This is the end of "School-Days", and the audience has mixed feelings, both satisfied with the final ending, and at the same time a kind of loss, and perhaps some unhappiness and depression.

The protracted foreshadowing, which has been backlogged until the end, is absolutely sensational.

The eyes don't blink. It wasn't until the curtain finally came down that the fans were able to calm themselves down. Go back and revisit the work.

This work, which has been sprayed countless times by them, is even regarded as a work of Ye Luohei's history.

At this moment, in their eyes, the layer of superficial vulgarity suddenly faded, showing a shocking and thought-provoking essence for the audience.

The style of firewood knives and good boats is naturally not just as simple as making fans open their mouths and be stunned for a while.

The shock and impact it has had is strong and enormous.

"What an unparalleled reversal!"

"Beautiful hatchet, perfect good boat, "school-days" is a classic!"

"Brother Cheng has been passed down through the ages and is immortal!"

Fans vented their feelings on the forum and vented their emotions in their hearts.

For professional film critics, it's even more of a feast.

Zheng Tong took off his Internet glasses, found a wet towel to cover his face, and thought about it with his eyes closed.

When Ye Luo released his words, saying that there was a surprise in the ending, some old magazines in the circle invited him to write a film review of "School-Days", and hinted that it could be more intense.

Zheng Tong knew that he was just going back to his old profession and spraying venom, so he agreed.

- Originally, he was a little disgusted by "school-days", and he began to turn black, spraying quite hard, and it was no problem to make extra money with his own hands.

So, Zheng Tong chased the update and finished reading it for the first time, in fact, when he saw the shocking scene at the end of "school-days", he already knew that this was another classic, and Ye Luo was still that Ye Luo.

Not only that, but "School-Days" will undoubtedly cause a lot of buzz again, especially the last scene, which is the so-called "God Turn", which gives the whole work an extraordinary meaning like the finishing touch.

There's nothing to say about the manuscript, it's what it should be, it's impossible to smash his reputation with that little extra money, not to mention that he's still a fan of Ye Luo... But, then again, this is also a review that he is bound to write, whether there is an appointment or not, he has to write it, and as soon as possible - after all, he is eating this bowl of rice.

But this comment is very difficult to write.

It's not that "School-Days" is so profound, Zheng Tong is confident that he can write something in the esoteric film, mainly because his head is completely mushy now.

The world and Yanye's knife seemed to have also cut on his brain, and his brain, which was usually like a spring, became fragmented at the moment, and the plot was very shocking, yes, he also had a lot of ideas, but one piece in the east and one piece in the west, there was no way to organize them together.

The head was a mess, as if someone had been slammed into the back of the head, and there were a thousand words in his chest, but he didn't know what he was going to say when he opened his mouth.

Speaking of which, Zheng Tong was very disappointed with the work "School-Days" at the beginning, especially when he didn't change it under the accusations, and the spray was quite powerful.

However, now it seems that I feel a little blush, and the finishing touch in the end is so perfect, impeccable, and instantly sublimates a scumbag into a work with connotation, how scum there was before, and how much depth there is now.

That scene almost surprised everyone's expectations, and it was obviously a very likely story, but because of the inertial thinking in the past, people didn't think about it.

Perhaps because of this, Ye Luo became a generation of masters at this age, and he was twice as old as him before he became a generation of trolls.

Zheng Tong smiled self-deprecatingly, and his heart also admired Ye Luo more and more, it is this kind of person who dares to think what others dare not think, swim against the current, and still dare to innovate and seek breakthroughs under such a status, and insist on his heart no matter how much criticism he has, so that he can have such an achievement.

Zheng Tongtong rubbed his temples with his hand through a wet towel, and the cool feeling made his confused head barely have the ability to think normally, and then he put on his Internet glasses again, entered an interface, and began to think about comments.

"There is no doubt that 'School-Days' is another classic, and the master - I'm sure no one has a problem with that title anymore - has played everyone ......"

"In the beginning, I think not just me, but most people were interested in all the stories up to the last episode of School-Days. are all very disappointed, and the whole article is full of a kind of red fruit desire. Vulgar, depressing, and uncomfortable to watch, it can be said that it is so inferior that people don't even have the desire to watch it. ”

"School-Days, or Days on Campus—I believe 'Days on Campus' is definitely the most perfect translation, not one of them—at the time it gave us the impression that it was a master's work on the streets, or a story of black history. Originally, this is normal, after all, the master is a human being, not a god, and it is normal to have a stain, but it can make people feel that the master is not so high. ”

"However, when I watched the last episode of "Sun on Campus", my heart was shocked by the waves of impact and even a little confused, the master is still the master, I can only say that we don't understand the world of genius."

"In our understanding, the protagonist is generally positive, even if there will be some flaws, but in the end they will show the audience justice, brilliance, and beauty. After all, when the audience watches these works, they basically follow the protagonist, bringing in the feelings of the protagonist, and the protagonist in the form of truth, goodness and beauty is accepted by the general public, even if they will do some 'bad things', either they are inconsequential little things used to enrich the image, or they are ignorant and ignorant 'good intentions do bad things', in short, the general direction must be 'good', and the audience will accept it. However, Makoto Ito is a special, villain-like protagonist in "Day on Campus", which is definitely the standard villain in any other work. ”

"Days on Campus" tells the story of a high school boy's mental journey between love and desire, showing the serious consequences of moral and sexual confusion and sexual indulgence in adolescents. Because of the 'three nos' attribute of Makoto Ito, the male protagonist in the play, 'no discipline, no assertiveness, and no self-reflection', he was criticized by the audience as 'scum'. Because of his flippant handling of feelings and indulgent attitude towards sexuality, he directly hurt all the women around him, and finally led to tragedy. ”

"It is through this kind of villainous protagonist that the master reveals the weakness of human nature in a very cruel way, and then reverses the traditional love routine of 'lovers eventually become married', which is very profound for all audiences, especially for students who are still in adolescence.

"The reason why it can bring us such a profound shock is not only the unconventional ending of that scene, but the most important thing is the 'reality' in "Sun on Campus". - The background is 'real', the play is placed in a school in an island country in the Common Era, and if it is placed in any secondary school in the Federation, it will be fine. The characters are 'real', in addition to the unique appearance of the second dimension, the images of the protagonists in it can be seen everywhere, just like Brother Cheng's sunshine boy, Yan Ye's shyness and dedication, the world's willingness to force himself for the people he loves, etc., to be honest, find ten random people in school, five of them are such characters, and five of them can be related to such a character. ”

"The 'real' of the background and characters leads to the 'real' of the plot, not to say that it will definitely follow this development, but there is definitely this possibility. There are many examples of young people's attitude of treating love as child's play and easily indulging their bodies in society, and there are even many such situations around me. ”

"Although "Days on Campus" is a fictional story, it conveys the love morality that is missing in today's society. Love should be about both parties treating each other with sincerity, trusting each other, insisting on single-mindedness, and behaving civilly. However, in today's society, the problems of moral anomie such as the objectification of romance, the weak sense of responsibility, the overly open concept, vanity and possessiveness are very obvious, and the social problems caused by this must arouse the attention of the whole society. "Day on Campus" allows people in love to examine their own weaknesses, and allows people who are about to set foot in love to regulate their own morals, and people of different ages and life experiences can get food for themselves. ”

In the last episode, the situation of "School-Days" was immediately reversed, from a series of negative comments such as vulgarity and badness, to a gorgeous turn that is highly praised by people from all walks of life.

In particular, the Ministry of Education intervened and directly discussed with Ye Luo the broadcast rights of "Days on Campus", and prepared to use "Days on Campus" as an educational film recommended for primary and secondary school students to watch.

It's really dry!

Ye Luo heard this, patted his chest and expressed his love for the next generation, as long as it is for education, as long as it is for the children, money is trivial, and decided on the spot to hand over "Day on Campus" to the Ministry of Education for free, so that every student in every school in the entire federation can see this "profound educational significance" work, the money is not enough, and the two-dimensional company can fund and promote.

The exhibition in the comment section of "School-Days" is also full of drama, from the excitement of anticipation at the beginning, to the angry ridicule and escape, and after the final ending, it seems to detonate a nuclear bomb.

Zheng Tong's comments were posted, and they were quickly reprinted in the comment section of "school-days", and other film critics were similar, and the demons danced wildly on the forum.

"Sometimes 'evil' also has a value worth existing, it makes people see reality. The story uses an extreme tone to portray a cowardly boy (scum) vividly. We can stretch the timeline and look at just a dozen episodes as decades in the real world. A man who never refuses to be a 'public lover' who has a crush on a subway girl, from stammering when he talks to his crush to pedaling two boats for a long time, his hesitation between two women, his irresponsibility to women, we all seem to know it. It's just that the men in reality took ten or twenty years, and he only took ten or twenty days. Perhaps, Makoto Ito is the dream of some men... There is nothing wrong with this, but the master has already told us the ending, this kind of dream will be stabbed, long live the good ship! ”

"There is a small detail in it, that is, in class, when the world proposed to train the scum Cheng, the teacher was talking about Xunzi's 'at the beginning of man, nature is evil'. I think it's very apt, here, what the scum pursues is human instinct, or desire. Think about what we do, and all the motives are also desires. Born with the desire to survive, to learn, to express, to evolve and even to reproduce, it is these 'desires' that make up the most complex human beings in the world. ”

"In 'Sun on Campus', in a very plain form, these profound contents are shown to us very crudely - the most instinctive, the most seductive and shocking desires of human beings, which exist at the same time in all levels of society around the world, and even in all animals on the whole planet!"

It seems that Brother Cheng is sinking under temptation and desire step by step, turning into a bulldozer and a humanoid self-propelled cannon. But we seem to have overlooked a detail at the beginning, which is something that the master had already told us at the beginning and was also frantically complained about by the audience at the beginning, that is, the world, the world of Xiyuan Temple. That's right, her name is the world, not a homonym, not a clerical error, the master even deliberately introduced himself through the mouth of the world, 'The world is the world'. ”

"The Master told us at the beginning, but none of us noticed, and only complained about the strange name 'World'...... Because this is not an ordinary romance drama at all. ”

"It may not be until we see the final ending that we can understand the whole story. This is not an ordinary story, this is the philosophy of human nature that the master warns us about - Brother Cheng is a human being, the world is the 'world', and words are the most beautiful purity in our hearts. People live in the world and pursue the most beautiful things (Yan Ye), but they will always be tempted by all aspects of the world (the world), and the world knows us best, and will always unconsciously give us almost irresistible temptations, so that we will gradually sink, and the most beautiful purity will be defiled (Yan Ye is forced). The pregnancy of the world can also be said to be the future of man, what kind of fruit people plant for themselves will get what kind of future...... Let the world go to abortion, then abandon the 'world' and 'future', and people who have no future will be taken for granted by the firewood knife, and they can only be with the best things in their hearts in illusion and imagination (good boat)......"

“……”

“……”