Chapter 60, Jade and Jade Dragon

Ignoring the master's own thoughts, I looked forward with the torch in my hand, and the throne in front of me was inlaid with precious stones, glittering in the light of the torch.

And on the throne is a jade dragon inlaid with mutton fat jade and top jadeite, with a torch, the dragon body is suddenly brilliant, quite some fairy flow, if the pure gold palace shocks us, then this dragon chair inlaid with gems is even more shocking.

At this moment, the crowd outside is competing for the deer, it is the time to fight, and the war is nothing more than burning money, and whoever has more money can survive until the last moment.

Some of the treasures in this place are enough to compile a division, and you can imagine the luxury here.

The little monk picked up the demon pestle and began to buckle some gems on the dragon chair, looking like he had never seen the world.

To be honest, I grew up in Lao Zhang's family, although I said that I was a complete son, a rich second generation, what a strange and priceless treasure I have never seen, but after seeing the things here, I am still a little dumbfounded, but I also have to pretend to be a master who regards money as dung.

We ignored the little monk's appearance of being a wealth obsessed with money, and let him chisel and smash the dragon chair, and our eyes stayed on the jade dragon's body at the moment.

The inlaid jade dragon was only half naked on the outside, and only a small part of the dragon's body, including the dragon's tail, was entrenched on the throne, and the dragon's tail and claws were on the armrest of the throne, and the dragon's body was raised, which looked extremely majestic.

Most of the front half of the dragon body is inlaid on the back wall of the throne with concave and convex waves, and the painting on the palace wall is integrated, so that the whole wall painting shows a strong sense of hierarchy, and the strange conception and the essence of craftsmanship have been transformed into a realm. People in the world often say that "the dragon sees the head but does not see the tail", and at this moment this jade jade dragon perfectly interprets this statement, and the naked dragon body seems to be resurrected from the mural and flew out, vividly.

The back half of the inlaid dragon is a large mural with a picture of the king of Bashu driving a snake and other talks. In the painting, the fairy aura is swirling, the incense is rising, a glow looms in the continuous mountain peaks, and the clouds and mist mountain light are full of smart energy.

Teng snake crown on his head, carrying the king of Bashu up, the surrounding thunder rolling, and the sky is cracked a hole, half of the snake penetrated into it, the body was wrapped with lightning, and the king of Bashu walked in slowly, a heavenly palace loomed in the sky, as if to welcome the arrival of the king.

This king is probably the king of Bashu, I saw that he was about two feet tall, like a majestic god, wearing a wide python robe with a round neck, a jade belt around his waist, a purple and gold crown on his head, and his clothes inlaid with precious stones were shining in the clouds, and he was holding a sheepskin scroll in his hand, emitting a kind of light, which should be the secret art of Jiuli.

The king has three strands of long hair, he can't tell how old he is, and his face is not very vicious, which is not what we imagined beforehand. I always felt that the tyrant should be full of flesh and beard, and this portrait of the king of Bashu was solemn and serene, if I hadn't seen so many of his cruel methods, I would really think that this was a wise man and sage.

At the top of the picture, an old man riding a crane, with white eyebrows and a smile on his face, behind him Lei Gong and Dian Mu shot out a series of lightning and thunder, and more people who looked like immortals were looking down, although their postures were different, but their expressions were very respectful, and they were greeting the king who stepped on the dragon body to step into the heavenly court.

I not only saw it funny: "This old thing really thinks he is a dish, belittles Emperor Xuan of the Han Dynasty, builds a luxurious mausoleum, and then ascends to heaven, and many immortals greet him.

The master smiled: "Since ancient times, princes and generals, the one who does not want to live forever, but the reincarnation of heaven, the doomed thing cannot be shaken off, the ancients did not accept fate, only lust to satisfy their vanity, but also believe that after death, they will ascend to heaven and become immortals."

In the corner of the large mural in the middle, there are two small paintings, both of which are the scene of the sacrifice of the king of Bashu when he ascended to the sky, and the corpses of boys and girls are filled with the copper tripod and burned, the situation is unbearable, so I did not look closely.

After the little monk deducted a few gems from the dragon chair and put them in his pocket, he looked at the jade dragon in front of him with a saliva on his face.

I pulled him and said, "Just take advantage of it, don't be greedy enough to swallow the elephant, this thing weighs hundreds of pounds to say the least, I advise you not to think about it."

The little monk smiled and said, "Aren't I appreciating art!" Besides, according to the contempt in this mural, the old man of the Bashu King has already gone to heaven to be a fairy, and this gold and silver treasure is a pile of dung for the gods, according to me, we might as well chisel this jade dragon as soon as possible, and then set fire to this mausoleum, and then go back as soon as possible to sell these treasures, make a windfall, and then find a quiet place to become a landowner."

Nini glanced at the little monk and said: "Look at your little bit of talent, you are still a monk, the six roots are not in a hurry at all, becoming an immortal is just wishful thinking of the king of Bashu during his lifetime, how can there really be immortals in this world."

I agreed with Nini's statement, and said to the little monk: "Don't forget what we are doing here, now that your master and Nini's father are uncertain, we have to find what we need as soon as possible, you look at the kind of parchment scroll in the hands of the king of Nabashu in the mural, it is very likely that it is what we need."

Zhang Dao nodded a little and said: "Yes, the parchment scroll in the mural is what we are looking for, for this Bashu King, the value of the Jiuli secret technique is far greater than this golden palace jade seat."

The little monk touched the mural and said, "You see that this Bashu King has ascended to heaven, will he take this sheepskin scroll with him?"

The master retorted: "Just like Nini said, this is just the wishful thinking of the King of Bashu who wants to become an immortal, thinking that Qin Shi Huang wants to live forever, and it took so much manpower and material resources to become an immortal, and in the end it is not a violent corpse wilderness, and finally has to be transported back with salted fish for burial, no matter how powerful he is the King of Bashu, he can compare to Qin Shi Huang, I judge that his coffin pit is set in this hall, and we will turn it out for him in a while."

A few of us rested in the main hall for a while, and after a little discussion, we decided to search the palace first, and then find out other places, no matter what, seeing is believing, only to turn over the Ming Vessel in the Hades Palace, if you can't find the coffin of the King of Bashu at that time, it is bad luck, and it's not too late to stop.

Before the Qin Dynasty, the palace was the core building that integrated large-scale sacrificial activities and political activities, and it was not until the Qin Dynasty that it was only established as the residence of the emperor who lived in the former dynasty and the queen.

As for the Ming Tower on the emperor's tomb, its apse should be a sacrificial hall, not a dormitory, and there should be many inscriptions and murals in it for future generations to worship and pay respects.

We have never seen what the Qin Palace looks like, but the Lingyun Heavenly Palace should be similar to the Afang Palace in the Qin period, although the scale is certainly not as large as the Afang Palace, which burned out in March, but it may surpass it in terms of situation. I think that Qin Shi Huang is also the first person among the ancient emperors who is the most persistent in alchemy and cultivating immortals, but the first emperor probably never dreamed that after him, there will be a later generation who is crazier than him, pure gold to build an underground palace, and jasper gems inlaid with an underground palace as a tomb, which is much more prominent than his Qin Tomb.