It was recorded in the "New Tang Book" that in 648 AD, Tang Taizong "sent the right guard to lead the governor Shi Wang Xuance to make the country", that is to say, in the twenty-second year of Zhenguan, Tang Taizong sent Wang Xuance to Tianzhu, but Wang Xuance's visit was robbed on the way by an accident. Pen? Interesting? Pavilion wWw. ｂiquge。 The Tibetan leader Songtsen Gampo immediately sent troops to assist Wang Xuance in defeating Tianzhu and presented it to Chang'an. In 650 A.D., Tang Gaozong Li Zhi granted Songtsen Gampo the official position of "Commander of the Horses", and gave him the title of "King of Xihai County".

Yuan Buzhi divided the Yinshan Underground Palace into five thousands of years ago, if it is difficult to achieve great things by relying on the power of only one person, although it has gone through thousands of years, it is still difficult to build this tomb, so we speculate that Yuan Buzhi must be friendly with a certain dynasty at that time, and then use the power of the entire dynasty to secretly promote his own plan, and the choice of this dynasty is undoubtedly the Tubo who sought the art of reincarnation at that time. The Tang Dynasty is difficult to control, and Tubo also needs this kind of physiognomy to contain the Tang Dynasty and obtain eternal peace.

In fact, we don't know that Yuan Buzhi is doing a thousand-year-old dead end, from the time we enter the cave through the hole, it can even be said that the copper sheet disappeared, and someone at the entrance of the cave said that we have entered the dead end designed by Yuan Buvio, one ring after another, and we are trapped in a big net, and this net is the carved ancient building, which can also be said to be the tomb of the king of Xihai County.

Ever since I came out of the tomb, I've been thinking about a crucial question, and the essence of this question is whether what we experience in the tomb is an illusion or whether it really exists in the real world. When the tomb of the king of Xihai County was put into the depths of the Jiangduo Sacred Mountain, and the magnet of the Yinshan Underground Palace shrouded the entire periphery of the sacred mountain, perhaps when we stepped into the cave, we had already entered the illusion, or a time and space that we could not perceive.

I don't know how to explain the tomb, but with the enrichment of my life experience, I may be able to call it a supercube in four dimensions wrapped in meteorites. In layman's terms, this is a four-dimensional space-time that transcends three-dimensional space-time, and the space-time magnetic field is chaotic. Perhaps it is easier for me to explain it this way, if we have a space-time plane in front of us, and this plane only has a length but no height or width, then the objects living in this space-time can only move forward or backward simply, and are presented in the form of a line in front of our eyes, which is one-dimensional space-time.

And when the width of this sandwich surface appears on the basis of length, the objects living in it can move up and down, left and right, which is two-dimensional space-time, which is a plane composed of countless one-dimensional space-time lines. So by analogy, when we have a clamp surface with width, length, and height, the clamp surface is no longer a plane but a space that can move freely up and down, left and right, front and back, which is three-dimensional space-time, and the four-dimensional space-time we want to talk about is based on countless three-dimensional space-time.

When we look at an object, what we see is not the whole of the object but a plane, and the back and forth movement of the object is determined by the fact that the object we see is bigger and smaller, rather than seeing the object really moving, so to some extent, we can't see the real way of the world.

And when we enter the cave through the gate, we basically enter a chaotic four-dimensional space-time due to the huge magnetic force of a person living in the three-dimensional world, because we observe objects in three-dimensional space-time in four-dimensional space-time, that is to say, we can't see the real world at all, so we can't see the true face of the carved ancient building at the beginning, and when the second uncle saw the ancient building, it was because the second uncle was standing near the hole, coupled with the influence of ghosts, the dislocation of time and space was corrected. Therefore, only the second uncle was not affected, so there were carved ancient buildings of wood, iron, green tiles or stones, watchtowers that we saw later.

When we keep moving forward until we reach the mobile tomb, it is actually equivalent to entering a four-dimensional world, or commonly known as a super cube, but the tricky thing is that the time and space inside this super cube are still chaotic. In fact, even though we crossed the ancient river and really entered the depths of the Mt. Kanta, we still did not get out of a chaotic space. So when we were in the moving burial chambers, in fact, the moving burial chambers were not simply a combination of burial chambers, but mainly the middle burial chamber, and then continued to extend outward in equal equal distances. Since the speed of time in these rooms is different, and the speed of time is so slow that the speed of a person is measured by the speed of light, this is why I was able to see images of the past after I fainted, but we don't know if these scenes are hallucinations or real in the real world.

When we found the goose fish bronze lamp, the fat man and I saw a person in the coffin who looked so the same as me, in fact, it was also because of the chaotic four-dimensional time and space, it may be that time and space are being transferred again and again, and the same space will become two or more spaces, and then several spaces will be reconnected, so there will be two or more of the same person, if you go into more detail, that is, we chose a road to reach a space, if we re-chose multiple roads to reach multiple spaces, It can also be said that we will meet thousands of me in this tomb, and there will be as many spaces as there are encounters.

In fact, I didn't mention the scene I saw in the sea of mandala flowers to the left and right and the fat man, that was because I couldn't believe what I saw at all, the legend is that the black mandala flower represents the unpredictable death of desperate love, and I saw myself, my father, the fat man, the left and right, the second uncle, our past, present, and even the future, and the unpredictable death of the end of life, of course, whether this really exists, or what kind of fantasy I dare not think.

And in the end, when we arrive at the Tongtian Cave, it is actually theoretically the most central place in the supercube in the four-dimensional chaotic space-time, and this location is also the so-called most central and stable place, if we take the most central cube as the basis, in this chaotic four-dimensional supercube, that is to say, a room is not just one room, but extends out of many, so the result is that the space is extremely unstable. At some point in time, there will be a collapse and overlap, and even in the end, all the rooms will shrink together to form a room, in fact, in a sense, any other room is the room in the middle.

In fact, the red gold dragon box or the mirror did not point us to any way to heaven, but the time point when all the rooms of the house itself gathered together was told very early on, that is, 1 ・ 4 ・ 5 ・ 3 ・ 2 ・ 6, as for why this time, who calculated it, I guess I will never know, just like why the tomb is repeated with the same face as me, instead of the left and right fat people or other people, I have no way to explain, Or just for the time being, I don't know how to explain it yet.

I remember that when he opened his eyes, we were gone, in fact, I don't think this is because of any four-dimensional space-time or space-time chaos, but I think of another explanation, that is, we met a kind of folk so-called creature in the tomb, called "block", legend has it that this kind of object is blackened all over, huge, and its body height can change with the surrounding environment, it usually appears in dark places, but even if it appears in front of your eyes, you will not notice it at all, you will not pass through it, but be confused by it, Finally it expands, trapping you in one last small space, and this explains why we don't see left and right in the burial chamber, not that we don't see left and right, but that right and left are right next to us, and our view, as the name suggests, is "blocked" and destroyed.

In fact, there is another thing I want to say, that is, did we really enter the carved ancient building or the tomb of the king of Xihai County of the Tubo Dynasty? Or is this ancient building itself in a non-existent space-time that is not parallel to the real world, and this means that in fact, the terrifying creatures in it only exist in a fantasy space-time of ours, which I really can't explain.

I remember that in the 18th century, the Tibetan monk Poor Jie Dorjee wrote a book on the Tubo Mausoleum and described it like this: "The tomb of the four sides is divided into grids, and the silk paper is mixed in the soil, so as to make the statue of the British Lord, and the wooden cart is loaded with songs and dances, and the holy statue is placed in the tomb, and the rare treasures are filled with the grid, and this style has flourished in the ......world since then", and later, although some people have successively found the tomb of the Tibetan king in the mountains of Lang County, Nyingchi Prefecture, and called it the tomb of Songtsen, but unfortunately no one has really unveiled the mystery of this mausoleum.

Later, I once saw a description of a professional scholar on the Internet, and I briefly sorted it out: there are five shrines in the tomb of Songtsen, and five kinds of offerings are displayed in its inner chamber. In the center of the ghost is subdued by the King Kong top, the top is a colonnade made of eighteen ruler-long pillars, it is made of sandalwood called white sandalwood, on top of it is an umbrella that protects everything, made of sandalwood, and on the right is a knight and war horse made of pure gold, as his retinue in the underworld, the king of Xihai is so gorgeous.

Everything we have experienced will carve the ancient building to point to the tomb of the king of Xihai County, and it is far from the preferences of the king of Xihai recorded in history, but the things in this world are true and false, false and true, the more mysterious things may be difficult for us to understand, or in other words, since we can't understand, how Yuan Buzhi created all this thousands of years ago, the more I think about it, the more terrible it is, maybe I prefer to believe that this is just a coincidence, a coincidence that combines the right time, place and people.