Eiko, a girl who has been living with her mother, didn't see her father for the first time until her mother died unexpectedly in high school.

It wasn't until this time that Lao Cao didn't know that he had such a girl.

Lao Cao is an old oilman, who has been single for most of his life, and he doesn't know how to get along with his daughter at all.

Yingzi is very insecure, but she is stubborn and takes care of her own life and does not open her mouth to complain to her father.

Father and daughter became the most familiar strangers.

The first war between the father and daughter broke out on the day Eiko came back with her boyfriend.

At the dinner table, Lao Cao mercilessly said that Yingzi's boyfriend was useless.

Yingzi completely broke out, scolded the resentment and pain of not caring about his father for many years, and left the house without looking back.

Lao Cao chased out the door and only said one sentence: If you want a divorce, don't hold on, go home directly.

A year later, Lao Cao met Yingzi who was holding a child and was injured.

In order to make Yingzi not so hard, Lao Cao went out to work regardless of his body, but unexpectedly had an accident.

Yingzi took Lao Cao back with tears in her eyes and took care of her like a child.

The love between a daughter and her father is thicker than water, and grievances and grievances cannot be erased.

When she got the script, Zhen Zhu frowned.

Zhen Zhu is a woman who is so powerful that she is almost a god, and it is not impossible to direct and act herself.

But the little fairy Zhen Zhu also has things that she is not good at, such as writing.

The script was written by someone, although everything is the same, but in the end it is different from Zhen Zhu's ideas.

Just let Zhen Zhu change, it's still too difficult for her.

Since she can't use the knife on the script, Zhen Zhu can only work the shooting.

The first is in the choice of the role of the father.

Zhen Zhu invited Gan Ning's colleague, the veteran actor Fang Dan, who has always played the role of a villain.

This old man has an unconscious son, and he just finished wiping his son's buttocks, apologizing to the people of the whole country, admitting that he has no way to teach his son.

At this moment, you should be able to understand the role in Zhen Zhu's hands.

Fontaine originally refused, leaving a message in the market, and online violence hurt the old man.

But after reading the script and thinking of Zhen Zhu's persistence, the old man finally agreed.

Zhen Zhu uses the camera to quietly tell the change process of the father's and daughter's feelings, using some trivial things in life, and the bits and pieces of the two people getting along, describing the unconscious changes of the father and daughter.

Fontaine also enjoyed the sudden addition of a daughter.

The feelings of Chinese people have always been conservative and introverted, but these insignificant little things can reflect the family affection that Zhen Zhu wants to express.

Fontaine's freedom of retraction undoubtedly makes Zhen Zhu's film the icing on the cake. Let Zhen Zhu's emotional world, attitude towards life and expression of emotions be transformed into natural and smooth pictures without leaving a trace.

It's meant to be a rustic story that doesn't need much flashiness.

Zhen Zhu and Fontaine did it.

There are only a few people, and the relationship is not complicated, and Zhen Zhu tells it eloquently.

The relationship between the characters in the whole film has changed from strange to nostalgic, and the color tone of the film has also changed from cold to warm, but it has gradually come to an end.

The cameos are all Jiao'er, but Xu plays Zhen Zhu's scumbag husband, Gan Ning plays Zhen Zhu's mother who died early, and even Zhen Zhu's child has a great background, it is Yan Huan and Cao Xi's second-born daughter who is just one and a half years old.

Zhen Zhu asked Yan Huan with a smile, aren't you afraid of the fine?

Yan Huan said very shamefully that he had already handed it over in accordance with the relevant regulations. Although the child came unexpectedly, the child is much more important than money.

The child is still young and doesn't recognize birth, Zhen Zhu is obedient in her arms, and she cooperates very well.

When it was returned to Yan Huan, Zhen Zhu was really a little reluctant.

Yan Huan complained: "I like to give birth to one by myself." ”

Zhen Zhu teased the little girl's hand and paused, "How can it be so easy!" ”

Yan Huan looked at Zhen Zhu's expression and frowned, "What's wrong?" Do you men want to pay attention to the influence? ”

Zhen Zhu pouted, "Some time ago, I was cleaning and found a list in a book, and he tied two bows to himself, I am alone, how can I be born?" ”

Yan Huan was dumbfounded, "Your man is ruthless enough!" ”

Zhen Zhu pursed her lips and didn't speak.

The child is returned, and the scene still has to be filmed.

Fontaine and Zhen Zhu gradually became acquainted, although they did not cultivate a father-daughter relationship, but they also had a bit of a sense of being teachers and friends.

Someone coaxed them to make the fake father and daughter become real father and daughter, but Zhen Zhu refused.

Zhen Zhu doesn't have the habit of climbing relatives, she has some respect, just put it in her heart, and you don't have to recognize a relative to explain it.

Besides, she also has a father at home!

In doing so, where to put Zhen Gang?

Even if Zhen Gang doesn't care, there is still a young cloud waiting in line!

Where do you put them?

Fontaine knows his own family affairs, and he doesn't want to pull Zhen Zhu, a girl, to wipe his stinky boy's buttocks.

That's the end of it.

Although the old man did not publicly admit his relatives, he never concealed his appreciation for Zhen Zhu.

He even publicly said that the biggest gain this time is not the salary, nor whether he can win the award, but getting to know Zhen Zhu.

This is undoubtedly the greatest recognition and the best evaluation of Zhen Zhu.

Director Zhen Zhu's second play has not yet been released, and it was complained about.

said that she consumed family affection, and said that she was not creative......

Zhen Zhu looked at those remarks and said nothing.

After being an actor for a long time, you will understand a sentence: go your own way and let others say go!

Films all over the world revolve around family, love, and friendship, why don't you say that other people consume?

Zhen Zhu didn't mind, but others were upset about her, especially hardcore pearl fans.

Seeing that an Internet war was about to break out, Zhen Zhu's post-production was finally completed.

Zhen Zhu submitted it for review as soon as possible, but she didn't expect it to pass in two weeks.

Zhen Zhu received the notice and raised her eyebrows, is this what Nian Qingyun means?

This kind of head, it is definitely a good thing to be able to review and launch.

Regardless of whether there are young hands and feet in it, Zhen Zhu appreciates it.

"We", which has a friendship with a big name, was officially released in the summer.

The same shooting style, simple and unpretentious, revealing warmth, is the consistent feeling that Zhen Zhu gives people.

Both movies go from contradiction to warmth, but the two movies are completely different.

The family affection of "Uninvited Guest" is warm from beginning to end, while "Let's Three" is full of helplessness from beginning to end.

From the death of Yingzi's mother to the recognition of Lao Cao. From the disapproval of the relationship to the final divorce. From the father and daughter to the old Cao's accident. "Let's Three" reveals a touch of bitterness.

A kind of helplessness of "everything is fate, and nothing is up to anyone".

After watching "Uninvited Guest", you will smile, and after watching "Let's Two", all the people who can laugh are cattle.

said that Zhen Zhu consumed family affection, and closed his mouth.