Well, the national service has finished the fourth chapter, and the author who has not drawn Mr. Babbage at all after ten consecutive years and is in despair briefly evaluates the latest chapter 4 plot. Pen @ fun @ pavilion wWw. ｂｉｑUｇE。 ｉｎｆｏ

First of all, the script in charge of the plot of the fourth chapter is Hikaru Sakurai.,Compared to the kind of running account in the second chapter,The fourth chapter seems to be a little weaker than the second chapter.,Of course, it's just a little bit.,The more brilliant characters in the plot I personally think are Hans Christian Andersen with the whole soy sauce.,And Shakespeare with the whole soy sauce - it's all soy sauce that is brilliant What the hell is it.。 And by the way, the plot aspects of Andersen are all written by mushrooms (laughs)

Actually, I was looking forward to it before the fourth chapter of the Japanese service opened, because Aunt Sakurai has always been good at steampunk-style novels, and I myself like steampunk (and Babbage) very much, so for Sakurai, who is good at writing this kind of plot, this is logically the most suitable stage to play - but after I saw the fourth chapter, I said what is this TM?

Sakurai must have wanted to write steampunk style.,As a result, I didn't write that kind of feeling as it should be.,It's just suffocated into a half-hung steampunk.,It's a little steampunk style related to Babbage.,And then I can't see where steampunk is.,I won't say anything about the plot flow account.,Hans Christian Andersen's lines in the fourth chapter that can be said to be very bright spots are still written by mushrooms.,And then suddenly he appeared and didn't know why he joined the desperate forces of the original righteous partner insect master.,It gives people a feeling of forced appearance., I feel sorry for the bamboo master who is a lot older and has to come over and continue to be a villain (but it should be young at this time), and then there is the appearance of the black gun hair that is completely unclear, and the whole article was beaten back without saying half a sentence, and it can be rated as the boss with the least lines in the whole FGO, which is worse than the flash that was turned to the ground by four servants in the FZ linkage.

On the Japanese side, because of this chapter, someone specially framed all kinds of plot bugs and weird plots of Sakurai, such as Jing Ke's setting and the complete deviation in the plot, Sister Boudicca's forced to endure her strong hatred for His Majesty Nero to help, and the black gun Mao came out for a cutscene without saying a word.

But fortunately, in the later final chapter plot, Sakurai wrote two or four chapters of the plot, and basically got all kinds of bugs back, which can be regarded as a gratifying thing.

I've talked to others before.,Why did Aunt Sakurai write the second or fourth plot into this virtue?,To put it bluntly, it's really not very suitable for the style of mobile games.,Although it can be seen that Sakurai's fourth chapter is a little harder than the second chapter.,But the pure dialogue plot of the mobile game still can't give full play to Sakurai's advantages.,Mushroom and Tode, a guy who has been in charge of GAL scripts for many years, can see the gap in level compared with Sakurai.,Sakurai is better at using a lot of environmental descriptions and side descriptions to set off the character's image and emotion., Sakurai is really not good at this kind of mobile game style, plus Sakurai's writing has always been Mary Sue style, which can be seen from Aotian, so in the second and fourth chapters, some Mary Sue breath is often inadvertently revealed.

But Cangyin is indeed a very good work in a sense.,I recommend you to take a look here (although I personally looked at Cangyin at the beginning.。