of its existence, and the most basic and direct word used to describe it.

In the clues throughout the poem, only the name "Pleiades" is the easiest to recognize and understand.

IS THE "VIRUS" FROM THE PLEIADES KAEKESA? After recognizing the psalm in a way that she could understand—she subconsciously knew that it was not a complete psalm, but she could not understand why, after having such a vision in her mind, she could get the psalm so directly that it seemed to contain a large amount of significance—Omi's impression of the psalm was fading at a terrible rate, and she still remembered that she knew the psalm, but she could not repeat its specific content very quickly, but she was quite sure that when a clue appeared, I must have remembered that at that time, the constellations in the Pleiades must have been in the "right" position, enough to present the meaning of KAEKESA in a way that humans could observe in terms of matter or energy, which might have been reflected in an explosion of the brightness of the constellation.